Category: Submissions

Angst/

A poetry Spring clean

I’m finally getting myself back on track after two weeks of Jury Service. There are blogs to attend to, email updates to send, all manner of poetry admin for Telltale Press, Brighton Stanza and Needlewriters and maybe, just maybe some time to do some actual writing and even sending off. Oh and the small matter of a pending house move. Possibly.

So it’s time for some clearing out and cleaning up. A good friend recently did a massive wardrobe overhaul and I was the happy recipient of a ton of free clothes and ‘accessories’ – not being an accessories kind of gal I’ve now increased the number of scarves and bags I own by about 800%. My husband thinks I’ve been abducted and replaced with someone far more well-heeled. To make space for all this (we still live in a little house … at least for another 6 weeks or so) I now have another huge bag of other stuff to take to the charity shop. And a good clean out of drawers and wardrobe done prior to The Big Move.

What this is all leading up to of course is the fact that SPRING CLEAN MANIA has infected the ‘poetry’ folder (and all its sub-folders) on my computer.  I started archiving poems in February and both the ‘archive’ and ‘not for publication’ folders are now bulging. (The latter is important – if anything were to happen to me, it will be very clear to any kind friend or family member going through my poems WHICH ones must never see the light of day. A bit control-freakish? Maybe!)

I am also doing a ruthless cull of outstanding submissions. Yes folks, I’ve taken a unilateral decision – and no doubt some people will find this controversial – to finally consider dead those submissions I’ve been waiting on since August and September last year. Inasmuch as I’m taking them out of the ‘pending’ folder and either resubmitting, editing or shelving them.  Here’s how it all ended (an update to a previous post on this topic):

Magazine A: 4 poems submitted by email (£1 paid) August 2014 – that’s 268 days /38 weeks ago. First gentle enquiry sent November 2014, no response. Second enquiry January 2015, no response. Since then, I’ve heard from two poet friends that this particular magazine had never replied to their submissions either, even after a year. It’s a shame, because it was a good publication and I’ve had work in it in the past, but I feel all the goodwill I had for them has been sucked out me and spat back in my face.

Magazine B: 4 poems submitted September 2014. I had included two SAEs – one was purely a receipt, which was kindly sent back to me six weeks later. I provided this because 2 previous submissions had been lost.  I didn’t enquire about these poems, because I was reassured by the receipt, plus this is a magazine I have a lot of time for and I didn’t want to hassle the editors. When I did finally enquire recently, after 8 months, I did get a quick response, but it was clear from the many questions and answers we exchanged that the poems couldn’t be located. In the end I told them not to spend any more time looking, and that I would consider them withdrawn.

It was a sad decision to make, but I’ve had that particular editor running round looking for my poems more than once before, and there’s no point annoying editors unnecessarily or giving them extra work. There’s certainly no point flogging a dead horse: I can’t help but think that if there was anything good about the poems they wouldn’t have ended up at the bottom of a filing tray or stuck to the sole of someone’s shoe.

In the meantime, of course, many other publications have read and responded to submissions I’ve sent them, some quickly, some slowly, some acceptances but more rejections – and that’s the natural ebb and flow of poems in and poems out. As I’ve said before, I am sympathetic to overworked editors and in their position I’m sure I’d get fed up with reading bad work and dealing with the odd bit of bad poet behaviour. Although to be honest I don’t know of any poets who bombard magazines with stroppy enquiries or any of the other things we submitters are regularly accused of.

What I do know is that there are magazine editors who are good excellent at:

  1. managing poets’ expectations by keeping instructions on their website accurate – and if this means stating ‘do not enquire until after 6 months have passed’ or even ‘we do not respond to all submissions’ then so be it!  (I know of several publications who state these are their policies, and I respect them for that. After all, if I don’t like it, I don’t have to submit, do I?)
  2. responding to polite enquiries received after the ‘expect a reply by’ date. Is it so hard to do?

So – what now to do with the 8 poems now back in circulation? On first glance I think I’ve already revised a couple of them. There are another 3 or 4 I think I will shelve for now. Which leaves 2 or 3 I’m still happy with as is.

Now if I were REALLY serious about Spring cleaning I wouldn’t be archiving the old or bad poems, I’d be deleting them completely – but I just find that very hard to do, stupid as it may sound.

Anyway, that’s now off my chest. There is of course the small matter of the 5 poems submitted to another publication in November 2014 that I’m still waiting on … I’ve had no response to my two enquiries, but I’m giving it until July before writing that one off.

