Angela Carr’s great monthly roundup of comps and reading windows.
The other day I received an email rejection letter from Rattle, an excellent US magazine I both subscribe to and aspire to being published in. So yes, it was a blow to have my poems rejected. But I didn’t feel dejected. Here’s why. Editor Tim Green sends out what I can only describe as a model rejection letter.
Click on the title to read more (495 words)
Last Thursday I had the pleasure of reading at a Needlewriters event – a quarterly evening of readings, both poetry and prose, at the Needlemakers cafe in Lewes. It’s the only event of its kind I know round here, combining prose and poetry. (Disclaimer: I’m on the organising committee… although still a new girl.)
Click on title to read more (339 words)
Help! I can’t be the only one who has this problem. Poem titles. What the &%$?!*?
I seem to have a issue with both the creative and the administrative aspects of poem titles.
Sometimes I’m pleased with a poem, but the ‘working title’ just doesn’t cut it. Or I don’t even have a working title. Sometimes I save a poem under its working title and then can’t find it. Sometimes I submit a poem with ‘title X’ which, after four or five rejections, I rework a bit and change the title, then can’t find either the poem or where I submitted it. Sometimes I have a GREAT title in my head, but can’t write a poem to go with it. Maybe it’s a pamphlet title? But I haven’t written the pamphlet either. Sometimes I look at the titles of poems in magazines and wonder at their length or quirkiness, and I TRY to write long, quirky titles to my poems. But they resist and resist until they’re just one or two words again. The first one often being ‘The’. (click title to read more – 195 words)
Anthony Wilson on a super poem by Catherine Smith…