Tag: pam thompson

From Picasso to Garsdale: news roundup

Taking a leaf out of Peter Kenny’s book, here are seven items from the imaginary newsdesk at Kenny Houghton Towers (sorry Peter – but as Picasso said – possibly – ‘Good artists copy, great artists steal.’)

  1. Picasso is as good as any place to start, having just visited the Tate Modern exhibition featuring work from a year in his life (1932). For once, a major London exhibition that wasn’t ruined by too many visitors (at least, on the day we went). There were two major takeaways for me: firstly, Picasso was prolific. Unbelievably so. For example on Christmas Day 1931 we’re told that ‘after the festivities’ he finished a painting he’d been working on for a week (a long time for him) AND THEN knocked off another big canvas. Secondly, he shot from the hip – first drafts for him were usually the finished article. That’s not to say he didn’t make changes – you can clearly see lines painted out (but often still visible). A bit like my maths teacher at school used to say – show your workings out, you can cross stuff out but don’t erase anything because it could actually be correct. I like that idea – it could actually be correct – as if Picasso didn’t mind anyone seeing what he’d originally drawn, because it allows for multiple and even valid readings. Very interesting to think about in terms of writing and workshopping, and it plays to my liking for (and experimentation with) erasures. PS the image featured here is of a Picasso print that I bought at the Tate – ‘Woman with flower writing’ – destined for the bedroom so I hope Nick will like it. The Tate has a very good framed print ordering system, with free delivery if you spend more than £50.
  2. Two more welcome reviews/mentions of All the Relevant Gods – one by eminent lit blogger & Guardian journalist Billy Mills on Elliptical Movements, and another by Martin Malone forthcoming in The Interpreter’s House. (He tells me it was written in a lighthouse, no less).
  3. Telltale Press launched its latest (and final) publication, the TRUTHS anthology, at a warm and well-attended event in Lewes. I know I would say this, but I think it’s a fine collection with contributions from poets both new and established. Blog post and photos here. I haven’t quite got around to putting it with a sales button on the website, but in the meantime copies may be ordered from Peter Kenny. A snip at £8 plus postage.
  4. Needlewriters Lewes are running a special day of events on Thursday 14th June as part of the South Downs Poetry Festival – a ‘poetry surgeries’ session in the afternoon followed by an Open Mic and then our regular quarterly readings. The ‘poetry surgeries’ are actually a brilliant opportunity to pick the brains of not one but two of our finest poetry magazine editors (Jeremy Page of the Frogmore Papers and Kay Syrad of Envoi) plus fine poets Janet Sutherland and Charlotte Gann. And all for just a tenner (or £12 for the whole afternoon and evening). I was hoping to be helping with the organisation on the day but I double-booked myself – bizarrely it took me several weeks to realise this, having been involved in brainstorming the event & preparing the publicity, and THEN realising I was going to be at the Garsdale Retreat that week – DUH.
  5. Two more poetry events on my radar – Abegail Morley is one of the organisers of the Tunbridge Wells Poetry Festival on 15th and 16th June which features various events including workshops and readings – more info here.  This is also during my Garsdale week so I won’t be able to check it out but it looks very good. And before that, on May 31st in Brighton, Pighog night features Annie Freud and Pam Thompson, with Michaela Ridgway compering. Definitely looking forward to that.
  6. A lovely thing – a friend asked if I would write a poem for her nephew, for a ‘big’ birthday. Now this friend has bought my pamphlets and knows my style, so I had no hesitation in saying yes, because I knew she wasn’t after something funny and rhyming. (Not that I couldn’t do that but… it didn’t particularly appeal.) I spent a morning with her, listening to her talking about the nephew, how their lives had intersected, looking at photos. And just when I was starting to wonder how I would tackle this she said one thing that stuck in my head. And that’s really it, isn’t it? That one thing that makes a poem, in this case one idea or image that somehow in a moment lets the receiver know what’s in the giver’s heart…. without sounding schmalzy or sentimental. I really enjoyed the project and was very relieved when my friend said she loved it.
  7. And so in four weeks’ time I’ll be off to Garsdale – a residential with Ian Duhig and guest poet Hannah Lowe, on the subject of ‘nothing is useless’. I’m not sure if this means ‘nothing you’ve experienced in your life is useless’ or more ‘all those old drafts and poems you’re really embarrassed about may still be useful’. Either way, I can’t wait.

