Tag: New Writing South

Events/

Granta Japan launch

Granta 127 Japan in Brighton
Lucy North, Yukiko Motoya and Asa Yoneda

A fascinating evening yesterday in Brighton at New Writing South for the launch of the latest issue of Granta magazine issue 127, Japan, published simultaneously in English and Japanese. Two of the contributors, Yukiko Motoya and Hiromi Kawakami, read extracts of their work in Japanese, and their translators then read the same passages in English.

I know absolutely no Japanese but there was something beautiful and magical about hearing it spoken, words running over you like music, for the listener to make of it whatever they wished. Yukiko read from a mysterious short story called ‘The Dogs’, and when questioned about the open ending she admitted she didn’t necessarily know what the story really meant. She also talked about her writing process as being rather like two rivers – one herself, her life, and the other the writing (or ‘the muse’ I suppose); the rivers sometimes flowed very close to each other, and that was the time when she was able to cross over into the writing, to step into it, but at other times, the ‘writing river’ was a long way away from her. I really liked this description, it made complete sense in that writing poetry feels like that too. And the idea that you can’t force the rivers together, but when the moment is there, you have to recognise it and grab it.

Hiromi read from her essay ‘Blue Moon’, about her experience of reading haiku in Moscow, a very moving piece, and this then set the discussion going about the issues (or not) of translation, and whether ‘all translation is mistranslation.’

Not only was everything being translated during the evening, but we had questions from the floor in Japanese also. By the end of it I couldn’t wait to get my hands on a copy and re-ignite my lapsed Granta subscription. The cover is beautiful:

Granta 127 Japan

… and if you think there’s something slightly other-worldly about the image of the mountain, you’re right – it’s actually made of tin foil. Not everything is what it seems, eh?

Books/

Quick Friday update – events, submissions etc

It’s been a thin year so far as regards writing, getting stuff out and accepted by magazines. I do have one excuse, which is that work has taken up a lot more of my time than usual these last 6 months. Not that I’m complaining, as my work and poetry interests continue to converge, slowly but surely. I now have ambitious plans for bringing all my activities under one virtual roof, combining blogs/websites/social outposts etc to create a united front. About time! Give me until the end of the year, though.

A quick what’s-been and will-be happening:

Last night I was at the Needlemakers in Lewes for the launch of Judith Kazantzis‘s new collection Sister Invention. It was a nice intimate affair with free-flowing prosecco. It’s a mighty book – hundreds of poems with (at first glance) a vast geographical and thematic span. I’m looking forward to delving into it.

Tomorrow – the New Writing South Publishing Industry Day at Brighton Library. I’m giving a short talk about ‘building a successful online writer presence’, after which we’re headed off to step-daughter’s 30th birthday party.

Next week, Janet Sutherland and Jeremy Page are holding a joint launch event for their respective new collections, Bone Monkey and Closing Time, and again just a few moments from my front door. How lucky am I?

I’ve had a few days off from writing about blogging, but it all kicks off again next week: book number two to begin, plus hundreds of image permissions to obtain… wish me luck.

June is looking interesting in terms of poetry events – I’ve been invited to read at the Lamb Festival in north London on June 2nd, then also that week we have a lovely event planned in memory of Jo Grigg, friend, poet and Brighton Stanza rep who died so suddenly year. Later in the month, Brighton Stanza are joining Palmers Green for a Stanza Bonanza at the Poetry Cafe. Always great fun, the only nail-biting bit being whether those of us living in the sticks manage to make the last train home.

Angst/

An acceptance, a talk and workshop news

Pleasant Stores

Pleasant Stores

I haven’t had a poem accepted for a while so it was very nice to hear from Jeremy Page at The Frogmore Papers to say he’d like to take one for issue 82 in the autumn. Hurrah!

(I also had some other good news last week but more about that shortly.)

And now I’d like your thoughts please on a slightly sticky situation. I’m still rather on tenterhooks with Agenda, after a four month wait I thought I would email again to ask very gently if my poems were still being considered (it does say on the website to expect a 12-week wait, and subscribers -of which I am one- are allegedly given some priority in being dealt with, so I didn’t think it unreasonable to ask.) But would you believe it, apparently my (email) submission was never received, but editor Patricia McCarthy was apologetic and invited me to resubmit, which I did, asking for acknowledgement that they had been received. But I’ve heard nothing.

