Tag: great vowel shift

Poetry Library takes The Great Vowel Shift

OK so it doesn’t sound like a big deal, but the email from the Poetry Library says they get sent between 200 and 300 unsolicited publications every month, and my Telltale pamphlet The Great Vowel Shift has made the cut. It feels like vote of confidence. And yes, since I don’t have the might of a known poetry publisher name behind it, I’m chuffed to bits.

They’re more cautious about Telltale Press generally (because it publishes on a cost-sharing basis) and aren’t yet willing to list it as a new independent publisher, but are still happy for me to submit our pamphlets on a case-by-case basis. I do believe that the slight ‘taint’ still attached to new (or rather alternative, as it’s not new at all) ways of publishing will change as different models become more widespread.

For now, I’m satisfied that our editorial standards are high and I’m not even trying to make a profit. Perhaps it’s naive of me but I believe in poets pooling their (non-poetry related) talents and resources for a stronger presence. Telltale’s official launch will be in the autumn. Do watch this space (or better still, watch the Telltale blog) for news.

Friday update

It’s been a good week in many ways, but the not-so-good things first: a rejection from the London Magazine (not unexpected) and no new poetry writing done at all 🙁

Good things: the first of our Brighton Stanza small group workshopping sessions was on Monday, and although there were only three of showed up in the end (of the others one called in sick, two were delayed on the train, one got the date wrong) I took away one excellent insight (thanks to Tom Cunliffe) which I know will have far-reaching consequences for me. More good things: I sent my pamphlet off to print!! Cover reveal:

The Great Vowel Shift cover

 

I’m very pleased with the cover illustration by Hannah Clare, who I will use again for future pamphlets as I want to establish a brand look. My only reservation is whether I shouldn’t have gone for a dust jacket. I like the traditional feel of one, but if it gets detached from the booklet it does mean the booklet cover has no markings. Anyways, that’s what I’ve opted for at the moment, as I liked the look of the pamphlets by Smith Doorstop.

Next nice thing was an evening at the Redroaster in Brighton last night for Pighog poetry readings – top of the bill and clearly the big draw was fine poet John McCullough, who I always love to hear read, but sadly he had to wait until about 10pm due to open mic-ers being given too long. After the first half I was remarking how I liked the fact that the open mic had seemed relaxed and gave people more time than usual, with just 3 readers. But I didn’t realise there were about 10 more readers to go in the second half, many intent on hogging the limelight for as long as possible. It seems that saying ‘one poem’ is fair enough but you need to add ‘no more than ONE sheet of A4 paper’ too, otherwise you’ll sure as dammit get ‘Paradise Lost’.

Anyway I had a good catchup with poet Marion Tracy and very jolly to see so many familiar peeps from the Stanza group and elsewhere.

Other than that I’ve been nose to the grindstone or rather bum on seat typing, skimming my way through a myriad blogs and websites etc all in the name of this blogging book I’m working on. Around 15k words written so far and a weekend of graft to look forward to, probably on my own in the office taking hundreds of screenshots,  getting Photoshop-itis and trying not to re-use the same cheery phrases too often.

Sorry for the brief post … off to celebrate my husband’s birthday this evening so twill be nice to turn the computer OFF. Have a nice weekend 🙂