Category: Publishing

Books/

Latest on the book, the pamphlet and more projects

Malling Deanery gardens and the Ouse
Taken on Sunday in the garden of friends

I don’t suppose you’ve noticed, but I’ve been a bit quiet on here the last week or so – not for any reason other than work though. I’ve fully recovered from the mini workshop trauma of a couple of weeks ago (I typed that as one word, workshoptrauma, which made me wonder momentarily if that’s a German word). Thank you for all the interesting comments on that one – it seemed to strike a nerve! But since then I’ve got back on the horse and the same workshop on Saturday was quite a different experience, it felt like we’d all taken a chill pill. Or maybe it’s just all the lovely blossom on the trees and the Spring-like weather. Last night we had a Brighton Stanza meeting in the open air – goodness! Summer must be acumen in. And I sold 3 copies of my pamphlet! Yeehaa.

Speaking of which, thank you to the kind purchasers of The Great Vowel Shift, it’s going well and has had two lovely reviews, one by Peter Kenny and another in London Grip.  Very exciting!

Today I’ve been hard at it, on the home straight with the blogging book (all the copy is due next Tuesday). In fact I was just writing about time management and beating ‘bloggers’ block’, and by way of a break in the writing I’m (erm) writing this blog post. (Which comes under the heading of ‘do something different’ – although it’s not all that different, but anyway…)

Blogging for Writers - work in progress
Blogging for Writers – work in progress

The good news is I’ve hit my 45k word count, bad news is I still have 4 double page spreads to write, so I’m going to be a bit over. Then there’s what feels like a zillion photos to source and caption, expert bloggers to chase up for their contributions, and then going through it all and filling in the many holes, amending cross-chapter references, spell-checking, repetition-checking and all that stuff, then getting in a nice orderly zip for submitting. At least I have another month to get all the images sorted. Then it’s headfirst into the next book.

In the meantime tomorrow I have the last of my 3 session ‘Build your social web presence’ at New Writing South, and I’m speaking at their Publishing Industry Day on April 26th which should be fun. But I’m looking forward to getting back to my one-to-one mentoring work and having a bit more time for poetry sometime soon.

Last week I was contacted by Julia McCutchen of an organisation called IACCW to ask if I would be a ‘featured speaker’ for one of their monthly webcasts later in the year, plus there are one or two poetry readings in the pipeline for the second half of the year, so lots happening.

I hope the weather lasts and you have a lovely Easter break. Enjoy the blossom.

 

Mags & Blogs/

Mammoth list of literary journals

Worth bookmarking – the Poets & Writers database of lit mags (litmagz?) Salivate over this if you dare –
“listings for 977 journals, providing details about the kind of work sought, authors previously published, submission guidelines, payment policies, tips from the editors, and more”

US literary magazines at Poets & Writers

WOW – nearly a thousand mags?? Why does this kind of list make me feel like I’m in a branch of Staples the size of Wales…

Not that I’ve actually submitted to any yet, but it’s the window shopping that’s fun …

Pamphlets/

The pamphlet is here, hurrah!

The Great Vowel Shift pamphlet

Just taken delivery today of my new short pamphlet, The Great Vowel Shift. I’m very pleased with how it looks, and feeling kind of freed up to focus now on new writing.

If you’re so inclined, you can buy a copy here … just £4 plus 50p postage. Bargain! And signed by the poet!!

Thanks ever so. x

Angst/

So bad they rejected it twice

Just raising my head above the parapet to report that I’m about 20k words into my book and now at the point where I have to start printing pages off and going through everything with post-its, before I lose my many threads. It’s amazing how I can be convinced I’ve already covered something, or filed something, or penciled in a name and a quote, and then suddenly nothing is as it should be. Ack! I’m trying to do this one on my own, having had some research help with the last book. Remembering all the people I’ve contacted, and where I wanted to use a quote from them, is the hardest thing, despite it all being on spreadsheets.

Anyway, poetry is entirely gone from me at the moment. Although I’ve got stuff out, half of it is to competitions which is akin to playing those fixed odds betting machines. Entering one more comp won’t do any harm! Hey, I might even win! And next thing the (metaphorical) bailiff comes knocking. And for the first time in ages I’ve nothing forthcoming in magazines.

