Month: January 2015

A model rejection letter

The other day I received an email rejection letter from Rattle, an excellent US magazine I both subscribe to and aspire to being published in. So yes, it was a blow to have my poems rejected. But I didn’t feel dejected. Here’s why. Editor Tim Green sends out what I can only describe as a model rejection letter.

As we all know, rejections can vary in quality, and you just have to deal with them. But I do believe there are good and bad ways to reject, just as we’re always being told there are good and bad ways to submit our poems.

So, rather than naming and shaming the poor ones I think it’s better all round to draw attention to the very best, in the hope that others may follow suit. With Tim Green’s permission I am reproducing the entire letter here:

Dear Robin,

Thank you for sending us “4 poems from Robin Houghton – thanks for considering,” but unfortunately we’ve decided not to publish any of these pieces. I want to assure you that your work has been taken under careful consideration—Megan and I each read every poem before replying, so everything has been read twice by the actual editors.

This is a form letter—necessary with a staff of two and all these submissions—but what I’m about to say is sincere: Unlike most literary magazines, we don’t directly solicit work from anyone; we feel that practice isn’t fair, and doesn’t make for a good magazine. Instead, we read a great number of poems—over 80,000 each year—and publish our favorite 150, regardless of who wrote them. The odds are always going to be long, but that’s the only thing that keeps the quality of the magazine as high as it is. We always appreciate the opportunity to read your work—that’s what we’re here to do.

Also, it should go without saying that our decision to return this submission doesn’t mean much. We’re just fans of poetry ourselves, and all tastes are subjective. Moreover, we’re always looking to make the magazine as eclectic as possible—often we end up turning down submissions that we enjoy, simply because they’re similar in tone or content to other pieces we’ve published.

In any event, thanks for continuing to share your work. We’re happy to read submissions any time, year-round—and we just announced that we’ll be paying all contributors $50 per piece, too. So hopefully we’ll always be at the top of your list for places to send new poems.

Best Wishes,
Tim

Timothy Green
Editor
tim@rattle.com
www.rattle.com

So there you have it – an honest, matter-of-fact, informative and elegant rejection letter. No hand-wringing, no patronising and no BS.

I’m a big fan of the simple but kind ‘your poems weren’t right on this occasion, sorry’ rejection slip. But if you’re going to say any more than that, then this, surely is the model to live up to.

I hope if I’m ever in Tim’s position I’ll be able to do as good a job.

Reading at Lewes Needlewriters

Last Thursday I had the pleasure of reading at a Needlewriters event – a quarterly evening of readings, both poetry and prose, at the Needlemakers cafe in Lewes. It’s the only event of its kind I know round here, combining prose and poetry. (Disclaimer: I’m on the organising committee… although still a new girl.)

As the only poet I was slotted in between two wonderful readings by Kerry Evans and Bethan Roberts. Kerry read an extract from her award-winning novel ‘116 words per minute’, which was fast-paced and entertaining, and from Bethan we heard the opening of her latest book Mother Island, a rather creepy psychological thriller, which left me wanting to know what happened next.

Robin Houghton reading at Needlewriters LewesIt’s a warm and supportive audience at Needlewriters, and I really enjoyed my set. It’s a funny process choosing what to read. Although my pamphlet was on sale (and yes I sold a few copies, hoorah!) I only included two poems from it: ‘Ellipsis’ which tends to be popular, so I generally include it, and ‘Closure’ which I read as part of a selection of my corporate workplace-inspired poems. Apart from that, everything else was new-ish and/or unpublished in magazines. Which is one reason why I’m not posting any video or audio footage here: the other is that the quality isn’t great. We did record one poem and although the picture wasn’t sharp (I am, after all PERMANENTLY jinxed when it comes to being filmed) the audio wasn’t bad. So if/when that particular poem gets published I may share it on the blog.

Oh, and I gave my paean to Ronnie O’Sullivan a second outing and it seemed to go down well – tee hee.

Do come to a Needlewriters event if you’re ever able to. It’s run by a small team of writers on (naturally!) a shoestring. This spring sees the publication of our first anthology, with work from many of the poets, novelists, short story writers, playwrights and so forth who’ve read at Needlewriters events over the years. More about that in due course.

