Tag: frogmore papers

Summer, busy, change, decisions…

Oof! It’s a unusually busy summer this year. Family visits, a big trip away, stuff on my to-do list such as a book review for The Frogmore Papers and a note to self to ‘get some more poems out’. Then there’s admin for forthcoming singing workshops. 2026 readings to set/finalise. I’ve enjoyed the mostly dry, warm weather, but it seems to have hit some plants rather badly, including the majestic Marmande tomatoes (which I was looking forward to) contracting a nasty bottom-rotting disease. Ah well, that’s nature I suppose. At least we had some lovely home-grown salad leaves and peas quite early in the season, and the cucumbers keep coming!

I’m taking a summer break from promoting the book, although it would be silly of me not to mention being featured on The Lake‘s ‘One Poem Review’ section this month, as well as a forthcoming review in Orbis. My next reading isn’t until 16th September when I’ll be joining five other poets for a reading as part of the Hurst Festival.

I’ve been sending out a few pieces of new work, and some old work that I’ve been revising. I’m also putting the (I hope) finishing touches to a new mini pamphlet, in a similar format to Foot Wear (in other words hand-made and self-published).  Working title is Yo-Yo. I plan to sell it at readings from the autumn.

Usually it’s autumn when I get that feeling of needing change, or a re-boot, but it’s upon me already. Maybe because everything in the garden is ahead of itself so I am too. Peter and I have decided to make some changes to Planet Poetry. It’s now our summer break, and we’re still coming back for a sixth season, but the time, energy and costs involved have taken their toll. We both need space to work on our own projects and even spend more time with loved ones. So it will be a slimmed-down podcast that re-emerges in the autumn.

The quarterly spreadsheet is also crying out to be something different. I’m still working out what that is! Answers on a postcard please.

Anyway, I hope you’re having a good summer. I’m sure we’ll all emerge refreshed in September.

On National Poetry Day: getting autumnal, Medieval women, currently reading

An blog update for National Poetry Day! To celebrate, not only have I just recorded an interview with the immensely talented Tishani Doshi for Planet Poetry, but this evening I’ll be at Hastings Stanza for some poem sharing and workshopping. All very fitting.

Everything’s cranking up now it’s the autumn: the publicity machine for various Christmas concerts, book projects, the podcast starting its fifth season, the garden to be tidied up (though the tomatoes keep coming)…

A week or two ago I was in Seaford reading poems mostly from the new collection (still forthcoming!), plus a couple from Foot Wear. I took with me the last five copies of Foot Wear and sold four, which means there’s only one left of the limited edition run. Not sure if it’s a left or a right foot, teehee. Perhaps I should auction it??

Meanwhile I was very excited to see there’s a forthcoming exhibition at the British Library called ‘Medieval Women: In their Own Words’ which has started me submitting my novel to another round of agents. Medieval women is a thing! Just look at Janina Ramirez on TV, and her brilliant book Femina. You may have guessed I’m a bit of a fangirl. Come on, lit agents: there’s a lot of interest in strong 14th century women!

In submissions news, I’ve had a bit of a dry summer as regards writing new poems, but I’m very pleased to have one in the new Frogmore Papers and another forthcoming in Black Nore Review on October 17th.

Currently reading: Ellen Cranitch’s new collection Crystal, and Tony Hoagland’s final collection Turn up the Ocean – the latter I picked up in the Poetry Book Shop in Hay on Wye in the summer. Both books are from Bloodaxe.

 

A finale, a winning poem and some forthcoming readings

A few hot days of summer are here, yay! We had a dip in the sea this morning at a secret location, keeping well clear of the little seal colony that was basking on the rocks, bellowing to each other now and then, probably annoyed to see humans on their beach!

Then I was just trying to stay cool indoors at my desk, clearing up emails and so on, when I realised I hadn’t blogged here for a while. So what’s been happening? Let me see.

