Tag: antony mair

World Poetry Day – Sussex Poets’ showcase

John Myers (aka Mister John) runs a regular poetry evening here in Eastbourne at the Underground Theatre cafe. I’m giving it a good plug not least of all because next month I’m the guest poet. And I do also want people to support the event, as we’re not awash with poetry events in Eastbourne (YET).  The format of John’s events is to have a guest reader each time, sandwiched around open mic spots which bring in a decent audience.

So, with World Poetry Day coming up John had the idea of holding a special event to celebrate the many poetry workshopping groups in East Sussex – a showcase evening in which members of the different groups could each read/perform. Last night the event came together amazingly well, considering how many poets there were to herd.

I was there as a supporter, having connections with three of the five groups. Represented were Brighton Poetry Stanza, Rottingdean Writers, Downland Poets, Hastings Poetry Stanza and Mid Sussex Stanza. It was a convivial evening with only two or three people taking more than their allotted time (I’d like to say ‘they know who they are’ but sadly that’s not often the case). So we heard readings from around 30 poets, followed by an open mic, and John ran a pretty tight ship.

Not everyone gave their name (or full name) which was a shame. There was a big range of material, from the usual subjects (nature, death, family) to belly dancing (literally) and people pissing on doormats (not literally). I was so pleased to hear Louise Taylor‘s ‘leather bird’ and ‘bikini wax’ poems again, she is so funny and thanks to her brilliant timing I never fail to guffaw at the punchlines. Marion Tracy read from her impressive new collection Dreaming of Our Better Selves (Vanguard Editions) which I’ve been enjoying reading – more on that to come in a later post. Antony Mair gave a stonker of a reading, virtually from memory (but not the ‘stare straight ahead, speak quickly and look as if I’m trying to remember my lines’ way AT ALL). He told me it was down to an excellent day he’d spent at Live Canon, learning about how to deliver one’s poetry.

Miriam Patrick
Miriam Patrick, Mid Sussex Stanza
Marion Tracy, Rottingdean Writers & Mid Sussex Stanza
Marion Tracy, Rottingdean Writers & Mid Sussex Stanza
Louise Taylor, Rottingdean Writers
Louise Taylor, Rottingdean Writers
Antony Mair, Hastings Poetry Stanza
Antony Mair, Hastings Poetry Stanza
Jasmine from Rottingdean Writers
Jasmine from Rottingdean Writers
The Downland Poets
The Downland Poets

 

Readings, talks, good poetry stuff on the horizon

Last Thursday I was at Roehampton University where I’d been invited by Principal Lecturer Louise Tondeur to talk to her Creative Writing students about Telltale Press, collaborative working, the importance of submitting work to magazines, marketing your work/yourself, that sort of thing. I get a bit scared when faced by a room of people (mostly) under 21 – I find it impossible to tell if they’re interested or even listening. I suppose all my teaching experience has been with adults who are uninhibited about showing enthusiasm or appreciation, asking questions, and engaging fully. And yet the general feedback afterwards was great, and several people wanted to talk to me individually. I was even invited to the students’ showcase event to hear their work. Once again I was reminded of my great admiration for our overworked and underpaid teachers and lecturers.

Monday: to the Troubadour. Anne-Marie Fyfe’s Coffee House Poetry nights at the Troubadour are always well attended. On Monday it was standing room only, and I was lucky to get a seat. The nice thing about everyone squashing up together is you always meet new people, which is great if you go on your own. The room heaves with published poets. Plus there’s always some kind of surprise guest in the audience – or the rumour of one. It all adds to the mystique. The season finale nights are long, with over 60 poets each reading a poem. I haven’t yet made it to the end, only because I have to get the second-to-last train home (the last being over an hour later). But I always enjoy the night. It has to be the most successful poetry night in London… unless you know differently?

Last night: Hastings Stanza. One of the fun things about having relocated to Eastbourne is discovering parts of Sussex I’d never much explored before. I’ve yet to really spend time in Hastings, but it’s less than half an hour on the train and pootling over to the Stanza evenings is a pleasure.

I’ve mentioned before how Antony Mair runs the group with such an air of organised calm. And there’s always something interesting coming up – Antony and Jill Fricker are currently collaborating with local choirs on a project to mark the anniversary of the Battle of Hastings, and last night Jill brought along a lovely poem about Harold’s widow identifying him after the battle by his tattoos. Meanwhile Antony had been to a Live Canon workshop day and subsequently been invited to contribute to an anthology of responses to Shakespeare’s sonnets (another anniversary). He was kind enough to get me invited too, so more about this in another post.

The Hastings Stanza poets are taking part in a World Poetry Day event in Eastbourne on March 21st and a Stanza Bonanza in London in April. All good stuff.

Spring is definitely here – there are lots of readings coming up (more in another post) and next week I’m looking forward to the launch of Lynne Hjelmgaard’s collection A Boat Called Annalise (Seren). Having heard many of the poems in the workshop stage it will be fascinating – plus lovely to see Lynne’s poetry being celebrated. She’s a good friend and mentor, generous and modest about her writing.

