Catherine Smith’s The New Cockaigne

Last week I managed to grab the last available chair upstairs at The Lewes Arms for the first performance of Catherine Smith’s The New Cockaigne. Luckily I didn’t sit in the chair reserved for the performers, or it could have been embarrassing – we were treated to an unrestrained romp – “a verbal feast ofRead more ⟶

Audio poem (an experiment)

I was inspired by Mark Hewitt’s performance of ‘expiry tbc‘ the other evening here in Lewes. It was actually a 3-person production featuring Peter Copley on live (and looped) cello, and wonderful lighting effects by Kristina Hjelm. I’d had the privilege of being in Mark’s workshopping group led by Mimi Khalvati earlier in the year,Read more ⟶