Let’s talk poem titles

Help! I can’t be the only one who has this problem. Poem titles. What the &%$?!*?

I seem to have a issue with both the creative and the administrative aspects of poem titles.

Sometimes I’m pleased with a poem, but the ‘working title’ just doesn’t cut it. Or I don’t even have a working title. Sometimes I save a poem under its working title and then can’t find it. Sometimes I submit a poem with ‘title X’ which, after four or five rejections, I rework a bit and change the title, then can’t find either the poem or where I submitted it. Sometimes I have a GREAT title in my head, but can’t write a poem to go with it. Maybe it’s a pamphlet title? But I haven’t written the pamphlet either. Sometimes I look at the titles of poems in magazines and wonder at their length or quirkiness, and I TRY to write long, quirky titles to my poems. But they resist and resist until they’re just one or two words again. The first one often being ‘The’.

O gods of poetry, please tell me where the poem titles are, I need a clue!

A writing retreat, and other treats

Standen House

I always think of January as being a bit dreary, so it tends to be the time of year I make plans for things to look forward to.

Number one is a short writing retreat – I did a DIY retreat a couple of years ago and got a lot out of it – not least of all enough material to produce two decent poems.  But I was a bit lonely – so this time I’ve booked 3 nights away rather than four, at a National Trust flat in Standen, an Arts & Crafts house which I’ve always loved visiting. I’ll have free range access to all the gardens and grounds while I’m there and a cosy flat in the servants quarters where I can read and write. Are you jealous yet?! That will be in March, when the days will be slightly longer and who knows, maybe warmer too.

I’ve also booked onto an afternoon workshop with Anne-Marie Fyfe on the theme of ‘a bridge too far’ in February, and this workshop offered by Poetry Swindon also looks tempting – Smart reading for smarter writing with Martin Malone – but it’s the day before and I might be tad exhausted from all the workshopping (and travelling) in one weekend.

It’s a good thing I’m going to be doing some workshopping and retreating because I’ve got a few readings coming up, and need new material! This Thursday 22nd January I’m on home turf here in Lewes for Needlewriters, then nothing else booked for a while, although Telltale Poets are planning another reading in March or April – we’ll be finalising that soon. On April 22nd I’ll be reading at Lauderdale House in London, as part of Shanta Acharya’s Poetry in the House series, which will be fab, and in May 3rd I’ll be in Mayfield for a reading during the Mayfield Fringe Festival, at the kind invitation of Sian Thomas. Later in the year, big thanks to Dawn Gorman for booking me to read at Words and Ears in Bradford on Avon on October 29th – which is actually my birthday, so we’re making a nice trip of it.

As regards submissions, there’s no news to report I’m afraid. I’ve lost a bit of momentum. I’m in the doldrums with no sign of the wind getting up. So I’m focusing more on finding the time to write, and am resisting the urge to enter competitions or submit to any more mags just for the sake of getting things out there. To be honest the cupboard is bare at the moment – all my half-decent stuff is tied up and out of circulation. If you’re interested, here’s how the magazine submissions are going:

4 poems have been out for 5 days – yes! I submitted a few the other day – but other than that:
9 poems have been out for 76 days
4 poems for 131 days
4 poems for 156 days

I’ll soon be able to move a couple back into circulation which were out to competitions. It’s a slooooow process, isn’t it? But I’m heartened by reminding myself that for many fine poets three or four good poems a year was (or is) enough.  Quality, not quantity 🙂 And think of the treats coming up!

An evening at the T S Eliot Prize readings

T S Eliot Prize readings 2015

Since being introduced to this annual event about 5 years ago by poet friends Julia and Charlotte, I’ve made it a fixture on my calendar. Held at the cavernous Royal Festival Hall on London’s Southbank, the T S Eliot Prize readings seem to be as much about the socialising and the catching up with other poets as they are with the poetry itself.

And why not? Us poety-types aren’t always the most social of bods. As well as the chance to say hello to so many poet friends all in one place, I love the buzzy feel of this event – standing on one of the mezzanine landings and surveying the foyer and bar area (was that Melvyn Bragg over there?) Rubbing shoulders with the poetry glitterati (poet-ati?) I love the wonderful mix of ages and styles across the audience – it would be hard to point at one one person and say “that’s a poet”. And yet they probably all are.