 

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Finding new homes

jeremy Page reading at Needlewriters
Jeremy Page reading at Needlewriters

I’m currently in the middle of what the meedja likes to tell us is one of life’s most stressful times – moving house. I’ve managed to weather the others (divorce, bereavement, being fired, Liverpool failing to win their 10th championship in 1978 etc) so it shouldn’t be that bad. Also, I am lucky enough to have a husband to share the experience with. The idea of relocating to another town, albeit in the same county, is exciting, and is making me think a lot about what ‘home’ means, and the process of finding and building a new home after being thirteen years in the same place (easily the longest I’ve lived anywhere).

One of the things I know I will miss is Lewes’s literary scene – I’ve been warned it isn’t quite the same where we’re going, but I guess the answer is to do something about that! Last night it was the quarterly Needlewriters meeting, with poets Jeremy Page and Judith Cair reading, and it reminded me what a privilege it is to live a couple of minutes away. A poet friend was telling about how much she enjoys workshops with Mimi Khalvati, who comes regularly to Lewes, and how wonderful it was to have a poet of her standing coming here, to us. Mark Hewitt’s Lewes Live Lit stages all kinds of workshops and events in the town. And then of course there’s Telltale Press, a Lewes-based project if ever there was one… I can’t take it with me!

It’s still early days and anything could happen, but we’ve found our ideal home and are hoping it will actually be our home within a few months.

And speaking of homes … (crass segue alert) … despite another rejection from Lighthouse this week (boo!), homes have been found for 2 new poems at Brittle Star who are taking one for issue 36 and another for issue 37. And co-editor Martin Parker has invited me to read at the launch of 36 in London in May. Big hurrahs all round!

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News round-up: poetry submissions, readings etc

Just a quick update… I haven’t been blogging as much lately as I am knee-deep in a job, and paid work must be paid attention to! But a few things to report:

Submissions

Those nice chaps at Prole magazine are taking a poem of mine for their April edition, which is fab news, and THANK YOU Brett and Phil for such a prompt response to submissions. The poem I sent them is not quite my usual style, and I hadn’t sent it anywhere else. If Prole hadn’t wanted it then I probably would have tried ‘Obsessed with Pipework’ and failing that ‘Morphrog’ – both of which tend to like off-the-wall stuff. Anyway, the poem is a sort of ballsy paean to Don Paterson, but I’ll probably never read it at a poetry reading, although I’d like to hear it read by someone with more balls than me!

Also delighted that next week (April 6th) my poem ‘Small Horse’ will be up on Ink, Sweat & Tears. Big thanks to Helen Ivory for that.

No other submissions news – currently waiting on:
4 poems, out for 228 days (33 weeks)
4 for 203 days (29 weeks)
5 for 148 days (21 weeks)
6 for 24 days (3 weeks)
5 for 5 days

Readings & Events

I was really looking forward to attending the National Poetry Competition prize giving gala evening tomorrow, but it’s looking like I will have to send my apologies as I have a stinking cold. Boo. Hope I get asked again, I really enjoyed it last year.

Telltale Press is moving up a gear – not only do we have our next reading coming up here in Lewes on Wednesday 15th April (where I’ll be hosting but not reading – I’m leaving that to Martin Malone, Peter Kenny, Ryan Whatley and Helen Fletcher), but we’ve also signed our latest member, Siegfried Baber, who’s launching his pamphlet in at Topping’s Bookshop in Bath on Wednesday 13th May. Whoah! Telltale in Bath – please come if you’re anywhere nearby.

We’re also about to announce our fourth member, and another pamphlet launch – which we’re all very excited about – I’ll keep you posted.

Meanwhile I’m out and about with readings in Highgate (London) on 22nd April, Brighton 30th April, Mayfield on 3rd May, Lewes on 14th June and Camberwell (London) on 22nd June. Yeehah!

I’m also at Brighton Library on Saturday 25th April at the New Writing South Industry Day, where I’ll be having my brains picked on the subject of social media, blogging etc for writers.

There’s a black hole hovering (can a hole hover?) over the end of April and beginning of May, when I’ve been called up for jury service. Fingers crossed it’s over within that time and doesn’t drag on for months – you do hear horror stories. Then by June or July, we should be moving house, if everything goes to plan. So a busy few months. Just need to banish this cold.