There’s a week or so to go until the DYCP deadline, and Peter and I are going to try for some funding to help us with the Planet Poetry podcast. We’re not hopeful, but I put together an application six months ago only to miss the deadline by a couple of hours. So I’ve nothing to lose in trying now, I suppose (except for a day or two of my life going over it and changing it all of course.) We have a handful of kind supporters who donate, and we’re very grateful to them, but it’s a drop in the ocean. Without funding, I can’t see us being able to produce Planet Poetry indefinitely, alas, but we’re committed to one more series at least and then let’s see. We finished Season Four a couple of weeks ago with an unusual episode in which we interviewed each other for a change, about our own forthcoming publications. It kind of broke our own rule of not talking about our own work. But hey, after four years I think we deserve to be a bit self-indulgent. Here we were when we recorded Episode 13 of Season 4, over by the sunny Seaford beachhuts.

Peter Kenny and Robin Houghton, your Planet Poetry hosts

Although Planet Poetry is now on its holidays, we’ve already got some exciting poets lined up for October onwards when we start Season Five. One interview in the bag and a couple more on the way.

Meanwhile, a wee sonnet of mine which was published in June by Ink Sweat & Tears was voted its ‘poem of the month’ – possibly down to the fact that I petitioned my entire mailing list of poets to place their votes – although I did not ask them to vote for my poem of course! Anyway, if you’d like to read it and hear me reading it, the poem and a recording is here on the I S & T website. I was very touched indeed by the comments the poem received.

Other poetry-related stuff I’ve been up to: writing a review of a collection by Simon Alderwick for the Frogmore Papers, re-reading Ovid’s Heroides for a project I’m working on, and contacting poetry groups and Stanzas to ask if anyone will have me give a reading in early 2025, when I’m hoping my book will be out with Pindrop Press. So far I’m reading at Seaford next month and at the Poets’ Cafe Reading in March, with dates at Chichester and Eastbourne yet to be fixed. Hopefully more to come, if I’m to sell some books!

Now back to some lovely box-filling and wordcount checking. Wish me luck!

PS I took the ‘bench art’ photo in Turin, on the roof of the old Fiat factory that’s now part- shopping mall part-art gallery and part-rooftop garden where the old test track still circles.

 

 

Subs, poddie, choirs & a greenhouse

When you login to your blog and see there are 16 updates required it can only mean one thing  – it’s been a bit neglected! So here’s a somewhat belated update…

The podcast is nearing the end of its fourth season! When it comes to the home stretch Peter and I tend to get a bit exhausted, but the last couple of interviews of the season will be goodies and in July we’re going to try for an ACE DYCP grant. The chances of getting one are probably zero, but we have to try. Running the poddie isn’t cheap – we have two very kind regular supporters but would need about a hundred to cover our costs. Anyway, wish us luck.

I’ve also been doing some editing of the new collection, looking at where there might be holes and what I need to write to fill them. Which has led to more writing, and I’ve been submitting again after a hiatus. Despite a few rejections, I’m delighted to say there’s work forthcoming in The Frogmore Papers and Ink, Sweat & Tears, two of the longest-running poetry zines, still going after many years while so many others crash and burn. If running a magazine is anything like running a podcast I can empathise!

On the novel-writing front my medieval mystery hasn’t yet had any interest from agents, but a second book is in the planning stages and it’s quite different, so it will be fun to get stuck into that when the time feels right.

Meanwhile I’m just back from a short trip to the Netherlands with the Lewes Singers: great singing, very social and lovely to be in Leiden. But the awfulness of airports and flying is so depressing. Yes, we should have gone by train, but last time we did that the journey was a nightmare. It’s all a matter of luck I suppose.

