Tag: david harsent

Back from Ireland

River Lee, Cork

The rest of my week at the Cork Poetry Festival was brilliant – I want to say that right away as a few people were worried about me after my last blog post – thank you so much for the messages of support/understanding!

I think it took me a day or two to tune into what I’ll call the shape or thread of the place I found myself in. It’s a funny thing to try to make sense of. Finding myself walking a route between venues and remembering it from the day before, thinking ‘oh yes, I noticed that shop yesterday’ and ‘ah, that’s an interesting detail I’m discovering today’. Going down to breakfast and knowing what food there is but trying something different. Getting the feel of each venue and whether to arrive 15 minutes before the start or 5. Realising I do find it hard to concentrate after 10pm and not beating myself up for missing an event if I was too tired. Starting not only to understand the cadences of Cork, and the vernacular of the event in general, but enjoying it too. It was wonderful to meet up with Grainne Tobin, down from Northern Ireland, quick to take me under her wing and a mine of knowledge, ideas and energy. And speaking of energy, I was also lucky to spend time in the company of Abigail Parry: frighteningly talented, generous, modest, funny and one of the hardcore crowd still going strong at 3am on Saturday morning.

And the poetry of course! I heard poets reading in Irish (Nuala Ni Dhomhnaill and Ailbhe Ni Ghearbhuigh), and in Chinese (Jidi Majia) – nothing I’ve experienced before and it felt such a privilege to be there. Both Friday and Saturday nights were corkers: Jonathan Edwards read alongside Abigail Parry, followed by Sasha Dugdale with Theo Dorgan, who stood in for Karen McCarthy Woolf. The third session that night featured Nuala Ni Dhomhnaill and David Harsent who read a series of poems with no titles, and he asked people not to look at him ‘so you don’t know when the next poem is going to begin.’ It created a kind of meditative atmosphere. Saturday night was a sell-out, with Kim Addonizio (btw I think this is the coolest poet webpage photo I’ve ever seen) and Kathryn Maris proving to be an inspired pairing, followed by Leanne O’Sullivan introducing Billy Collins, former US poet laureate and such a pro – his timing and deadpan delivery were perfect, here’s an example.

I’m sorry I seem to have reduced so many fine readings to more or less a list of names. I deliberately didn’t take notes, and now almost a week later it feels like a decade ago. It was an inspirational week for me; I did some good writing while I was there, had some eye-opening conversations and felt I’d glimpsed something of the country/culture in a way that rarely happens when you’re simply a tourist.

I also want to say a huge thank you to the Munster Literature Centre, organisers of the festival, particularly Director Patrick Cotter and Administrator James O’Leary, who appeared to work non-stop and always with an air of calm. Despite a number of readers dropping out through illness, everything was so well organised and on a human-friendly scale. Recommended!

Billy Collins reading at Cork Poetry Festival
Billy Collins

 

A furtive photo taken from the Farmgate Cafe in the English Market…

 

Abigail Parry & Robin Houghton
With Abigail Parry

 

An evening at the T S Eliot Prize readings

T S Eliot Prize readings 2015

Since being introduced to this annual event about 5 years ago by poet friends Julia and Charlotte, I’ve made it a fixture on my calendar. Held at the cavernous Royal Festival Hall on London’s Southbank, the T S Eliot Prize readings seem to be as much about the socialising and the catching up with other poets as they are with the poetry itself.

And why not? Us poety-types aren’t always the most social of bods. As well as the chance to say hello to so many poet friends all in one place, I love the buzzy feel of this event – standing on one of the mezzanine landings and surveying the foyer and bar area (was that Melvyn Bragg over there?) Rubbing shoulders with the poetry glitterati (poet-ati?) I love the wonderful mix of ages and styles across the audience – it would be hard to point at one one person and say “that’s a poet”. And yet they probably all are.

Unlike last year, I didn’t go to Katy Evans-Bush‘s marvellous pre-readings workshop day, in which all ten nominated collections are dipped into, mulled over and discussed in the light of Katy’s expert analysis and guidance. I was familiar with the work of some of the poets reading, but certainly not all. And not these latest collections.

This year the Poetry Book Society went gung-ho on the live tweeting, with two of the tweeters at the end of our row causing a slight fracas at the end of the first half as people in the row behind them asked to desist from tapping into their phones non-stop. I did feel for the complainants. I had a terrific view from my seat and wanted to take photos of the poets as they read, but couldn’t bring myself to do it as I know it can be distracting. And as I struggled to concentrate on Pascale Petit‘s reading with the phone action going on next to me, I resolved quite early on that the my phone was staying in the bag. Except for the empty lectern shot you see here, taken before the second half got going. Anyway, I think the live tweeters were more discreet in the second half so hopefully peace broke out.

As regards the actual readings (ahem!) there was nothing I really didn’t like, but I did enjoy very much hearing Michael Longley (warm, down to earth, compelling), Arundhathi Subramaniam (assured and commanding), Fiona Benson (charmingly nervous but read very powerfully) and David Harsent (made me want to read more of him). Sadly there were three proxy readers – while I was gutted that Hugo Williams couldn’t be there, it was good news to hear that he is apparently on the mend, and actor Jeremy Clyde gave an excellent delivery of Hugo’s poems. Here is the ‘From the dialysis ward’ sequence from his collection ‘I knew the Bride’ (Faber). But I didn’t feel justice was done to Kevin Powers’ work ‘Letter Composed During a Lull in the Fighting’ (Sceptre) by the reader who took his place, as he didn’t come across as being at all engaged with the material, which was a shame.

As always, Ian McMillan did a fine job of compering, picking out aspects of the various collections and pulling them into an intellectual yet entertaining ribbon of thought. Funny yet respectful. I don’t really know how he does that but it works! And who will win the £20,000 prize? Who knows!

The full shortlist and details of the judges are here. The result is announced this evening.