Then, having been rejected by The London Magazine, two weeks later they send another email – we’re sorry to tell you… you mean, you haven’t changed your mind? Or were those poems so bad you had to reject them twice? I did try having a little joke with the sender of the email, but (no doubt in the spirit of not engaging with possible nutters) she declined to respond.

A couple of good things though: the Heavenly Bodies anthology which I’m proud to be a part of is out on April 30th, although I won’t make the launch as it’s the other end of the country from me. Can’t wait to see it! Plus, my pamphlet should be arriving this week. I made some amends after seeing the proof, including changing the cover title and name from all caps to sentence case, as all caps seemed A BIT SHOUTY.

Would be nice to now go out for a walk in the sunshine, but … those post-its are calling to me.

Mags & Blogs/

Quick writing update

This is probably displacement activity, as I should be working on the book which I have until Easter to write. Yikes! Quick update on a few things.

Poetry writing is currently going through a dry patch. I missed out on my Mimi Khalvati fix at the weekend as I was under the weather, but did have a good Stanza meeting on Monday night and the first of our ‘small group’ workshops is next week, so I’m looking forward to that. I’ve been digging around my archive of unfinished and ‘in need of work’ poems, of which there are A LOT. One or two I’ve actually managed to re-write, and as I’ve not got much out in the pipeline at the moment I sent a few things out quickly before I changed my mind.

I’m trying Ambit again … surely they can’t still be holding against me that incident at the Betsey Trotwood in 2012 …?

I had another rejection from Poetry Review … still plugging away!

A couple of new RED ALERT cautions that are currently top of mind – on Monday the redoubtable Antony Mair warned of the ‘portentous last line’ – and of course I knew exactly what he meant as I’ve been GUILTY of said practice more than once! Then today I was reading an interview with Rob Spillman, editor of US magazine Tin House, who was complaining about how too many submissions ‘lack engagement with real world issues… there’s a stunning amount of navel-gazing with tiny emotional epiphanies.’ Ouch! Be gone from my poems, o tiny emotional epiphanies!

Meanwhile, talented illustrator Hannah Clare has come up with a striking design for the cover of my pamphlet. I have a week or so before the ISBN numbers come through, which is when I can create the barcode and finish off the rest of the cover. At the moment there are 13 poems in the pamphlet but one of them I’m still not sure about, so it may end up being 12. Probably a luckier number.  All very exciting!!

And now…back to the writing that actually pays!

Pamphlets/

Publish and be damned

Telltale Press logo

Call it ‘self-publishing’ if you will, call it an unhealthy desperation, frustration or whatever –  I’m not sure exactly what my prime motivation is but it feels good to be taking charge!

Here’s what’s happened …. I have named my new poetry press. I’ve named my pamphlet. I’ve (almost) decided on the content and order, thanks to some super insightful comment and expert suggestions from an experienced poet. I have applied for my first batch of ISBN numbers. I’ve had several print quotes, and have juggled various options regarding size/format. I’ve pored over many pamphlets to see how they’ve been made, the typefaces, line height, paper weight, where the acknowledgements go, etcetera. I’ve done most of the typsetting and layout myself in Illustrator. I’ve decided what I like and don’t like in terms of cover designs, and have briefed a talented artist to come up with something beautiful.

So far I’ve really enjoyed the process and haven’t had any big problems. I realise it’s still a novelty for me. And I’m doing this as an investment, not to make money or even cover costs, although that would be nice, and not utterly impossible. So I guess the difficult thing about publishing must simply the business of money – where it comes from, how not to lose it, and how to finance the next project and stay sustainable.

My own pamphlet is being financed by moi. But in so doing, I’m getting excited at the prospect of publishing other poets. That was the point of creating a new press – to publish my own first pamphlet alongside a few other people in the same position as me, namely, those feeling ready to publish but as yet unlucky in winning a pamphlet competition (because that seems to be the only way to one’s first pamphlet). What does this mean? Am I setting myself up as a publisher? Yes and no. I see the pamphlet projects as being fairly collaborative and ‘self help’. I don’t have the experience to be an editor. And I don’t have the funds to publish endlessly out of my own pocket. So any fellow poets coming on board have to be prepared (as I am) to share the financial burden of production (although on the positive side this means sharing the sales income too.)