Angst/

Poetry submissions – stats for last 6 months, stocktake

poetry files

Just a quick update on my poetry submissions, in case you’re interested – I know people often like a comparison, and while those “I’m delighted to announce…” successes are all very nice to hear about, sometimes it’s good be reassured that you’re not the only one who’s not currently delighted about anything.  So, I’ve just done a 6 month audit and here’s what my submissions tracker tells me:

Magazines, waiting on:
4 poems currently out for 193 days
4 poems out for 168 days
5 poems out for 113 days
3 out for 8 days

There seems to be a long gap (no poems sent out between November and February) but that’s not entirely true, as some things were sent and returned in that time. Thanks so much to Antiphon and Ambit (among others) for your prompt responses!

Since last August I’ve had 24 poems declined by 6 magazines and 2 accepted.

Competitions: I’ve entered 11 poems in six competitions, the results of which are one 1st placed poem, one shortlisted and two sunk without trace, with the 3 remaining comps still to be judged.

On the whole I think I’ve sent out less material during this period than I’ve done in the past. I don’t have a fixed strategy, you know, such as sending a poem straight back out as soon as it’s returned. I also think I’m a bit more circumspect than I used to be.

When I first starting sending poems to magazines in early 2010, I think the first few acceptances (when they came) were like a drug – I was awash with the confidence that’s easy to have when you’re new to something. Ignorance is bliss, I suppose – and as with anything, the more you learn the more you realise the extent of that ignorance, and are humbled by it. So now I tend to sit on a poem that’s been declined, maybe go back to it a few weeks or months later, fiddle with it, wonder if it would fit another publication, sit on it a bit longer.

The other day I spent the evening filing – although I keep everything on the computer I do print poems off when I send them somewhere, or read them at an event. I’ve decided to archive a huge number of poems – the ones that never lived up to my own assessment of their merit – and I’m aiming to keep the “working on / not out at the moment” pile small. Instead of endless tweaking, I’m focusing more on writing new material. I’ve basically let go of a lot of stuff. It makes it easier to  look forward rather than back, and for me at least that’s important, as is a belief that the best work is yet to come. Do you agree? Any thoughts?

Angst/

Breaking this week (poetry and tech)

i broke it
I broke my blog and can’t fix it

The eagle-eyed reader of this blog may have noticed a few wee changes in the look of it. Yes, I’ve changed the Theme, but it all happened rather more quickly than I was expecting, and the day before I was giving a blogging workshop. So I spent four hours trying to make my broken blog look half-respectable. DUH. It’s still not quite how I want it, but that’s my fault for being so trigger-happy and always wanting to change things.

Then, the workshop was going well, until I introduced the class to Pixlr, which I’ve used many times, but for some reason it wasn’t doing what I expected. OH WOE! Never rely on technology in front of an audience, dear readers. It has certainly led to many a pratfall in my time.

On the poetry front, good news: I feel I may have written a half-decent poem, my first in a while. Hurrah!  But I can’t decide where to send it – to Black Hole Magazine*, or the No Hope Poetry Competition*? It’s a tough call!

More good news: the lovely Helen Ivory has accepted a poem for Ink, Sweat & Tears – thank you, thank you Ms I! – to appear some time in the Spring. Another poem made it onto the Plough Prize shortlist (results out in March I believe, but the winners have already been notified, so I know that’s as far as my poem got – the shortlist and longlist idea is great, as it gives you some consolation that your poem wasn’t entirely yawn-worthy.)

Very busy at the moment – with work, with homelife, with other poetry projects such as Telltale Press – we’ve nearly got all our readers for our next Telltale Poets & Friends reading in Lewes on 15th April – and the Needlewriters – launching our anthology next month, and a lot of online proofing to do.

I’m also researching my next ‘regional focus’ for this blog – Cumbria, I’m cumbring your way (sorry!) and one or two poet interviews for the Spring. So lots in the pipeline, and I’ll try not to break anything else.

* absolutely no slight intended towards the lovely mags and comp judges who have been so kind as to place my work in the past!

Image credit: Themewich.com

Angst/

A model rejection letter

The other day I received an email rejection letter from Rattle, an excellent US magazine I both subscribe to and aspire to being published in. So yes, it was a blow to have my poems rejected. But I didn’t feel dejected. Here’s why. Editor Tim Green sends out what I can only describe as a model rejection letter.

As we all know, rejections can vary in quality, and you just have to deal with them. But I do believe there are good and bad ways to reject, just as we’re always being told there are good and bad ways to submit our poems.