Poems coming out, new anthology, currently reading etc

Intro/bit of a rant etc (skip this if you’d rather go straight to The Poetry stuff)

Where has the month gone? (Rhetorical question.) Why am I being besieged by companies/organisations telling me I must re-subscribe to their emails? (Non-rhetorical question, although I think I know the answer – *some people* are spreading panic about new legislation and the country is alive with the sound of knees jerking.) A small rant: there used to be an acronym in Ye Olde Internet Dayes: RTFM. I’m too polite to say what that stands for but you can always Google it. My point is, if you read the ICO website and the text of the new GDPR then you will know IF you need to ask for re-confirmation of consent. Or NOT. Meanwhile I’m almost looking forward to not getting all those emails I used to enjoy getting.

In the last few weeks I’ve been suffering with back and arm problems which meant I had to limit my time on the computer. It’s all to do with posture, and related to the RSI I’ve had for nearly two decades. Nothing life-threatening, just annoying, and coinciding with the painstaking job of typesetting and formatting TRUTHS, the new Telltale Press Anthology (see below) not to mention endless need for posters and programmes for various concerts, workshops, recitals and assorted music-related ephemera. And five weeks of having work done on our garden. But HEY I am back on the comp (taking lots of breaks), the garden is finished, we have a new granddaughter (who I think is going to be a fine poetry critic), everyone is well and life is good!

bad poem, good poem

Needlewriters

I had a blast reading at Needlewriters earlier in the month, and we’re currently planning our June 14th event which will be a South Downs Poetry Festival Special. That means that as well as our regular evening of readings, there’ll be an open mic to kick off the evening, and in the afternoon five of us will be offering poetry ‘surgeries’ (not as queasy as it sounds) to which we hope lots of lovely poets and aspiring poets will flock. More on that another time.

Launch of TRUTHS: a Telltale Press Anthology

Yes, it’s finally here – or it will be – (long story) – next Wednesday 25th April, 7.30pm, upstairs at the John Harvey Tavern in Lewes… a dozen or so of the contributors will be reading their poems on the theme of truth/truths, and much over-excitement will be had by all, especially those of us mad enough to have a) suggested it and b) put it together. Once more the excellent Hannah Clare has created a cracking cover. It’s a stonker of a collection, but of course I would say that. You’ll just have to buy a copy to find out! The technicalities of producing TRUTHS has revealed to me another truth: I have so much to learn about print publishing. There were issues. But I am confident it will be good. Come and see! Free entry. Here’s the Facebook event page.

Coupla poems coming out here and there, plus pamphlet reviews

A few months ago I was wondering why I had nothing ‘forthcoming’ until it occurred to me I just wasn’t sending poems out. Duh. For some reason I’ve had a spate of sending to competitions rather than magazines, and being met with the sound of silence. But I’m slowly getting back on track. There’s one poem coming out in the next Interpreter’s House, which will be Martin Malone‘s last as editor, so I’m hoping there’ll be a launch somewhere that I can get to. Rumour has it that Martin is currently residing in a lighthouse on Shetland, clearly on a mission to move as far north as possible. So we’ll see.

Then a welcome surprise yesterday – a letter from Ann Sansom to say they’d like two of the poems I sent them for The North. I’ve only ever had one poem in The North and it’s been years since I’ve sent anything there as I’d convinced myself my stuff wasn’t for them. So I guess it’s always worth trying again.

Meanwhile I’d like to thank both Emma Lee writing on her blog, and Pam Thompson in London Grip for their thoughtful reviews of All the Relevant Gods, and Abegail Morley for this super mention at The Poetry Shed.

