Tag: maria jastrzebska

Blog/

New – List of UK poetry magazine submission windows

window at chichester station

It’s been a while since I updated my last year’s post on this topic and I decided it was worth starting from scratch, as a few web addresses and/or submissions policies had changed, plus it’s given me a chance to review them all. As a result I’ve now got a list of 48 UK (well, one or two Europe/non-UK) poetry journals (some also include fiction, reviews, artwork etc in their pages, but I’ve tried to focus on poetry-led publications.) The list includes:

  • a link to their poetry submissions page
  • regular windows/ dates when you can submit, and/or next ‘open window’ (where available). I’ve also included a couple of mags that I’ve mentioned before but that now appear to be closed.
  • how many poems to send
  • whether they accept simultaneous submissions
  • submissions method (eg email, Submittable, post)
  • notes of anything unusual, eg no responses sent

You still need to visit the submissions pages as some of them are VERY long and specific!

Caveat

There’s an element of recommendation here; it’s not a comprehensive list of magazines. The majority of them I’ve either read, submitted to, or both. There are a few that have been recommended, and which look good. I’m always happy to hear of others – I’m sure there are tons more, please feel free to tell us in the comments if you want to mention any – and if it’s a publication I’d consider submitting to myself then I’ll add it to the list when I update it.

Beat ‘overwhelm’ with a system that suits you

This may look like a daunting list. More and more magazines have submissions windows, and some give little notice of openings, so you may need to follow them on social media or by email in order to be ‘in the know’. As I’m sure I’ve said before, I recommend having a system for keeping track of submissions – I use a good old-fashioned spreadsheets but there are other tools, some more user-friendly than others.

Submitting to magazines: workshop in Lewes, East Sussex

One more thing I’d like to mention – if you’re within travelling distance of Lewes, there’s a workshop coming up called ‘Poetry Submissions Without Tears’ being led by Janet Sutherland and Maria Jastrzębska. They say it’s a ‘hands-on workshop for beginning and more experienced poets on submitting to poetry magazines and anthologies’. It’s on October 21st and full details are here. Janet and Maria are experienced poets who walk the talk, as well as being all-round nice and generous people, so if you’re even slightly unsure about the whole submissions process then this is for you.

List of UK poetry magazines and their submissions windows, etc

There are a few European (non-UK) journals on the list, mainly because they seem to take poems from UK poets, or they just happen to be on my radar.

I’ve done the complete list as a free PDF download. Here are some example listings:

The North – currently open, but closing September 1st. Submit up to 6 poems by post only (so be quick!). No stated policy on simultaneous submissions.

Agenda – currently open, but could close any time. Submit up to 5 poems, by email only. No stated policy on simultaneous submissions.

The Rialto – submit any time, via Submittable or by post. Send up to 5 poems. Simultaneous submissions – OK.

Ink, Sweat & Tears – recently moved to submissions windows – the next opens 2nd October. Send 4 – 6 poems (‘no more, no less’) by email only. No simultaneous submissions.

Get the full list

I’ve created this as a spreadsheet and saved it as a PDF with live links, which I hope makes it easier to work from. It’s also a lot less work for me than to reproduce the whole list on a blog post! I’d be happy to share it with you – please email me if you’d like a copy (I’d rather you didn’t just ask in the comments as that’s harder for me to monitor. Thanks!)

Books/

A very Lewes launch: Janet Sutherland & Jeremy Page

Janet Sutherland and Jeremy Page
Janet Sutherland and Jeremy Page launching their new books in Lewes.

Somehow I managed to arrive too late for a seat at the Elephant & Castle yesterday evening (despite having a commute of approximately 30 seconds) but really enjoyed the atmosphere in the packed function room. Poets galore were joined by friends and neighbours for the joint launch of Bone Monkey by Janet Sutherland published by Shearsman and Closing Time by Jeremy Page, published by Pindrop Press.