So, rather than naming and shaming the poor ones I think it’s better all round to draw attention to the very best, in the hope that others may follow suit. With Tim Green’s permission I am reproducing the entire letter here:

Dear Robin,

Thank you for sending us “4 poems from Robin Houghton – thanks for considering,” but unfortunately we’ve decided not to publish any of these pieces. I want to assure you that your work has been taken under careful consideration—Megan and I each read every poem before replying, so everything has been read twice by the actual editors.

This is a form letter—necessary with a staff of two and all these submissions—but what I’m about to say is sincere: Unlike most literary magazines, we don’t directly solicit work from anyone; we feel that practice isn’t fair, and doesn’t make for a good magazine. Instead, we read a great number of poems—over 80,000 each year—and publish our favorite 150, regardless of who wrote them. The odds are always going to be long, but that’s the only thing that keeps the quality of the magazine as high as it is. We always appreciate the opportunity to read your work—that’s what we’re here to do.

Also, it should go without saying that our decision to return this submission doesn’t mean much. We’re just fans of poetry ourselves, and all tastes are subjective. Moreover, we’re always looking to make the magazine as eclectic as possible—often we end up turning down submissions that we enjoy, simply because they’re similar in tone or content to other pieces we’ve published.

In any event, thanks for continuing to share your work. We’re happy to read submissions any time, year-round—and we just announced that we’ll be paying all contributors $50 per piece, too. So hopefully we’ll always be at the top of your list for places to send new poems.

Best Wishes,
Tim

Timothy Green
Editor
tim@rattle.com
www.rattle.com

So there you have it – an honest, matter-of-fact, informative and elegant rejection letter. No hand-wringing, no patronising and no BS.

I’m a big fan of the simple but kind ‘your poems weren’t right on this occasion, sorry’ rejection slip. But if you’re going to say any more than that, then this, surely is the model to live up to.

I hope if I’m ever in Tim’s position I’ll be able to do as good a job.

Angst/

A writing retreat, and other treats

Standen House

I always think of January as being a bit dreary, so it tends to be the time of year I make plans for things to look forward to.

Number one is a short writing retreat – I did a DIY retreat a couple of years ago and got a lot out of it – not least of all enough material to produce two decent poems.  But I was a bit lonely – so this time I’ve booked 3 nights away rather than four, at a National Trust flat in Standen, an Arts & Crafts house which I’ve always loved visiting. I’ll have free range access to all the gardens and grounds while I’m there and a cosy flat in the servants quarters where I can read and write. Are you jealous yet?! That will be in March, when the days will be slightly longer and who knows, maybe warmer too.

I’ve also booked onto an afternoon workshop with Anne-Marie Fyfe on the theme of ‘a bridge too far’ in February, and this workshop offered by Poetry Swindon also looks tempting – Smart reading for smarter writing with Martin Malone – but it’s the day before and I might be tad exhausted from all the workshopping (and travelling) in one weekend.

It’s a good thing I’m going to be doing some workshopping and retreating because I’ve got a few readings coming up, and need new material! This Thursday 22nd January I’m on home turf here in Lewes for Needlewriters, then nothing else booked for a while, although Telltale Poets are planning another reading in March or April – we’ll be finalising that soon. On April 22nd I’ll be reading at Lauderdale House in London, as part of Shanta Acharya’s Poetry in the House series, which will be fab, and in May 3rd I’ll be in Mayfield for a reading during the Mayfield Fringe Festival, at the kind invitation of Sian Thomas. Later in the year, big thanks to Dawn Gorman for booking me to read at Words and Ears in Bradford on Avon on October 29th – which is actually my birthday, so we’re making a nice trip of it.

As regards submissions, there’s no news to report I’m afraid. I’ve lost a bit of momentum. I’m in the doldrums with no sign of the wind getting up. So I’m focusing more on finding the time to write, and am resisting the urge to enter competitions or submit to any more mags just for the sake of getting things out there. To be honest the cupboard is bare at the moment – all my half-decent stuff is tied up and out of circulation. If you’re interested, here’s how the magazine submissions are going:

4 poems have been out for 5 days – yes! I submitted a few the other day – but other than that:
9 poems have been out for 76 days
4 poems for 131 days
4 poems for 156 days

I’ll soon be able to move a couple back into circulation which were out to competitions. It’s a slooooow process, isn’t it? But I’m heartened by reminding myself that for many fine poets three or four good poems a year was (or is) enough.  Quality, not quantity 🙂 And think of the treats coming up!

