Tag: Isabel Galleymore

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How the collection is going, and other news

Foyle Young Poets 24

People are asking me about the poetry collection forthcoming from Pindrop Press. Well, it’s a long way off yet. Sharon Black at Pindrop does a marvellous job of publishing and promoting poets, but being an editor as well as a publisher, it’s been a busy time for her. So although The Mayday Diaries is still forthcoming, it won’t be in my hands for a few more months yet. I’ve been fiddling with the manuscript, of course: there are some poems I’d like to drop, others I’d like to insert. Others have changed. I’m playing with different subheadings to the sections. None of this I’ve discussed yet with Sharon, but I’m looking forward to her creative input and editing skills.

Meanwhile, since I sold the last of my limited-edition Foot Wear, I’m now itching to make another mini pamphlet along similar lines, although this time completely handmade. Foot Wear had a printed cover so this time I’ve got something more quirky in mind.

We didn’t get the DYCP grant for Planet Poetry. ‘Other applications preferred.’ Not unexpected, but still a blow. Still, our first two episodes of Season 5 are up – Danez Smith and Isabel Galleymore – both definitely worth a listen if you haven’t already. In the latter, I read a poem by Indy Moon who was one of the Foyle Young Poets winners this year. I went to the awards celebration at the British Library last month and it was a lovely celebratory event.  Indy is one of many names to watch out for in the future. (Pictured here is Judith Palmer of the Poetry Society kicking things off.)

Oh, and I’ve got a poem forthcoming in Flights e-journal, which is part of the publishing arm of Flights of the Dragonfly, a spoken word night in Brighton.

Next up, Christmas? Our Lewes Singers concert on December 22nd has already clocked up 22 ticket sales! OK, let’s not start with the carols just yet.

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Currently reading, plus an anthology & a contract

It’s been a busy few weeks. Planet Poetry is two episodes into Season 4 and I’ve currently got three interviews to record before Christmas. The first is with Paul Stephenson, whose debut collection Hard Drive (Carcanet) comes with gold-plated reviews – and all well-deserved in my opinion. If this book doesn’t make the shortlists next year we might as well all give up now. Buy the book and even better still! listen to the poddy and watch out for the interview.

Hastings Stanza Anthology cover image by Judith Shaw

The launch event for the Hastings Stanza Anthology last month was standing room only, and we were thrilled to raise several hundred pounds for the brilliant Refugee Buddy Project. Copies are still available (ask me) and since we’ve covered our costs all sales income now goes to the Project. The cover features a painting by the multi-talented Judith Shaw and there’s lots of lovely work in this book as you can see from the below.

I went to the London launch of Clare Best‘s new collection Beyond the Gate last month and it was a super evening. Unfortunately, having to leave to catch a train while Clare was still surrounded by a crowd of acolytes, I was delighted when my signed copy arrived in the post. It’s an excellent collection. I do love Clare’s work.

Also on my ‘to be read’ pile: Isabel Galleymore Significant Other (Carcanet) and Jane Clarke A Change in the Air (Bloodaxe), both poets I’m going to be interviewing soon for the podcast. Jane’s book was shortlisted for the Forward Prize this year and is on the TS Eliot shortlist. And I’m pretty sure Isabel’s collection was on the shortlists a couple of years ago.

Good news on the submissions front – Pindrop Press has offered to publish my collection next year and I’ve signed the contract, so I guess it’s official.  I’ve been so impressed with editor Sharon Black’s communication and enthusiasm. I feel very fortunate indeed, and in safe hands.

Alongside the poetry, I’m reading plenty of novels these days, mostly to learn something about what makes an enthralling historical & general mystery/thriller, as that’s basically what I’m writing. I’ve developed a bad Abebooks/ World of Books habit, but the problem is that a lot of novels (actually, most of them) just don’t excite me enough beyond the first chapter, and I’m either left with bookshelves bulging with stuff I don’t want to read or having to take bagfuls of books down the charity shops. So I’ve bought a Kindle. I never thought I would, but actually it means I can get through a lot more novels without having to house the actual books, or even carry them around. And because it’s easier take with me everywhere, or read in bed, I read more books right to the end. I get it out everywhere I used to get my phone out – on train platforms, on trains and buses, in hospital waiting areas etc. I like it a lot. And I’m doing far less doom-scrolling.

Meanwhile Christmas is coming and with it all the concerts. Posters to design, programmes to produce, music to learn etc. And Nick and I have several Lewes Singers gigs and two one-day workshops in the early part of 2024, so that’s another load of music-sourcing, event promotion, communicating with participants, tea-making etc etc. Never a dull moment, teehee.

Btw I’m singing in a big Verdi Requiem this coming Saturday 11th November at All Saints Hove. It’s big, blowsy, dramatic stuff! Come and listen!

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Currently reading & other summery (?) things

currently reading

The weather has been a bit rubbish here so I’ve been catching up on some reading and writing. Magazines tend to drop through the letterbox all at the same time, so I’m still working my way through current issues of PN Review, The Dark Horse, Poetry, The Poetry Review and Lighthouse. So far I’ve particularly enjoyed poems by Donna Aza Weir-Soley in Poetry, Isabel Galleymore in The Poetry Review (‘Then, one spring in which every dawn came/ pigletty and the blossom trees were really putting in / the work’), Diane Thiel in The Dark Horse and Josh Ekroy in Lighthouse.

Poet friend Claire Booker kindly gave me a copy of The Language of Salt, an anthology of poems ‘on love and loss’ which so far looks to be an excellent range of poems from poets both known and new to me.

Meanwhile I have a number of full collections by my bed – Sometimes I Never Suffered by Shane McCrae (Corsair) has gripped me, particularly I think because I’m deep in Dante at the moment. I found McCrae’s ‘Hastily Assembled Angel’ sequence strange and moving. Then there’s Mortal Trash by Kim Addonizio (Norton). I always reach for Addonizio when I’m feeling jaded or all out of fresh words and it’s like a shot of adrenaline. YEEESS!

Peter Kenny and I are on a summer break from Planet Poetry which has given us a chance to do a bit of admin (such as setting up a somewhat basic website – coming soon), create artwork for all the Season One episodes, put together a bit of a promo plan and get some more poet interviews in the bag for broadcast in the Autumn. We’re getting more confident about approaching ‘big name’ poets and also poets from other countries, so we’re excited about how Season Two is shaping up.

I’ve just ordered collections by Di Slaney and Martina Evans, which I’ll talk about in a future post….plus I’m trying to get some quality writing time in… honest!