Now I’ve got to finish my end of month submissions alert email. And next there’s the spreadsheet to update. It’s a good time to sign up if you haven’t already. Plus a programme to create for the East Sussex Community Choir’s Haydn concert on June 29th. Oh, and seedlings to pot on, tomatoes to worry over and courgettes to encourage.  Did I mention that Nick and I recently erected a little greenhouse, on the three hottest days of the year? The garden is calling…

robin builds a greenhouse

 

 

National Poetry Day (week of)

So Thursday is National Poetry Day, which I shall be celebrating with my Hastings Stanza group, doing what poets do… agonising over line-breaks, commas and what have you.

Before that though, on Wednesday, I’ll be at the Fisherman’s Club for the prize readings of a local competition I was a judge for, on the theme of ‘Eastbourne and the Environment’. A theme that was interpreted in some interesting ways! Hastings Stanza member Jackie Hutchinson is among the winners, so I’m looking forward to hearing her winning poem.

Last week I was in Lewes for the launch of The Frogmore Papers‘ 100th issue, an amazing feat, and under the editorship of Jeremy Page the whole time. We heard readings from some of the contributors and from co-founder Andre Evans on how it all began in a cafe in Folkestone. It’s a lovely story, and having heard it a few times it’s now taken on almost mythic status, up there with Aeneas crossing the Mediterranean to found the city of Rome, or Phil Knight making rubber outsoles on his mum’s waffle machine for the first Nike trainers. Anyway, having read the edition from cover to cover I can confirm it’s a fine book – and let’s face it, some of our ‘little magazines’ coming in at 90 pages or more deserve to be called books.  On that subject, I can also recommend Prole 33 which recently arrived, weighing in at 140 pages (although about half of it is short stories.)

The Lewes event was also the launch of Clare Best‘s new collection, End of Season (Fine di Stagione), published by the Frogmore Press, in which the poems are presented in both English and Italian. It was lovely to hear both Clare and Jeremy reading the poems in both languages – very evocative. I’m enjoying the book especially as it is about a beautiful place on Lake Maggiore called Cannero where Nick and I stayed for a week back in 2019 (on Clare’s recommendation).

Meanwhile, if you’re a member of the Poetry Society you may notice a piece I’ve written for Poetry News on magazines’ submissions windows, which should be hitting your doormat this week.

Nothing much to report on the new writing front, although I have just sent out another tranche of poems that have been languishing in the ‘am I ever going to go back to working on these or shall I just send them out’ pile. So that’s 22 poems out to magazines at the moment, and one pamphlet submission.

Happy National Poetry Day Week!

launch of Frogmore Papers 100
At the launch of Frogmore Papers 100 and ‘End of the Season’: Andre Evans, Neil Gower, Jeremy Page, Clare Best, Alexandra Loske and Peter Stewart

Season of mists and new starts

Autumn creeping up, and with it, as always, changes.

I’m upset about the Queen’s death, more perhaps than I thought I would be. It may be something to do with delayed (or reignited) mourning for my sister, or my parents. But it’s also something I’ve been worried about for a while – it’s like a final thread has broken, a single consistent as (it feels to me) politics and society is disintegrating. I didn’t hear or see Huw Edwards say ‘She has left us’, but I can’t even think about it without welling up (as I am now). I can’t see any logic to feeling this way; I never met the Queen, I’m not a rampant royalist and the death of Diana left me cold. I just feel the final life raft has been pulled away.

Anyway, this wasn’t supposed to be another funereal post. Believe it or not I have a lot of good things happening at the moment… first of all, I’ve decided to go back to York and finish my Poetry & Poetics MA. The new modules on offer look enticing. Face-to-face teaching is back. And I think now I know what to expect I shall be less demanding of myself and just enjoy it (which was the original idea!) The only possible issue might be the travel, as trains can’t be relied on any more. We’ll see.

New start number two: work on Planet Poetry season 3 is well underway! Interviews are being recorded & edited already and although Peter is in the middle of a complex house move, we are on schedule to kick off in about a month’s time. I can’t as yet reveal who our Season Opener will be (as I don’t actually know!)  but it’ll be a goodie.