That said, being prepared to PAY is not the only criterion – too much like a vanity press. And I do (of course) have strong feelings about the kinds of collections I’d like to be published alongside. So there are artistic criteria, if you like. And quite a few other criteria also, the nuts and bolts of which I’m still working out. Most of all I think of a Telltale pamphlet as being a first step, maybe a springboard. It feels important to me that it’s for first pamphlets, because it gives newcomers a chance. (But will I change my mind once I’ve done one, and can’t get anyone else to publish me? Ha! We’ll see!)

The way I see it, there’s room for all kinds of publishing enterprise. This one has yet to earn its stripes. But it’s fun to try.

Angst/

On Heavenly Bodies and feeling empowered

Publishling cartoon
Copyright Cartoonstock.com

A few interesting things on the go at the moment. ‘Heavenly Bodies’ which I wrote about last week is gathering momentum, and there’s talk on Facebook of having a launch in Preston, or somewhere points North, which will mean I’ll have to miss it, alas. Anyway, at least I’ve written my ‘constellation’ poem, although I think I’ll look it over a few more times before sending it off to Rebecca Irvine.

Although I’ve been a bit dry lately in terms of producing new work, one thing I’m pushing forward with is a promotional pamphlet. I’ve given this a lot of thought. The purpose is twofold – firstly to have something to send/give to people which showcases some of my (previously published) poems, and perhaps to sell at readings, and secondly to shake off the feeling of passivity that going in for endless pamphlet competitions engenders in me.

Maybe I’m too impatient, but I lost a good poet friend last year, very suddenly. Life is short, to take action is empowering, and what have I got to lose? (Apart from the cost, but at least it’s all under my control!) It’s a very small collection, and doesn’t impact on my newer unpublished work, nor does it overlap with the pamphlet submissions I’ve got out at the moment. Plus I’m really enjoying the process of learning about publishing, print and all the other mysteries!

Meanwhile, with the help of my ‘loose committee’ I’ve been working out plans for the Brighton Stanza this year, which has grown considerably and we now need separate workshopping meetings as the monthly ‘open’ meetings have become so large. There’s a vibrant and wide-ranging poetry scene in Brighton, and although one of our aims is to encourage fine writing through close reading and critiquing, many people prefer to hone their performance skills, or read and share their work without scrutiny, or simply listen, learn and gain confidence.

There’ve also been various work-related things that have taken me away from poetry the last couple of weeks (curses!) as well as music-related things, such as turning pages at recitals, co-ordinating rehearsal dates and availability of singers for choir gigs.

But in between times I’ve been enjoying Michael Symmons Roberts’ Drysalter which just seems to ‘keep giving’ as they say.

Books/

Links to useful poetry resources (publishers, magazines, competitions etc)

The Saison Poetry Library

I thought I’d post some links to poetry resources I’ve been bookmarking. I’m sure these are just the tip of the iceberg so if you know of anything similar to add to this list please let me know in a comment – thanks. These are mostly UK but I’ve included one good US resource also.

Write Out Loud Poetry Directory – this is an Aladdin’s Cave of links, to magazines, small presses, courses and regular competitions. Lots of publications I’d never heard of. Recommended.

The Saison Poetry Library on the South Bank in London has a list of UK poetry magazines, although it isn’t up to date (eg it still has old details for Poetry London, Ambit, etc and lists several publications that are defunct) so best to double-check the info you find there. The Poetry Library’s Competitions listings are useful.

The Poetry Can is a site for poetry development in the South West but it features a national list of Poetry and Literature Festivals. This could be useful if you’re looking for gigs to promote your books, or planning to organise an event of your own. The site’s Resources page contains a number of useful poetry links.

The Scottish Poetry Library has an excellent website with resources and opportunities for poets, teachers and families and lots of useful poetry links. I’ve never visited the library but it looks brilliant.

On the Literature Wales site there is information about courses at Ty Newydd, competitions, events and opportunities for writers.

What Editors Want: A Must-Read for Writers Submitting to Literary Magazines by Lynne Barrett in The Review Review. This is a great general resource for writers wanting to research lit mags, although it’s focused on the US there are still many relevant articles here. And if you’re looking to crack the US scene here’s a listing of links to over 600 US print and online literary magazines.

Here’s Carrie Etter’s list of UK Pamphlet publishers currently accepting unsolicited submissions – although it dates from March 2012, so again, not guaranteed to be up to date but a good starting point.