Unlike last year, I didn’t go to Katy Evans-Bush‘s marvellous pre-readings workshop day, in which all ten nominated collections are dipped into, mulled over and discussed in the light of Katy’s expert analysis and guidance. I was familiar with the work of some of the poets reading, but certainly not all. And not these latest collections.

This year the Poetry Book Society went gung-ho on the live tweeting, with two of the tweeters at the end of our row causing a slight fracas at the end of the first half as people in the row behind them asked to desist from tapping into their phones non-stop. I did feel for the complainants. I had a terrific view from my seat and wanted to take photos of the poets as they read, but couldn’t bring myself to do it as I know it can be distracting. And as I struggled to concentrate on Pascale Petit‘s reading with the phone action going on next to me, I resolved quite early on that the my phone was staying in the bag. Except for the empty lectern shot you see here, taken before the second half got going. Anyway, I think the live tweeters were more discreet in the second half so hopefully peace broke out.

As regards the actual readings (ahem!) there was nothing I really didn’t like, but I did enjoy very much hearing Michael Longley (warm, down to earth, compelling), Arundhathi Subramaniam (assured and commanding), Fiona Benson (charmingly nervous but read very powerfully) and David Harsent (made me want to read more of him). Sadly there were three proxy readers – while I was gutted that Hugo Williams couldn’t be there, it was good news to hear that he is apparently on the mend, and actor Jeremy Clyde gave an excellent delivery of Hugo’s poems. Here is the ‘From the dialysis ward’ sequence from his collection ‘I knew the Bride’ (Faber). But I didn’t feel justice was done to Kevin Powers’ work ‘Letter Composed During a Lull in the Fighting’ (Sceptre) by the reader who took his place, as he didn’t come across as being at all engaged with the material, which was a shame.

As always, Ian McMillan did a fine job of compering, picking out aspects of the various collections and pulling them into an intellectual yet entertaining ribbon of thought. Funny yet respectful. I don’t really know how he does that but it works! And who will win the £20,000 prize? Who knows!

The full shortlist and details of the judges are here. The result is announced this evening.

Kicking off the New Year at the Poetry Cafe

The Poetry Cafe

Telltale Poets & Friends were at the Poetry Cafe last night and it was a lovely evening. I’d been a bit nervous about holding this event so soon in the New Year but it felt really good and positive – plus we had a super quality audience and no empty seats! (OK so we didn’t put ALL the seats out!)

Peter Kenny & I were joined by special guests Rhona McAdam (over from Canada), Catherine Smith (who read an extract from her pamphlet The New Cockaigne, a wonderful paean to excess and debauchery) and our new discovery Siegfried Baber who gave a very self-assured and entertaining reading. You’ll be hearing more about him.

We all sold a few books/pamphlets, which was great. And with a 7pm start, it meant many of us had some quality time in the pub afterwards, and us Lewes folks were still home by not long after midnight.

My only regret is not taking photos – what is wrong with me?? I always either forget or end up with rubbish pics I can’t use. DUH! Must do better.

I really enjoyed meeting Rhona and Sieg, and also poets in the audience including Tamar Yoseloff, Robert Seatter, Nancy Mattson and Mike Bartholomew-Briggs. Lovely to see Lynne Hjelmgaard there also. What a warm atmosphere. We even had an audience member all the way from Knoxville, Tennessee, who’d come across the event by chance and was on his first visit to London. Needless to say we took him under our wing and he came with us to the Cross Keys afterwards. I like to think he’ll go home with a story about the crazy night in the basement room in Covent Garden listening to poetry, followed by the full London Pub Experience.

Regional Poetry Focus: Leicestershire

Welcome to the first of my new series of Regional Focus pieces about the poetry scene around the UK. I suppose I could have called it ‘Down Your Way’ or some other BBC-esque ever-so-slightly patronising title. Or I could have racked my brains for something witty, wacky or non-cliched. But hey.

PS: it’s long – grab a cup of tea and a biscuit.