Angst/

Submissions – to enquire or not to enquire?

Submissions - to enquire or not?

First of all a huge thank you to Matthew Stewart of Rogue Strands who has once again mentioned my blog in his ‘Best UK Poetry Blogs of the Year’ roundup. It’s exciting to be in there with such great company, and always very nice to know this blog is read and enjoyed. I think all bloggers have those days when you’re writing something and you suddenly think “what if no-one reads this, am I just sneezing into the ether?” or whatever.

Now we have those crazy last two weeks before Christmas which, in a musical household, tends to mean every spare moment is taken up with concerts and the myriad jobs they involve. Poetry has to take a secondary role. Having said that, tonight is a last huzzah of the year with the Brighton Stanza having a seasonal evening of readings, magazine-swapping, socialising, celebrating and commiserating. I’ve managed to delegate the compering to two fine poets with big personalities and am looking forward to hearing a wide variety of poetry styles and performances from our eclectic mix of members, Brighton-stylee.

overwhelmed editor
I do sympathise. Honest.

Submissions news: no news (and not necessarily good news). But I did come across a very handy tool put together by Nathaniel Tower on his blog Juggling Writer – it’s a spreadsheet for keeping track of submissions. (The link to it is about halfway through this article.) My own submissions tracking started off very well but has gone a bit scruffy lately, and having inputted my current ‘out’ poems into Nathaniel’s nice clean version, I can see at-a-glance that I have 13 poems that have been out for 34 days, 4 for 50 days, 2 for 61 days, 4 for 89 days and 4 for a whopping 114 days.

I did recently enquire about the four poems that were submitted 114 days ago (August 16th) – a very polite enquiry of the magazine in question, asking where they might be in their reading schedule to give me some idea of how much longer before a response. I was brief, and about as friendly, humble and self-effacing as I could be within the confines of human dignity. But it didn’t surprise me not to get a reply, which in itself makes me sad.

I’m trying very hard to see it from the magazine’s point of view. I’ve read all the articles about how editors are overwhelmed, losing money and hair, besieged by poets who don’t read the magazine or the guidelines, who pester and get shirty if they’re rejected and so forth. The magazine editors I know or have met are nice people with a difficult job. I do understand and generally speaking I know you just have to wait, and when you get a ‘no’, you move on and send it elsewhere. I obey the ‘no simultaneous submissions’ rules and am prepared to tie up poems for months on end, that’s just what poets do.  I rarely enquire – but when I do, I wring my hands and think and think about the wording. I try to be as considerate as possible. But I don’t think it would be unreasonable to submit elsewhere after five months if a gentle query brings no reply.

Do you agree? Do you ever enquire about a submission, and if so, at what point? Do you get a response?

Meanwhile, a quick plug for the next Telltale Press event at the Poetry Cafe in London on Wednesday 7th January at 7pm – please come if you’re anywhere near London. It’s FREE! On the bill are Catherine Smith, Canadian poet Rhona McAdam, Siegfreid Baber plus Peter Kenny and myself. There’s a Facebook event page, let us know if you’re coming and hope to see you there.

Bloggers/

Submissions, readings, blogging books

Orford Ness

I’ve been busy with work stuff lately so just a quick update.

I had another rejection from The Poetry Review (but a nice note from Maurice Riordan) and I’m still awaiting news on half a dozen magazines I have poems out to. After umming and ahhing about submitting my short pamphlet to Templar Iota Shots I finally decided it was good enough to go.

The thing about submitting to Templar is that it doesn’t have different judges each time (unlike, say, the Poetry Business Pamphlet competition.) This means that if Templar editor Alex McMillen doesn’t like one’s style, he possibly never will. Some of the poems in the collection I submitted are the same or new versions of ones which I included in my submission last year. Let’s hope they’re not memorable or horrible enough to hinder my second go at it.

On the positive side, I can’t complain about my poetry autumn, having a poem appear in the current Rialto, winning the Stanza comp and being invited to read at Keats House – which is on Wednesday 26th November by the way – I’m REALLY hoping there’ll be some familiar, friendly faces in the audience – it’s the Poetry Society AGM and I’ll be reading alongside Daljit Nagra and Suzannah Fitzpatrick. Must start practising.

As regards Telltale Press, Peter and I have been contacting potential Telltale poets and putting our heads together on all sorts of plans …  we’re hosting another reading at the Poetry Cafe in London on January 7th, with special guest Canadian poet Rhona McAdam. Hope you can come to that!