Quick update – submissions, good news, real life stuff

The big news this week is that we finally completed our purchase of the new flat, and we’re now wondering what we can afford to do to it in the five weeks before we move in. Within an hour of getting the keys I’d already stripped wallpaper from an entire wall – it came off so easily I think it was put on with Spray Mount. Honestly I could have rolled it back up and sold it on eBay. I’ll try not be a property bore here because I’ve started another blog dedicated to pretty much that.

Something to do with the heating
Does anyone even know what this is?

But on to the business of poetry … I’m really enjoying workshopping with my new buddies at the Hastings Poetry Stanza. The group was set up in 2014 by Antony Mair and he’s done a brilliant job of attracting an interesting group of motivated writers. There’s some fine talent east of here, and nice people too. Over in Brighton I’ve been attending a fortnightly poetry course at New Writing South led by John McCullough which has been great for introducing me to international poets and different styles, and for challenging me in my own writing.

Telltale Press has had to take a back seat as I’ve been full on with work and everything else lately but we have our lineup for the next Telltale & Friends event in Lewes on 13th April, more about that soon when I’ve done the flyers.

Some positive results of submissions: Helen Ivory published my knot/love poem ‘Tying the Bowline’ on Ink, Sweat & Tears last week, and thanks also to Charles Johnson of Obsessed with Pipework for taking two poems in the just-out issue 73.  Meanwhile I have a poem forthcoming in Prole called ‘Two Honeymoons’ which came  out of a retreat I did at Standen last March. I’m grateful to Brett Evans for his encouragement (and prompt response times!) Also forthcoming is a poem in the Paper Swans anthology ‘The Chronicles of Eve’, and I was excited and pleased to discover a lovely review of my pamphlet by Jan Fortune in Envoi 172  – “A fine new voice to watch.” There’s something to live up to.

Stanza Bonanza – Brighton & Palmers Green

Stanza Bonanza Brighton v Palmers Green, June 2014
A bit fuzzy but definitely us

It was a lovely evening at the Poetry Cafe last night – and a very high standard of readings I felt – there was music too: I don’t normally go for bits of singing inserted into poetry, but Tom Cunliffe gave a riveting performance including just that. It set the atmosphere alight.

It was nice to encounter again Katherine Gallagher who I met earlier in the month when we were both reading at the Lamb Festival. Katherine brought her own brand of anecdote and self-deprecating charm to the business of introducing the Palmers Green poets, while I struggled to haul myself out of a sofa in an elegant fashion each time I got up to introduce ours. Paul McGrane did a great job of organising the whole thing and adjusting the mic stand seemingly for every reader, we were all such different heights. In the Palmers Green camp I particularly enjoyed Joan Michelson‘s reading – I’d  come across Joan’s name a lot but we hadn’t actually met before – and Judith Willetts.

Our Brighton Stanza poets were wonderful, of course – but then I would say that! Big thanks to Tom Cunliffe, Antony Mair, Peter Kenny, Ponnie Dudley and Marion Tracy for coming along and to our supporters on the night. And to Peter especially for paying for the cab that got us to Victoria in time for me to catch the 21.47 home, in time to join Nick in the pub after his students had performed their last concert of the year, a glass of wine and the balmy stroll home at midnight. Happy days.

Quick writing update

This is probably displacement activity, as I should be working on the book which I have until Easter to write. Yikes! Quick update on a few things.

Poetry writing is currently going through a dry patch. I missed out on my Mimi Khalvati fix at the weekend as I was under the weather, but did have a good Stanza meeting on Monday night and the first of our ‘small group’ workshops is next week, so I’m looking forward to that. I’ve been digging around my archive of unfinished and ‘in need of work’ poems, of which there are A LOT. One or two I’ve actually managed to re-write, and as I’ve not got much out in the pipeline at the moment I sent a few things out quickly before I changed my mind.

I’m trying Ambit again … surely they can’t still be holding against me that incident at the Betsey Trotwood in 2012 …?

I had another rejection from Poetry Review … still plugging away!

A couple of new RED ALERT cautions that are currently top of mind – on Monday the redoubtable Antony Mair warned of the ‘portentous last line’ – and of course I knew exactly what he meant as I’ve been GUILTY of said practice more than once! Then today I was reading an interview with Rob Spillman, editor of US magazine Tin House, who was complaining about how too many submissions ‘lack engagement with real world issues… there’s a stunning amount of navel-gazing with tiny emotional epiphanies.’ Ouch! Be gone from my poems, o tiny emotional epiphanies!

Meanwhile, talented illustrator Hannah Clare has come up with a striking design for the cover of my pamphlet. I have a week or so before the ISBN numbers come through, which is when I can create the barcode and finish off the rest of the cover. At the moment there are 13 poems in the pamphlet but one of them I’m still not sure about, so it may end up being 12. Probably a luckier number.  All very exciting!!

And now…back to the writing that actually pays!