So. Leicestershire. Where better to start than one of England’s ancient land-locked counties? Let’s get the basics out of the way. Here’s where it is:

Leicestershire on the map

For the benefit of my non-British readers, or anyone who’s not sure (I feel a BBC moment coming on here!) it’s pronounced like this:

If you think that’s tricky then in 1087 it was called Laegrecastrescir. Which I’m not going to attempt to pronounce.

(I’ve been alerted to the fact that the above audio file doesn’t work for everyone – apologies if you clicked and nothing happened!)

Wikipedia says the population of the whole county is just under a million, and let me tell you, it’s seething with poetry. I asked a number of Leics poets what was going on up there. They sent back a TON of juicy information.

First of all, a bit about my special correspondents:

Jayne Stanton
Jayne is one of my virtual blogger friends who writes about her poetry life and the local scene on her blog. She’s lived in Leicestershire since 1989. Her pamphlet Beyond the Tune was published by Soundswrite in September 2014.  Soundswrite is a women’s poetry workshopping and reading group that also has a small press – so far it has published three anthologies and five pamphlets.  As well as attending and running workshops, Jayne is heavily involved in local projects including her most recent role as a commissioned writer for Sole2Soul, a project by University of Leicester’s Centre for New Writing, to attract visitors to Market Harborough Museum’s Faulkner boot and shoe exhibit.

DA (Davina) Prince
I first met Davina at a launch of The Rialto last year, and when we met again at the Poetry Book Fair we talked about many things including the idea of a Regional Focus series on this blog. So I have Davina to thank for the inspiration. Leicestershire-born Davina was a little coy about answering my request to ‘tell us about yourself’, but from her Poetry p f page I glean that she has had three pamphlets and two collections of poetry published, the latest being the super Common Ground from HappenStance (2014).

Roy Marshall
Roy was manning the HappenStance table at the Poetry Book Fair last year when we were introduced – always wonderful to meet poet bloggers face to face, and I’ve been enjoying Roy’s thoughtful and perceptive blog  for some time now. Roy lives in a village on the south side of Leicester where he’s been since 1998, although he lived in Leicestershire as a child “so I’m familiar with the greeting ‘Aye up me duck’, although you hear this less nowadays” – shame! Roy is widely published and has a pamphlet Gopagilla (Crystal Clear, 2012) and a full collection The Sun Bathers (Shoestring Press, 2013).

Maria Taylor
Partly raised in Nottinghamshire, Maria admits “It was love that brought me back to the Midlands” – aaw! Now living in Loughborough, she balances bringing up twin 6-year old daughters with ‘poeting’ – her term for travelling around attending events, readings and so forth. Maria’s name came up again and again in my research for this piece – she’s a publisher, reviewer and poetry event promoter as well as a poet and she blogs at Commonplace. Her collection Melanchrini is published by Nine Arches Press (2012) and was shortlisted for the Michael Murphy Memorial Prize.

Charles Lauder Jnr
Charles is a native Texan who, like Maria, was brought to Leicestershire by love – to the village where his wife grew up in fact. Anglophile Charles is fascinated by English history – “like many ex-pats, I now often write about how my adopted culture compares to my native culture.” Charles has run the South Leicestershire Stanza for the last six years, and as well as being widely published he’s also Deputy Editor of The Interpreter’s House.

I ought to add that I didn’t manage to speak to Matt Merritt or Emma Lee, although they were both on my list, but I had so much info from the others that I couldn’t cope with any more! Both Matt and Emma’s names were mentioned by my reporters, and they both write fine blogs.

Leicester Fiesta
It’s a Leicester Fiesta – Martin Harvey (image from http://artintodust.blogspot.co.uk/)

Q1: Are there any specific towns/cities with a vibrant poetry scene?

Maria Taylor (MT): The vast majority of events I attend are in Leicester, my closest city. I also attend events in Nottingham too. There’s a lot going on in the bigger cities, but there are also many things occurring in the smaller towns and villages. With the advent of various presses and regular events in the East Midlands, the region really does have a sense of identity on the poetry map.