If you’re looking for something a bit more quirky, essential reading is this list of 15th century collective nouns. Excellent tweet-fodder.

*** [added 5-12-13] Thanks to Carrie Etter for pointing me to a list of poetry publishers compiled by Helena Nelson at Happenstance – it’s a downloadable PDF available from this page. Last updated August 13, so pretty much up to date, although as Nell acknowledges, it’s dependent upon people letting her know about changes in circumstances or new publishers.

*** [added 7-1-14] Wonderful piece here on putting together a collection – On Making the Poetry Manuscript, by Jeffrey Levine – check out the rest of his blog while you’re there, it’s a great resource.

Photo: The Saison Poetry Library

Books/

A day at the (Poetry Book) Fair

poetry book fair 2013

Having answered a call for volunteers on Facebook, I found myself yesterday at Conway Hall in London, donning a blue badge and helping out at the Free Verse: Poetry Book Fair.

Organised by Chrissy Williams and CB Editions, with a lot of help also from Joey Connolly, the Fair is in its third year and apparently bigger than ever. I wasn’t sure what to expect but it was quite a crush – and with something like 700 visitors through the door and 50 or so publishers present, I felt nervously close to the epicentre of the poetry world.

When it comes to events I quite enjoy having a job to do, because otherwise I tend to turn up, wander around, not dare to talk to anyone and leave with a sensation that everyone else knows each other and I don’t know anyone. Actually I still felt like I didn’t know anyone, even though I blatantly did – the ever-friendly Mike from the Poetry Society plus several poet friends including Hilda Sheehan, Marion Tracy and Harry Man. I had very nice chats with many of the publishers and by the end of the day had minded shop for Amy from Seren Books and Sophie from Inpress. I even sold a book for Inpress (thanks, Marion!) I introduced myself to Nell Nelson from HappenStance and discovered a poetry press in my own home town that I’d never heard of. Who’d have thunk it?

I nearly bought quite a lot of stuff but in the end restrained myself. On the Templar table I fell for Matt Bryden’s Night Porter, which has got me thinking seriously about how I might group up some of my poems around a distinct theme and enter them for the Iota Shots pamphlet comp.

Then I spent £3 on a set of 4 microbooks from Hazard Press, witty confections and utterly not what I ought to have been buying, but I couldn’t resist.

On the Roncadora Press table, artist Hugh Bryden told me about the processes involved in producing their beautiful publications, all hand-made. I was so, so tempted by Nest – the photo on their site does not do it justice, the whole thing is a wonderful work of art, and they were selling it for just £6. Blimey, that can hardly have paid for the paper.

Astrid Alben

After the publishers had packed up and left, everyone moved over to the pub for an evening of free readings. Although I didn’t stay for them all, I did catch an enjoyable short set from Astrid Alben, reading from her Arc collection Ai! Ai! Pianissimo (memorable or what?) and later on, with a whole army of young male fans in tow, Chris McCabe who read in tandem with Jeremy Reed from their Nine Arches Press publication Whitehall Jackals. Read his blog post about the making of it here. Sorry about the rather grainy pics by the way.

chris mccabe

Chris was the highlight of the evening for me. I loved his poetry and both he and Astrid were readers with real presence – something that’s hard to define and probably impossible to teach, but you kind of know it when you see it. All in all an enjoyable and inspirational day.

Books/

BlueGate Poets Anthology

Hilda Sheehan
Hilda Sheehan
Hilda Sheehan at the Swindon Festival of Literature

 

Swindon is a hotbed of poetry! I actually live 130 miles from there, but this year I’ve been drawn into its orbit and am very pleased to be a member of BlueGate Poets. Founded in 2008 by the extraordinary and indefatigable writer and arts event organiser Hilda Sheehan, BlueGate Poets hosts events, readings, workshops and open mics, and its membership has grown to fifty or so, from aspiring writers to published and award-winning.

It’s lovely to have a couple of my poems in BlueGate Poets latest online anthology  (check out also a previous anthology, Separate Ways, poems written on the Swindon Art Collection – some lovely gems there.)

Hilda’s first poetry collection The Night My Sister Went to Hollywood was published recently by Cultured Llama and she’ll be reading from it at the  Free Verse: Poetry Book Fair in London this weekend. I’ll be there making tea or something, so hoping to catch with Hilda and other poet friends – let me know if you’re going too!