Currently / recently reading

A random selection… the March edition of Poetry and the Spring edition of The Poetry Review, in which I particularly enjoyed poems by Hannah Lowe, Ruth McIlroy and Rebecca Goss. Still to read the essays and reviews. Mary Ruefle’s The Most of It, a prose collection, although the stories (stories? somewhere between short stories and flash fiction) feel more like poems. I’m getting a lot of inspiration from this book.  Also the Spring edition of Rattle, in which I thought I’d read two poems by Sharon Olds, which I loved, but they’re not there. So where did I see these two poems? I thought it was in a recently-arrived mag. But can’t track them down. Do you know?

Stephen Bone‘s Plainsong (Indigo Dreams) is still on the ‘current’ pile – meaning I can’t resist dipping back into it (double-dipping?) before putting it on the shelf, and after a mention by Abigail Morley recently of Robin Robertson I’ve also got out my copy of Hill of Doors for a re-read and it’s paying off.

Peter Raynard is currently on tour promoting his collection Precarious, and it’s one of those books I hesitate to use the word ‘enjoyed’ about as I rather felt I’d been pulled along by my hair to arrive slightly scathed at the end. It’s breathless stuff – the language comes at you with force, a fire hydrant of feelings. There’s a great deal of humour, especially in the poems towards the end, but the overall effect on me was unsettling – ‘exposing us all to unending rounds of worry’ (‘They always come out fighting’).

Look what Ann Perrin pressed into my hand the other day – a copy of her lovely illustrated booklet The hole in the wall, produced by none other than the Dry Stone Walling Association, completely charming and one I will look forward to reading to the granddaughters when they’re a little older.

ann perrin - the hole in the wall

I also recently enjoyed Finishing Lines (Rack Press) by Ian Harrow, a very short pamphlet about illness, with a happy ending; ‘Come, Spring, make the difference.’ (‘Entreaty’). Yes indeed. I’m about to step outside and see for myself.

Regional Poetry Focus: Leicestershire

Welcome to the first of my new series of Regional Focus pieces about the poetry scene around the UK. I suppose I could have called it ‘Down Your Way’ or some other BBC-esque ever-so-slightly patronising title. Or I could have racked my brains for something witty, wacky or non-cliched. But hey.

PS: it’s long – grab a cup of tea and a biscuit.

So. Leicestershire. Where better to start than one of England’s ancient land-locked counties? Let’s get the basics out of the way. Here’s where it is:

Leicestershire on the map

For the benefit of my non-British readers, or anyone who’s not sure (I feel a BBC moment coming on here!) it’s pronounced like this:

If you think that’s tricky then in 1087 it was called Laegrecastrescir. Which I’m not going to attempt to pronounce.

(I’ve been alerted to the fact that the above audio file doesn’t work for everyone – apologies if you clicked and nothing happened!)

Wikipedia says the population of the whole county is just under a million, and let me tell you, it’s seething with poetry. I asked a number of Leics poets what was going on up there. They sent back a TON of juicy information.

First of all, a bit about my special correspondents:

Jayne Stanton
Jayne is one of my virtual blogger friends who writes about her poetry life and the local scene on her blog. She’s lived in Leicestershire since 1989. Her pamphlet Beyond the Tune was published by Soundswrite in September 2014.  Soundswrite is a women’s poetry workshopping and reading group that also has a small press – so far it has published three anthologies and five pamphlets.  As well as attending and running workshops, Jayne is heavily involved in local projects including her most recent role as a commissioned writer for Sole2Soul, a project by University of Leicester’s Centre for New Writing, to attract visitors to Market Harborough Museum’s Faulkner boot and shoe exhibit.

DA (Davina) Prince
I first met Davina at a launch of The Rialto last year, and when we met again at the Poetry Book Fair we talked about many things including the idea of a Regional Focus series on this blog. So I have Davina to thank for the inspiration. Leicestershire-born Davina was a little coy about answering my request to ‘tell us about yourself’, but from her Poetry p f page I glean that she has had three pamphlets and two collections of poetry published, the latest being the super Common Ground from HappenStance (2014).