DA Prince (DAP): I realise that a city/county boundary doesn’t define the area for me: I go to the Nottingham Stanza because it’s a group that reads full-length collections, and also because I hear what’s happening in Nottingham.  I think we would all see ourselves as more Midlands than just ‘Leicester’ – and poets in Nottingham say they envy the range of activity in Leicester while those of us in Leicester look with longing at the range in Nottingham. The grass is always greener …

Jayne Stanton (JS): Leicester has a growing number of poetry open mic nights as well as readings and events organised by its two universities. Loughborough also has regular events, I believe. I’ve also begun to travel further afield, lately, and enjoy poetry nights out across the Midlands, in Lichfield, Burton on Trent, Coventry, Kettering and Rugby.

Q2: Who are the poetry ‘movers and shakers’ ??

Charles Lauder (CL): Jonathan & Maria Taylor, Lydia Towsey, Jane Commane, Karin Koller who runs the Soundswrite Group, Mark Goodwin, a prolific poet who describes himself as a ‘community poet’—in the past he ran a lot of workshops for children in schools and for adults in adult education centers and in prisons. In the past year, he’s put on public installations in Leicester and Cornwall.

MT: Not sure if I’m a ‘mover’ or a ‘shaker’! I try and facilitate opportunities for readings with Shindig, but I think one of the most productive (and modest!) person is Jane Commane who organises all sorts of readings. Also Lydia Towsey and Pam Thompson who do sterling work in Leicester. I should also say my husband Jonathan Taylor, otherwise he’d get upset! Seriously, he organises and hosts lots and lots of events. Jonathan and Jane combined at Shindig are a force to be reckoned with! It’s hard to answer a question like this because I don’t want to miss anyone out. To be honest it’s more like a big web of people connecting with each other. Everyone can offer something.


Lydia Towsey, ‘Girl walks into a bar’

JS: Gosh! There are so many! Maria and Jonathan Taylor, Roy Marshall, D A Prince, Matt Merritt, Mark Goodwin, Jess Green, Lydia Towsey, Pam Thompson – to name just a few…

Roy Marshall (RM): Jonathan and Maria Taylor because they are involved in organising the spoken word night Shindig (together with Nine Arches Press.) They’re also publishers (Crystal Clear Creators). Other poets who do other things include Matt Merritt, who blogs and reviews for magazines such as Magma, and all the people involved with ‘WORD’ at the Y theatre, including Jean ‘Binta’ Breeze, Pam Thompson and Lydia Towsey. And Soundswrite Press which is based here and publishes women poets.

Q3: What regular poetry events are there in your area?

CL: Shindig! is a bi-monthly open mic night at the Western Pub on Western Road in Leicester, organised by Jonathan & Maria Taylor (of Crystal Clear Creators) and Jane Commane (of Nine Arches Press). The night is divided into two halves—CCC hosts one half and Nine Arches the other—of about 10 open-micers each followed by 2 guest readers. For a Monday night, it’s a lively crowd of about 40–50 people who are very supportive and cheer everyone on. It’s mostly page poets, with some performance poets too.

Shindig takes place at The Western

MT: Obviously Shindig is my top event as I help to run it with Jane and Jonathan and I’m often a host. The Open Mic is very high calibre, we often have some really exceptional poets reading. It’s also a friendly place for newcomers as well. Main readers have included some top notch poets, such as Kim Moore, Sarah Jackson, Rory Waterman and David Morley. We also use those slots to showcase local and regional writers. This year I was really cheered that Shindig was shortlisted for a Saboteur award, up against many London based events.

RM: I think Shindig (at the Western pub) is fantastic. Always a really good set of guest poets and a good open mic. Appreciative and attentive audience.

JS: Shindig! is unmissable, in my book (in fact, the only one I’ve missed was just after my hip replacement)!

CL: Word! at the Y is the longest running spoken word event in the Midlands and is hosted by Lydia Towsey. This is held monthly on the first Tuesday of the month, with an evening of open-micers and a guest reader at the end. Most of those reading are performance poets and sometimes visuals will accompany the poets. Well-attended.

MT: I began reading at WORD! myself nearly 5 years ago now. It’s a similar format to Shindig with lots of Open Mic. I recently heard George Szirtes and Pascale Petit read there. I was asked to read as a support act to Ann and Peter Sansom in April, which was lovely. It’s a very supportive atmosphere and readers are warmly welcomed.