Meanwhile, I’m looking forward to reading alongside a plethora of fabulous poetry friends at The Frogmore Papers 100th issue launch in a couple of weeks! Also very pleased to have new work forthcoming this month in 14 Magazine and in Prole.

Oh hello! Quick catch up

What was I doing all last month? Mostly singing (I passed my Grade 8 with merit – hurrah!), the odd party (friends with birthdays and/or launches), gardening (what was possible with the scaffolding up), executor stuff for my sister, making jam & chutney from all the rhubarb, and seeing an old friend from my adidas/Nike days who was over from the States and came to see me for a day. So a LOT of excitement. As regards poetry:

A few disappointments – the usual rejections, also my collection is somewhat in mothballs at the moment for various reasons, and may not see the light of day after all. But I’m oddly upbeat about it. I feel I’ve kind of moved on and am working on new strands. I’m bad at feeling pleased about poems for very long, they go stale on me and I just can’t bring myself to stick by them. This happens even if a poem is published somewhere – in fact especially so. I hope this is normal. Anyway, I’m sure at least some of the poems will find their way into a pamphlet or collection at some point.

On the positive side – I’ve re-joined the Poetry Book Society. I didn’t renew for several years, for various reasons. I still don’t really like the magazine they send out, and the ‘selection’ process, with different selectors every season or so, does seem to mean a lot of the same poets popping up on a regular basis. However, I do need to widen my reading in a more systematic way. It feeds into my writing but also into the podcast. We’re just coming up to our Season 2 finale, in which I interview Fiona Sampson. Fiona got me thinking about many things, for example I was inspired by the way she spoke about her tenure as editor of Poetry Review. So I’m already fired up about Season 3 of Planet Poetry.

Also positive – Richard Skinner has taken a poem of mine for the next issue of 14, a welcome acceptance email after a tranche of NOs (thank you, thank you!) Plus I have a poem out in the latest edition of Prole, and in the Autumn I’ve a poem in the 100th edition of The Frogmore Papers.

And of course I’m still plugging away at the list of poetry magazines and their submissions windows. The big quarterly update was last month, and I also send out end of the month reminders. I’ve got a good list of subscribers and people are very appreciative. So now I’m thinking about what else I can offer. Watch this space.

So this is Christmas, and what have I done?

Oh no! I can see I haven’t posted for several weeks, has there really been nothing to talk about? Let me see…

First of all, nothing to do with poetry but my Covid experience was pretty mild in the end. So as far I’m concerned the jabs were worth it. Plus we’ve made it to Christmas without having to cancel a single concert, which is a result, and in fact I’ve just got back from a bout of rustic carol singing on the outside terrace of the fantastic Chaseley Trust. So a big yay for Christmas.

Meanwhile, perhaps you recall my saying I wouldn’t be sending out any more poems to magazines for a while? Well, after putting out my quarterly spreadsheet I was in a ‘sending out’ mood so I confess I did toss some poems in the direction of one or two publications. I’m testing the water a bit with some new work. I tried two poems on a Canadian publication called Parentheses – submitted at around 6pm, rejected by 7am the next morning. Now that’s what I call emphatic! There was no suggestion they would welcome any more, so hey ho. Other work is still out to various places, and I have a few more items itching to go out. Maybe in the new year. On a positive note, one poem has been solicited by the Mary Evans Picture Library ‘Pictures and Poems’ blog (forthcoming), and another will be coming out in the Frogmore Papers 100th edition next year.

I’ve really appreciated my Hastings Stanza workshopping cohorts this year and was particularly thrilled that we were able to start meeting again face to face. What a difference it makes. I’ve developed such an aversion to meetings on Zoom. I can just about tolerate Zoom readings, but if my course at York in 2022-23 turns into a permanently online thing then I can’t see myself returning.