So here’s the issue:  do I assume my emails aren’t getting through, and just submit the poems elsewhere? (Email is now the only way to submit to Agenda.) Or do I wait, and for how long? I don’t really want to put these poems away for another 4 months. But I don’t want to put myself in the editor’s bad books by having to tell her the poems have gone elsewhere, if she does want them. I also don’t want to pester her with emails saying ‘can you please tell me you’ve got them’ or whatever. It’s a good magazine and I’ve had work in there before, so I don’t want to give up lightly.

Lordy! The etiquette of submissions. And is it very common for poems to go astray? It seems to have happened to me an inordinate number of times.

Meanwhile on the workshop front I enjoyed hosting Colin Bell’s poetry evening in Pleasant Stores round the corner from me in Lewes, although only 2 people turned up. So with Sara the cafe owner that made four of us. It’s not a workshopping group, but people are invited to bring either their own poetry or someone else’s. I took along a selection of mags and books and read poems by Lewes poet Janet Sutherland which everyone liked, and a couple from Sam Rivere’s 81 Austeries, which I love but I think they were a bit too challenging for those present. (Read the review by Ruth Padel in the Guardian.)

Then yesterday I was at Brighton Library giving a short talk for writers about ‘Building your social web presence’. It was part of  New Writing South‘s Publishing Industry Day which was well attended and I sat in on a couple of the other sessions, including one on Arts Council funding which was very interesting. I think I managed to sell a few tickets for the workshops I’m doing there next month and into May, so that’s good.

Courses/

Forthcoming events

publishing industry day

Last week I wasn’t able to get along to the first Pighog poetry night in Brighton as it was Nick’s birthday so we ate out at the Jolly Sportsman in East Chiltington (lush). BUT I’m looking forward to the next one on March 28th as Judith Cair, a lovely poet who I know from various workshopping groups, is launching her pamphlet The Ship’s Eye.

Tomorrow is the meeting of the Brighton Stanza, and we’re combining the reading and workshopping groups into one. Although we had booked our workshopping dates, the pub omitted to ‘put them in the book’ and as a result we were bumped. So we thought we’d combine the 2 groups for this month and next. Anyway, we’ll play it by ear and do whatever people want to do on the night.

Then on Wednesday I’m facilitating the ‘First Wednesday’ poetry group here in Lewes at Pleasant Stores, run by Colin Bell who’s away this week. It’s a new group and I’ve only been to one event myself. It’s mostly a reading group, there’s no workshopping. So I shall take plenty of current magazines and collections to share and read a few things from, and hopefully others will too.

Next Saturday 9th March is the New Writing South Publishing Industry Day at Brighton Library which should be brilliant: many good speakers/writers and industry experts, plenty of opportunities to network with writers, publishers, agents etc. I’m presenting a short session on ‘building your online writer presence’ as a taster for my new course running in April/May. Do come along if you can, and say hello.

Mags & Blogs/

January’s off to a great start

T S Eliot

Happy New Year!

I’m particularly upbeat about 2013 – already there are lots of positive things going on in both work and play (not sure where poetry sits on that spectrum but I’m doing my best to blue the edges, little by little.)

On New Year’s Eve I had an email from Helen Ivory to say she was accepting my poem ‘Left’ (which Mimi Khalvati had described as ‘bonkers’!) for Ink, Sweat & Tears so that should appear around March time.

And New Writing South have showed interest in a workshop proposal I sent them, which is very exciting, so more on that as it develops.

I’m looking forward to the TS Eliot prize readings at the Festival Hall on Sunday 13th. I first went to this event last year with several poet friends and really enjoyed it. Very buzzy and a brilliant opportunity to hear all ten shortlisted poets reading from their work.

Meanwhile, Brighton’s very own Ten Voice Stanza is only two weeks away – yikes! I hope we can pull in a good audience. It should be a lot of fun with a good range of poets reading, so I do hope so. You can read all about it (and RSVP) on Facebook or here for the Facebook refuseniks. If you’re anywhere near Brighton, please come (and tell all your friends!)