RM: WORD! at the Y theatre was the first place I ever read a poem aloud and has had a great mix of guest poets over the years.

JS: Word! is where I cut my teeth as a poet at the open mic, and where I still attend as often as possible.

MT: WORD! also has a sister group called Pinggg…k run by Bobba Cass

JS: Pinggg…K! is a monthly open mic night in celebration of metrosexual verse, at Duffy’s Bar, Pocklington’s Walk. Held on the last Tuesday of the month. The format: poetry circle, followed by open mics and feature poet. A popular event with a warm welcome to all from host Bobba Cass.

JS: Also, Find the Right Words: Performance Poetry and Rap Night hosted by Jess Green, held Upstairs at the Western (pub) monthly. The format: ten open mic slots and two feature performers. (I’ve not attended this one yet, but was sorry to miss Holly McNish recently).

MT: There’s lots going on in Nottingham, of course too. While bookshops are closing elsewhere, Five Leaves Bookshop run by Ross Bradshaw has opened. Great bookshop, you can actually browse poetry books! Apart from bookselling it’s also served as a venue for launches. One for the new issue of New Walk was held there in October for instance and it attracts good audiences who are serious about poetry. Then there’s also ‘Jazz and Poetry’ which is new-ish too with strong audiences. Should mention Nottingham Writer’s Studio too who offer writing space and courses.

A festival culture is also developing, supported in the main by local universities. These include States of Independence (DMU), Literary Leicester (Uni of Leicester) and Nottingham Festival of Words (Nottingham Trent). So you get the picture…there are lots of opportunities and masses of spoken word and performance poetry too. Again, sorry if I’ve missed anything out, there’s quite a lot!

Q4: Is there any poetry heritage associated with the area – famous dead poets, or locations or industries that inspired poets or poetry of the past, etc?

MT: Larkin lived in Leicester for a time, and was of course born in Coventry, but he is more widely affiliated with Hull. If D. H. Lawrence was a stick of rock he’d have Nottingham going through him. Lord Byron’s family home is at Newstead Abbey in Nottinghamshire. When you exit Nottingham station you’re greet with a big sign which reads ‘Our Rebel Writers’ and features Byron, Lawrence and Alan Sillitoe. Joe Orton and Sue Townsend came from Leicester. Poetry aside, both cities have a real literary heritage.

Philip Larkin
dun Larkin

JS: Other famous dead poets: Loughborough-born John Cleveland (1613-1656), Leicester-born poet and leading Chartist Thomas Cooper (1805-1892), Jessie Pope (1868-1941).

CL: Leicester is renown for its hosiery & shoe industry heritage. Currently, there is a project that involves the New Writing Centre at the University of Leicester and the Market Harborough Museum called ‘Sole2Soul’ (this is the project Jayne is involved in.)

Q5: Anything else I’ve missed?

CL: Two more important annual literary events to mention are Everybody’s Reading, a two-week festival in September with city-wide events to promote literacy throughout the city, and  States of Independence (the equivalent of London’s Free Verse Book Fair), run by Ross Bradshaw of Five Leaves Press in Nottingham.

DAP: I realised you didn’t mention publishing as a separate category. In the past Leicester has had a range of small poetry publishers but they have quietly disappeared. Soundswrite is the only one I can think of – but so far we’ve only published from within our own members, so that keeps us in the ‘self-limited’ category. Nottingham, by contrast, has Shoestring, Five Leaves, Candlestick (all known nationally) – and, I suspect, others.

CL: I think the literary scene that’s alive and thriving now in Leics is making up for lost time. So many poets who are often reading at the city’s open mic events are publishing collections & pamphlets with national publishers and making a name for themselves. Years from now when a literary history of the early twenty-first century is written, Leicester will be highlighted as a thriving cultural centre for poetry.

MT: I think it’s great that my little bit of the East Midlands has such a vibrant poetry scene. Long may it thrive!

Q6: And finally … any interesting factoids for us?

MT: I really like the folklore tale of Black Annis, a blue-faced witch who’s meant to haunt the Leicestershire countryside. According to legend she has a taste for children and lambs and resides in a cave in the Dane Hills. She probably finds things a bit tricksy these days as many of her old haunts are now built up.

