You know how I’m a bit of a sucker for interesting poetry formats? Well, I’ve often wondered what The A3 Review was all about –…
Poetry
You know how I’m a bit of a sucker for interesting poetry formats? Well, I’ve often wondered what The A3 Review was all about –…
I’ve recently had sight of Abegail Morley’s new collection The Unmapped Woman. To read it is to be drawn into a mystery of dream-like sadness…
Epigraphs, we’re told, are risky – they have a habit of upstaging the poem that follows. But the quote from William Blake is an apt…
I’ve got into a rhythm of reading a Canto of Dante’s Purgatory each night before falling asleep, sometimes I get through the chapter commentary &…
A couple of brief reviews of collections I’ve been reading: Inland – Kay Syrad (Cinnamon, 2018) (£8.99) There’s nothing predictable or familiar in this collection.…
This is my wrap-up post for 2017 – I’ve enjoyed other people’s posts but have been increasingly wondering whether I’ve anything else to add or…
To be fair, I did have a seat for the first half, but with the sciatica playing up I was happy to stand for the…
Katy Evans-Bush‘s TS Eliot shortlist workshop is fast becoming an institution. Now in its sixth year, it’s a fine precursor to the Prize readings which…
An interesting book came my way from Bloodaxe recently – a book of books, you might call it, or perhaps an anthology of collections. Home…