Bone Monkey and Closing Time

The poets were introduced briefly by Maria Jastrzębska (Janet) and Jo Hemmant (Jeremy). I’m fortunate enough to be in a workshopping group with both Maria and Janet and am always so grateful both for their feedback on my own work but also for the opportunity to hear and see what they’re working on. Consequently, a few of the poems in Bone Monkey are familiar to me – I also heard Janet read from the book at the Needlewriters earlier in April, and I almost always appreciate a poem more for having heard it read more than once. Jeremy is the publisher of the Frogmore Press / Frogmore Papers, going now for 31 years, and he’s been kind enough to publish a couple of my poems in the magazine and the anthology Poems from the Old Hill.  I’ve met Jo, who runs Pindrop Press, a few times, including when we read together at Tunbridge Wells library, an event organised by Abegail Morley, who was also there last night.

Candles, canapes, poetry and friends … great stuff. But alas, I had to make my apologies and leave before the end. I think I’m so fried with work at the moment. I haven’t had a chance yet to even open Closing Time, but I’m hoping to do so over the weekend when I may get some breathing/poetry space.

Books/

Frogmore Press 30th birthday readings

john mccullough

It was an intimate affair: in the round at the New Venture Theatre in Brighton yesterday evening, the first Sunday of the Brighton Festival and an unusually sunny (if not balmy) evening, with poet friends and friends of poetry, all to celebrate the 30th birthday of the Frogmore Press.

The evening brought some thrilling reading from Michaela Ridgeway, John McCullough, Maria Jastrzębska and Frogmore founder Jeremy Page. The stage set included a seductive-looking chaise longue although only John and Maria were brave enough to test it out. John, after announcing he was going to read ‘Sleeping Hermaphrodite’ (from his fabulous – and award-winning – collection The Frost Fairs) because it was a favourite of mine, took up a Greek statue pose on the chaise to read it. (BTW This was not the position you see in the photo above – that was the next poem, ‘Small, vertical pleasures”!)

Other highlights for me: Michaela’s valediction for Hugo Chavez, all the more poignant for its plentiful Spanish expletives and the imagining of his fighting talk to the very end, Maria’s many moving poems from her recently-launched collection At The Library of Memories including ‘Grandfather Clock’, and Jeremy’s reading of ‘Nuns’ by Bob Mitchell from the Frogmore Papers’ archive, which possibly got the biggest laugh of the night.

This was one of a series of events to celebrate the Frogmore Press’s birthday – others are happening at the Poetry Cafe in London and in Folkestone, where the press was founded. Details on the Frogmore blog.

Angst/

Needlewriters poets & that pesky CW MA

At the library of memories - Maria Jastrzebska

At the library of memories - Maria Jastrzebska

Wonderful evening at the Needlewriters in Lewes last night, with Maria Jastrzebska and Andrea Samuelson reading their poetry.

Both read very movingly. Maria’s new collection ‘At the Library of Memories’ is just out from Waterloo Press, and Maria gave it an intriguing introduction by saying the memories were not only hers, but those of her relatives and possibly even ours. This morning I opened the book at random and read and extraordinary poem called Telling Tales. No surprise then to read in in the credits that this particular piece was a prizewinner in the Troubadour competition a couple of years ago.

Sort-of disclosure: I have the great privilege of being in a Mimi Khalvati workshopping group with Maria (as well as a number of other very accomplished poets) and I have to say that as well as being a talented poet she is also an insightful and supportive and member of the group. Lucky moi.

I wasn’t familiar with Andrea Samuelson‘s work but it was a pleasure to meet her and hear her read from her new book ‘Cradle Song’, on the subject of the life of her Swedish great-grandmother and the similarities in their experiences.

Two poet friends let on that Andrea had done the same MA Creative Writing course just before them, and her work had been held up as a ‘model’. Ooer! I wonder if she knows?

On the subject of a Creative Writing MA, I am yet again looking at course descriptions and dreaming of applying to somewhere like Royal Holloway, commuting to London twice a week for heady tutorials with Andrew Motion or Jo Shapcott… what’s the matter with me? I haven’t got £6k in my pocket and I’m supposed to be earning money, not spending it on luxuries like this!  Plus, I seem to be forgetting that there’s the small matter of applying and getting accepted.

Talk me out of it, someone!