Roy Marshall
Roy was manning the HappenStance table at the Poetry Book Fair last year when we were introduced – always wonderful to meet poet bloggers face to face, and I’ve been enjoying Roy’s thoughtful and perceptive blog  for some time now. Roy lives in a village on the south side of Leicester where he’s been since 1998, although he lived in Leicestershire as a child “so I’m familiar with the greeting ‘Aye up me duck’, although you hear this less nowadays” – shame! Roy is widely published and has a pamphlet Gopagilla (Crystal Clear, 2012) and a full collection The Sun Bathers (Shoestring Press, 2013).

Maria Taylor
Partly raised in Nottinghamshire, Maria admits “It was love that brought me back to the Midlands” – aaw! Now living in Loughborough, she balances bringing up twin 6-year old daughters with ‘poeting’ – her term for travelling around attending events, readings and so forth. Maria’s name came up again and again in my research for this piece – she’s a publisher, reviewer and poetry event promoter as well as a poet and she blogs at Commonplace. Her collection Melanchrini is published by Nine Arches Press (2012) and was shortlisted for the Michael Murphy Memorial Prize.

Charles Lauder Jnr
Charles is a native Texan who, like Maria, was brought to Leicestershire by love – to the village where his wife grew up in fact. Anglophile Charles is fascinated by English history – “like many ex-pats, I now often write about how my adopted culture compares to my native culture.” Charles has run the South Leicestershire Stanza for the last six years, and as well as being widely published he’s also Deputy Editor of The Interpreter’s House.

I ought to add that I didn’t manage to speak to Matt Merritt or Emma Lee, although they were both on my list, but I had so much info from the others that I couldn’t cope with any more! Both Matt and Emma’s names were mentioned by my reporters, and they both write fine blogs.

Leicester Fiesta
It’s a Leicester Fiesta – Martin Harvey (image from http://artintodust.blogspot.co.uk/)

Q1: Are there any specific towns/cities with a vibrant poetry scene?

Maria Taylor (MT): The vast majority of events I attend are in Leicester, my closest city. I also attend events in Nottingham too. There’s a lot going on in the bigger cities, but there are also many things occurring in the smaller towns and villages. With the advent of various presses and regular events in the East Midlands, the region really does have a sense of identity on the poetry map.

DA Prince (DAP): I realise that a city/county boundary doesn’t define the area for me: I go to the Nottingham Stanza because it’s a group that reads full-length collections, and also because I hear what’s happening in Nottingham.  I think we would all see ourselves as more Midlands than just ‘Leicester’ – and poets in Nottingham say they envy the range of activity in Leicester while those of us in Leicester look with longing at the range in Nottingham. The grass is always greener …

Jayne Stanton (JS): Leicester has a growing number of poetry open mic nights as well as readings and events organised by its two universities. Loughborough also has regular events, I believe. I’ve also begun to travel further afield, lately, and enjoy poetry nights out across the Midlands, in Lichfield, Burton on Trent, Coventry, Kettering and Rugby.

Q2: Who are the poetry ‘movers and shakers’ ??

Charles Lauder (CL): Jonathan & Maria Taylor, Lydia Towsey, Jane Commane, Karin Koller who runs the Soundswrite Group, Mark Goodwin, a prolific poet who describes himself as a ‘community poet’—in the past he ran a lot of workshops for children in schools and for adults in adult education centers and in prisons. In the past year, he’s put on public installations in Leicester and Cornwall.

MT: Not sure if I’m a ‘mover’ or a ‘shaker’! I try and facilitate opportunities for readings with Shindig, but I think one of the most productive (and modest!) person is Jane Commane who organises all sorts of readings. Also Lydia Towsey and Pam Thompson who do sterling work in Leicester. I should also say my husband Jonathan Taylor, otherwise he’d get upset! Seriously, he organises and hosts lots and lots of events. Jonathan and Jane combined at Shindig are a force to be reckoned with! It’s hard to answer a question like this because I don’t want to miss anyone out. To be honest it’s more like a big web of people connecting with each other. Everyone can offer something.