Loughborough was the home of Ladybird books and also the destination of the world’s first package tour. It was organised by Thomas Cook in 1841. They came all the way from Leicester on a train. Shilling a head.

CL: Quite a few native Leicesters I know don’t like Leicester. It’s a dirty, ugly city and a lot of its obvious architecture are failed post-war creations. However, you have to look beyond that to find some very historical (medieval, Tudor, Stuart, etc., up to Victorian) treasures. Now that Richard III’s body has been discovered, that might spur an historical revival of the city. Other nice little treasures are Cardinal Wolsey’s gravesite and the church where Chaucer got married.

RM: Bradgate Park (where the young David Attenborough found his first fossil) contains the oldest rocks in the world. The Python, Graham Chapman was from Leicester as was Sue Townsend of course.

JS: Leicester’s very own ‘King beneath the car park’: Richard III. Also: Leicester hosts the largest Divali celebrations outside of India. It was also Britain’s first ‘Environment City’ and is home to the National Space Centre.

it's lovely in Leics
It’s lovely in Leics! (Photo from http://www.goleicestershire.com)

Phew! Huge thanks to my tireless reporters. Do you live in Leicestershire? Have we missed anything or anyone out? Please let me know in the comments.

Would you like to see your area featured in a Regional Focus? Let me know!

Hello New Year my old friend, I’ve come to talk with you again

On paper it’s been a good year. Two non-fiction books written, one published and the second out in March. One poetry pamphlet quietly out the door (even though I had to form a poets’ collective in order to get it published) to modest acclaim, which is the best I hoped for even in my dreams. Several significant new poetry friendships established. Not a lot of poems published in magazines but enough good results to keep my poet-ego going (just about!)

There are lots of positives on the horizon in the next year or so, in many different areas of my life, but one thing I know I must do is make more time to write poems. I absolutely love all the opportunities that poetry offers, whether it’s organising or facilitating events, initiating new projects and seeing them happen, going to readings or giving them, meeting new people, collaborating with others, reading blogs, discovering exciting poets or bloggers who are new to me, trying to analyse the mindsets and workings-out of poetry editors, the highs and lows of poetry submissions … and writing about it all. But I wonder if I spent too much time and energy on all that in 2014?

Social media is another area I need to manage with more discipline. A poet friend recently announced she was leaving Facebook in order to spend more time on writing and with family. She’s since amended that to say that she’ll be checking in very occasionally, but the principle remains. I can understand this entirely, and it’s very tempting. I’ve always found Facebook to be the cruellest and most suffocating of social channels. Sometimes I wonder how it would be to withdraw entirely from social media. Peace, quiet, being oblivious to other people’s lives. I know writers who pretty much stay away from the whole circus, and I envy them in a way. But online communication has been a significant part of my life now for seventeen years, since discovering the internet and joining my first online community. I can’t start to list the wonderful things it’s brought me for risk of sounding trite. It’s also my livelihood.

So, my New Year resolutions are pretty much this:

  1. allocate regular time to write poems, and don’t spend said-allocated time slot mewling over what I’ve already got out and which magazines haven’t replied, or who’s just won a competition and why it’s not me, or whatever.
  2. limit my time on social media – loads of apps and techniques to try here, for example.
  3. don’t stress about how many poetry books, pamphlets and mags are piling up unread. I’m considering ways to tackle this, for example reading books in strict order of acquisition, but I’m not sure that will work as some collections are very much ‘dip in and out’ and others you can’t stop once you start reading. Also, when a magazine comes through the door you want to eat it up there and then. Any ideas?
  4. blog posts – better editorial planning, writing & scheduling in advance as much as possible. I have three blogs I need to update regularly and 2 or 3 others that need occasional attention. I also write a lot of guest blog posts, and manage a stupid number of Facebook Pages, none of which I’m able to give the right amount of attention to. Could be time for a cull or a reorganisation.

I started this post thinking ‘I’m not going to write yet another end of year review’ and I realise it’s gone a bit that way. Sorry. Please do keep reading and commenting, I appreciate it more than you can imagine. Thank you for putting up with my rants and opinions. I wish you every joy, health and happiness in 2015.