My reading habits have definitely mutated in the last two years, in that I’m reading more novels, in particular historical crime – it started with Eco’s The Name of the Rose which I became a bit obsessed with, and then I had to read everything by CJ Sansom. On the poetry front I’m currently reading Deformations by Sasha Dugdale in preparation for interviewing Sasha for the Planet Poetry podcast, and the book is stimulating all kinds of ideas in me. I’ve also got Sasha’s The Red House on my ‘to read’ pile, from her back catalogue. Then there’s Myra Schneider’s Siege and Symphony which I’m reviewing for the Frogmore Papers, and latest copies of The Rialto and Poetry calling me. Recently swung onto my radar is the work of Alexander Pope – I’ll probably bore you with more about that in 2022.

The newest episode of Planet Poetry is in the bag and coming out tomorrow. It’s a Christmas special featuring an interview with Di Slaney (Candlestick Press) and Sharon Black (Pindrop Press), both of them poets as well as publishers, talking about their writing and their publishing practice. Peter Kenny and I are proud of the fact that we are now 5 episodes into our second season – I think that makes us veterans in poetry podcasting terms! We’ve already got some brilliant guests lined up for 2022 so if you haven’t already, please do subscribe ‘wherever you get your podcasts’, as they say.

That’s it – a very Happy Christmas to you and yours, and every good wish for the new year. A huge THANK YOU for reading and commenting on this blog, supporting the submissions spreadsheet and my other various projects – I am truly grateful.

On poetry magazines: Butcher’s Dog, Prole, Frogmore Papers

This is the first of a mini-series about print poetry magazines. Although I do my quarterly spreadsheet, there’s no room for any description of the mags, so I thought it would be nice to feature some of my favourites as a reader, where I like to submit myself and what I subscribe to. There are so many poetry magazines, and it’s impossible to subscribe to them all. But I’m a firm believer in reading a magazine before submitting to it, and subscribing is even better, both from the point of view of a magazine’s finances, and also as a reader you get a much better feel for what it’s about. Quite often a subscription for two or three issues doesn’t cost much more than buying a single issue, once you factor in postage.

I subscribe to mags on and off, on roughly a revolving basis (say 2 or 3 a year) which I find affordable. There are some I go back to, some I don’t, and the reasons can vary. I’m interested in poetry and poetry reviews rather than short stories or artwork per se (unless it’s, say, Granta). Sometimes a subscription lapses because the magazine in question hasn’t reminded me to re-subscribe, which is a shame. Sometimes I get reminded too many times to resubscribe, which is off-putting. I know! I’m hard to please.

The other day it was time to subscribe to some new titles, and I decided to give PN Review a proper try. I’ve only ever read the odd single issue, and I found it a bit academic. But now I’m getting into the academic mindset, perhaps it’s a good time to try it again? PN Review hasn’t arrived yet, but I’ve also just subbed to Butcher’s Dog, a small mag, but with a big bite, perhaps. I sat next to editor Jo Clement at a Poetry Book Fair once, and came away with a couple of back issues. Here’s what came in the post yesterday. My favourite poem in it is ‘I crossed the Humber Bridge without paying’ by Rachel Bower

butchers dog 14 poetry mag

Another magazine I want to give a shout out to is Prole. Edited by Brett Evans and Phil Robertson, Prole has been going for some years now and they have a unique system as regards paying contributors which I admire very much. Basically, instead of offering contributors a free copy of the issue they are in, they give contributors a share in any profit an issue makes. So as a contributor you’re given a PDF of the mag, but if you want a hard copy then you buy it. Your buying it then helps grow the potential pot that ends up being shared amongst contributors. Or you can opt to let Prole keep it for their funds, but that’s entirely up to you. We’re talking a very small amount, but it’s the principle that counts. More power to Prole! I do have a couple of poems in this latest issue, which I’m very pleased about, as they were both a bit ‘out there’, and I had a feeling they might sit well in the magazine. There’s a lot of prose in Prole, if you’re interested in that too.