Lydia Towsey, ‘Girl walks into a bar’

JS: Gosh! There are so many! Maria and Jonathan Taylor, Roy Marshall, D A Prince, Matt Merritt, Mark Goodwin, Jess Green, Lydia Towsey, Pam Thompson – to name just a few…

Roy Marshall (RM): Jonathan and Maria Taylor because they are involved in organising the spoken word night Shindig (together with Nine Arches Press.) They’re also publishers (Crystal Clear Creators). Other poets who do other things include Matt Merritt, who blogs and reviews for magazines such as Magma, and all the people involved with ‘WORD’ at the Y theatre, including Jean ‘Binta’ Breeze, Pam Thompson and Lydia Towsey. And Soundswrite Press which is based here and publishes women poets.

Q3: What regular poetry events are there in your area?

CL: Shindig! is a bi-monthly open mic night at the Western Pub on Western Road in Leicester, organised by Jonathan & Maria Taylor (of Crystal Clear Creators) and Jane Commane (of Nine Arches Press). The night is divided into two halves—CCC hosts one half and Nine Arches the other—of about 10 open-micers each followed by 2 guest readers. For a Monday night, it’s a lively crowd of about 40–50 people who are very supportive and cheer everyone on. It’s mostly page poets, with some performance poets too.

Shindig takes place at The Western

MT: Obviously Shindig is my top event as I help to run it with Jane and Jonathan and I’m often a host. The Open Mic is very high calibre, we often have some really exceptional poets reading. It’s also a friendly place for newcomers as well. Main readers have included some top notch poets, such as Kim Moore, Sarah Jackson, Rory Waterman and David Morley. We also use those slots to showcase local and regional writers. This year I was really cheered that Shindig was shortlisted for a Saboteur award, up against many London based events.

RM: I think Shindig (at the Western pub) is fantastic. Always a really good set of guest poets and a good open mic. Appreciative and attentive audience.

JS: Shindig! is unmissable, in my book (in fact, the only one I’ve missed was just after my hip replacement)!

CL: Word! at the Y is the longest running spoken word event in the Midlands and is hosted by Lydia Towsey. This is held monthly on the first Tuesday of the month, with an evening of open-micers and a guest reader at the end. Most of those reading are performance poets and sometimes visuals will accompany the poets. Well-attended.

MT: I began reading at WORD! myself nearly 5 years ago now. It’s a similar format to Shindig with lots of Open Mic. I recently heard George Szirtes and Pascale Petit read there. I was asked to read as a support act to Ann and Peter Sansom in April, which was lovely. It’s a very supportive atmosphere and readers are warmly welcomed.

RM: WORD! at the Y theatre was the first place I ever read a poem aloud and has had a great mix of guest poets over the years.

JS: Word! is where I cut my teeth as a poet at the open mic, and where I still attend as often as possible.

MT: WORD! also has a sister group called Pinggg…k run by Bobba Cass

JS: Pinggg…K! is a monthly open mic night in celebration of metrosexual verse, at Duffy’s Bar, Pocklington’s Walk. Held on the last Tuesday of the month. The format: poetry circle, followed by open mics and feature poet. A popular event with a warm welcome to all from host Bobba Cass.

JS: Also, Find the Right Words: Performance Poetry and Rap Night hosted by Jess Green, held Upstairs at the Western (pub) monthly. The format: ten open mic slots and two feature performers. (I’ve not attended this one yet, but was sorry to miss Holly McNish recently).

MT: There’s lots going on in Nottingham, of course too. While bookshops are closing elsewhere, Five Leaves Bookshop run by Ross Bradshaw has opened. Great bookshop, you can actually browse poetry books! Apart from bookselling it’s also served as a venue for launches. One for the new issue of New Walk was held there in October for instance and it attracts good audiences who are serious about poetry. Then there’s also ‘Jazz and Poetry’ which is new-ish too with strong audiences. Should mention Nottingham Writer’s Studio too who offer writing space and courses.