I’ve enjoyed reading the accounts of Aldeburgh Poetry Festival, here’s how Sarah Salway captured it, and of course Anthony Wilson wrote several insightful posts as blogger in residence. Next year I’ll be there with poet friends Clare and Charlotte – the beach house is already booked. So looking forward to that!

Meanwhile it’s all kicking off with ‘Blogging for Writers’ – I’m in the process of organising a Blog Tour which is shaping up nicely, then there’s the blog to update, blog posts to write… I even have a guest blog post booked in for an excellent US site next April, which is when the next blogging book is due to launch, and readings for that are being discussed already, so I could be in for a busy Spring.

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Pre half-term round-up: submissions, events, other writing

October is my favourite month, partly because it’s the start of the run-up to Christmas with all sorts of musical things to come, before then of course Bonfire Night in Lewes – always an annual high point. Plus I have a birthday, and it’s generally a time for a stock-take and a bit of ‘where am I in my life?’ internal Q & A. I’ll spare you the full depths of the navel-gazing, but here are some of the projects occupying me at the moment:

Writing/submissions etc – not much to report, I haven’t given much time to writing in recent weeks, sadly, but I’m not stressing about it. In anticipation of one or two rejections which I believe are due in the next month, I sent out a few poems last week – I’m trying Ambit again, although I swore not to – can’t get out of my head the idea that I have stuff that belongs there. As regards lost submissions (one of the issues that plagues me) – for those publications that still require postal submissions I’ve taken to enclosing a stamped addressed postcard which just says ‘poems safely received at XYZ magazine’ for the mag to post back to me – which seemed like a trouble-free way of acknowledging receipt. More publications are now using Submittable, which I really like, and I also don’t mind paying £1 to submit (eg to Iota). I’ve blogged before about this and the subsequent poll was split.

Last year I missed the deadline for the National Poetry Comp, so this year I’m determined to enter something at least. I’ve never done well in the big comps, but hey, who knows. As for the pamphlet competitions, I’m tempted to try Iota Shots again (deadline Nov 10th), as  I’ve tightened up my short themed pamphlet and think it might now stand a chance. But I don’t think I’ll be trying the Poetry Business comp, because I’m not sure I’ve got 20 good-enough poems, and that’s not a competition I want to enter half-cocked. Maybe next year.

Other writing – yesterday I got my hands on a preview copy of ‘Blogging for Writers’ which was very exciting. It’s going to be available in shops in a few weeks’ time, and I’m planning a blog tour – yee haa! More about this on the website in due course. Then ‘The Golden Rules of Blogging (and How to Break Them)’ is due out in March 2015, and there’s already been interest from some prominent bookshops in staging readings / Q & A sessions. Double yee-haa!

Also, I have an article on blogging to write for Poetry News – if you’re reading this and thinking “Hmm… I remember Robin asking me some questions for this many months ago..” then you’re not wrong – it’s that very same piece, but there was no room for it in the last edition, so it’s going to be either in the Winter or the Spring issue. I have to write this TODAY.

Telltale Press –  Peter and I have been given some hot tips for potential Telltale poets and we’re in the process of feeling our way in that direction. Slow steps but it’s happening – both Peter and I have a lot of stuff on at the moment but we’re determined not to lose the momentum of the launch events, which were such a lift.

Readings etc – this evening is the quarterly Needlewriters event here in Lewes, with readings from Sian Thomas and Liz Bahs (poetry) and Colin Bell (prose). I’ll be doing the introductions which will be fun, particularly as I know all three readers. Always a lovely local vibe, in a cafe just yards from my house – would be perfect if I could have a glass of wine but today being a Thursday it’s no alcohol. Boo!

Next month I’ll be reading at the Poetry Society AGM at the wonderful Keats House – which feels like a big deal!  Rumour has it I’ll be one of the support acts to Daljit Nagra … I’m now over the initial excitement and into the slightly nervous period. But I won’t be stressing about WHAT to read until nearer the time (I hope).

Meanwhile I’ve already booked tickets for the T S Eliot prize readings in January – 10% off if you book before November 1st! I’ve really enjoyed it the last couple of years, big thanks to poet friends Charlotte and Julia for introducing me to this event.

A few plans for this blog – I’ve got two wonderful poets lined up to feature in the next couple of weeks, plus plans for a regular ‘regional focus’ – I’m going to be poking my nose into what’s happening down your way, and reporting back. Poets, there’s nowhere to hide!