Prole 31 poetry mag

Another longstanding poetry magazine with great character is The Frogmore Papers. It’s packed full of poetry and is, I think, unique in publishing micro-reviews (which I really appreciate as a reader, but also contribute to occasionally). The magazine features covers by local artists and has a ‘sister’ online publication called Morphrog – can you see what they did there?

More magazines to come …

A birthday post and on magazines

poetry wall

Ooh. Lots of interesting discussion & comment around my last post. Thank you to everyone who engaged! (Feels a bit of a sham/shame to use that 21st century term but you know what I mean: commented, shared, liked/disliked etc).

Meanwhile, on another blog (when I update it that is) I’m telling the story of our new sheds. Yes, plural! I’m talking about the replacement structure for two sheds, a tool shed and and ‘summerhouse’ which we inherited, and loved, but which ultimately wasn’t really doing the job we needed of it. To cut a long story short, the old tool shed and summerhouse have been relocated 150 yards up to the communal garden, and they look perfectly at home up there. Meanwhile to replace them we’ve had built for us a wooden structure which incorporates two ‘rooms’ – a tool shed (yeah OK a ‘mancave’) and a potting shed/half greenhouse/she-shed. It’s exciting, but it’s more for garden stuff than anything else.

I can’t rival anything like Abegail Morley’s iconic Poetry Shed, alas, BUT I couldn’t help but insert a poetry element: a wall of poems! I’ve often wailed about the number of poetry magazines I have and how they take up an inordinate amount of space on the bookshelves. SO how about tearing out a bunch of poems from various mags, and use them to paper a wall in the ‘pottery’ (as we’re calling it – don’t ask!)? First of all I thought I’d look for ‘garden’ or outdoor-related poems. But it expanded to other topics too – basically poems I just liked and wanted to be able to read and enjoy anytime I’m pottering in my pottery! Also, we do have two very small grandchildren, and part of my vision is to welcome them into the pottery as they get older, to do some gardening fun and get them interested in gardening (the older one is already getting into it) – so how about poetry too??

So out came the mags – I started with the earliest and worked from there – so actually ended up with a lot of poems from 2010 – 2017 and maybe not many more recent, but hey. I took out all the Rattles, Agendas, Proles, Frogmore Papers, Poetry Reviews, Poetry, Rialtos, Tears in the Fence, Obsessed with Pipework and so forth, got out a sharp knife and started excising…

And a funny thing happened. (I should use that as the title for this post, in true Clickbait style!) I read. And read, and realised I’d either not  read these magazines properly or it was so long ago I’d forgotten all the great poems. I took several days over it, but really enjoyed the process, because I discovered/rediscovered some wonderful poems. (In the comments on my last post, Claire Booker noted that many poets don’t actually read the magazines in which their poems appear, or even subscribe to... and I had a twinge of guilt when I read that. I thought I had read these magazines but clearly a cursory lookie didn’t really cut it.)

So I ended up with more poems than I needed to paper the wall. Plus a few air bubbles that I tried to ‘mend’, some more successfully than others. I was careful to place poems with ‘swearage’ (a term I’ve learned from a poet friend – although autocorrect wants to change it to ‘sewerage’ – how appropriate!) further up the wall so that four-year-olds don’t read it and do the classic “nana what does X$%!@ mean?” The photo shows it in progress, I’ve since finished but need to varnish the wall to protect it a bit from the vagaries of shed-dom (damp, condensation etc). I may be putting a mirror on the wall, so I tried to place my faves on the outer fringes so they’re not hidden. A confession: I included 3 of my own poems, although more for fun – I like the idea of someone who maybe doesn’t know I write poetry ‘happening’ on them – ha ha.

PS:  Today is my birthday. In the 1980s I would have bought you all a cream cake. Honestly. Today I just say I hope you have a lovely, lovely day, and let’s all go outside, take a deep breath, and thank whoever or whatever you’d like for being alive. XX