A festival culture is also developing, supported in the main by local universities. These include States of Independence (DMU), Literary Leicester (Uni of Leicester) and Nottingham Festival of Words (Nottingham Trent). So you get the picture…there are lots of opportunities and masses of spoken word and performance poetry too. Again, sorry if I’ve missed anything out, there’s quite a lot!

Q4: Is there any poetry heritage associated with the area – famous dead poets, or locations or industries that inspired poets or poetry of the past, etc?

MT: Larkin lived in Leicester for a time, and was of course born in Coventry, but he is more widely affiliated with Hull. If D. H. Lawrence was a stick of rock he’d have Nottingham going through him. Lord Byron’s family home is at Newstead Abbey in Nottinghamshire. When you exit Nottingham station you’re greet with a big sign which reads ‘Our Rebel Writers’ and features Byron, Lawrence and Alan Sillitoe. Joe Orton and Sue Townsend came from Leicester. Poetry aside, both cities have a real literary heritage.

Philip Larkin
dun Larkin

JS: Other famous dead poets: Loughborough-born John Cleveland (1613-1656), Leicester-born poet and leading Chartist Thomas Cooper (1805-1892), Jessie Pope (1868-1941).

CL: Leicester is renown for its hosiery & shoe industry heritage. Currently, there is a project that involves the New Writing Centre at the University of Leicester and the Market Harborough Museum called ‘Sole2Soul’ (this is the project Jayne is involved in.)

Q5: Anything else I’ve missed?

CL: Two more important annual literary events to mention are Everybody’s Reading, a two-week festival in September with city-wide events to promote literacy throughout the city, and  States of Independence (the equivalent of London’s Free Verse Book Fair), run by Ross Bradshaw of Five Leaves Press in Nottingham.

DAP: I realised you didn’t mention publishing as a separate category. In the past Leicester has had a range of small poetry publishers but they have quietly disappeared. Soundswrite is the only one I can think of – but so far we’ve only published from within our own members, so that keeps us in the ‘self-limited’ category. Nottingham, by contrast, has Shoestring, Five Leaves, Candlestick (all known nationally) – and, I suspect, others.

CL: I think the literary scene that’s alive and thriving now in Leics is making up for lost time. So many poets who are often reading at the city’s open mic events are publishing collections & pamphlets with national publishers and making a name for themselves. Years from now when a literary history of the early twenty-first century is written, Leicester will be highlighted as a thriving cultural centre for poetry.

MT: I think it’s great that my little bit of the East Midlands has such a vibrant poetry scene. Long may it thrive!

Q6: And finally … any interesting factoids for us?

MT: I really like the folklore tale of Black Annis, a blue-faced witch who’s meant to haunt the Leicestershire countryside. According to legend she has a taste for children and lambs and resides in a cave in the Dane Hills. She probably finds things a bit tricksy these days as many of her old haunts are now built up.

Loughborough was the home of Ladybird books and also the destination of the world’s first package tour. It was organised by Thomas Cook in 1841. They came all the way from Leicester on a train. Shilling a head.

CL: Quite a few native Leicesters I know don’t like Leicester. It’s a dirty, ugly city and a lot of its obvious architecture are failed post-war creations. However, you have to look beyond that to find some very historical (medieval, Tudor, Stuart, etc., up to Victorian) treasures. Now that Richard III’s body has been discovered, that might spur an historical revival of the city. Other nice little treasures are Cardinal Wolsey’s gravesite and the church where Chaucer got married.

RM: Bradgate Park (where the young David Attenborough found his first fossil) contains the oldest rocks in the world. The Python, Graham Chapman was from Leicester as was Sue Townsend of course.

JS: Leicester’s very own ‘King beneath the car park’: Richard III. Also: Leicester hosts the largest Divali celebrations outside of India. It was also Britain’s first ‘Environment City’ and is home to the National Space Centre.

it's lovely in Leics
It’s lovely in Leics! (Photo from http://www.goleicestershire.com)

Phew! Huge thanks to my tireless reporters. Do you live in Leicestershire? Have we missed anything or anyone out? Please let me know in the comments.

Would you like to see your area featured in a Regional Focus? Let me know!