Month: December 2020

What I’ve been doing (and While you were Sleeping)

It’s three and a half weeks until my first term essay is due, and I’m starting to relax into it. Which may sound strange, as I know the usual narrative around deadlines is that the tension rises and the panic grows the closer they get. But instead I did all the panicking early on, when I couldn’t decide what to write about and the vastness of possibilities rose in front of me like Mount Everest. Now I have a loose topic, not exactly a plan yet, but I’m getting there. Today, a flurry of post-its. Soon: an essay plan.

post its

One of the texts I’m focusing on is a book suggested by Peter Kenny who promptly sent me his copy, which is generous of him as it appears to be out of print: Dictee by Theresa Hak Kyung Cha, a poet who died too young, which may be why she’s not more well-known, certainly it seems in the UK. It’s completely gripped me and I’m going to be scrutinising it alongside Anne Carson’s brilliant Nox, another book that I’ve only recently discovered even though it’s a few years old now. Woop!

Last week was Episode 5 of Planet Poetry, in which I interviewed Jack Underwood and Peter and I talked about some of the poetry collections we’ve enjoyed this year. We’re having a few weeks off now so the next episode will be on January 7th. It’s been hard work getting ‘the Planet’ off the ground, but so stimulating and great fun to work with Peter on it.

I’ve not submitted a great many poems this year, in fact nothing in the last six months. Alongside the usual rejections it’s been super to have work published in Stand, The Frogmore Papers, The North, and I do have two poems forthcoming in Prole. But then… nothing. I hope I can get something out soon, or in 2021 I might vanish.

On a more positive note, I’m going to be taking part in an online reading for the Mary Evans Picture Library in January, and Chichester poetry are going to have me as their ‘featured poet’ in February/March. Come on Robin, write some bloody new poems why don’t you.

Meanwhile my wee group the Lewes Singers have had a quiet year, but a few of us got together for a very small, socially-distanced concert last weekend. It was so wonderful to sing with others again, if a bit tricky having to stand so far apart. And emotional. I felt myself welling up during a couple of the carols. I know there’s a lot of discussion about how to take care of our mental health at the moment, but the subtext I always hear is ‘yes but of course physical health is much more important.’ I do wonder if it shouldn’t be a more equal balance.

Yesterday I had what turns out was my last gym workout for while, so jogs on the windy seafront beckon.  And good news today: the arrival of half a dozen favourite feelgood films on second hand DVD from World of Books which Nick and I plan to hunker down with over the coming weeks. (Overboard, It’s a Wonderful Life, While you were Sleeping, Green card etc) I know what you’re thinking: only six? What about the rest of January? But some of those are going to get watched several times, I’m sure. Plus there’s always Netflix.

Thanks so much for reading/commenting on this blog. Wishing you a peaceful Christmas, and (as someone said on a card) a Happier New Year.

Swimming again… in poetry

Not my own, no, but now that term has ended I’ve got a fair few books to catch up with.

Poetry books to read December 2020

What I’m Looking For (Penguin, 2019) is a ‘selected’ by US poet Maureen McLane gathered from five collections 2005 – 2017. I first came across her work in a York Uni seminar, and enjoyed the sample poems enough to buy the book. Actually just a poem entitled ‘OK Fern’ is enough to make we want to buy the book. The power of titles!

Jackie Wills is a Brighton-based poet I’ve known for some time, and I’ve been to her creative writing workshops. I loved her collection Woman’s Head as Jug and her newest book is A Friable Earth (Arc, 2019) – by the way, Arc have a sale on at the moment so now’s a good time to browse their excellent list.

For some reason recently I picked up the Complete Poems of R F Langley (Carcanet, 2015) (which had been on my bookshelf for a while, but I’d not dipped into it) and found a trove of poetry I really connected with. I think I may have thought he was going to be hard work of the J H Prynne variety but that’s not the case at all.

My Telltale pal and co-host of Planet Poetry Peter Kenny recommended I read Poor (Penguin, 2020) by Caleb Femi, which arrived on my mat yesterday, and I couldn’t resist a little flick through (there are photos!) The blurbs are mighty impressive, the book is hot off the press (published last month) and I can’t wait to read it.

And in case that’s not enough, I also couldn’t resist Inua Ellams The Actual (Penned in the Margins, 2020) I heard Inua read at The Troubadour in London a couple of years ago I think, and I’ve also enjoyed reading some of the poems from The Actual in The Poetry Review and elsewhere this year.  It’s got a brilliantly witty cover with spot gold foil detail. And you can always judge a book by its cover as we know 🙂

So, swimming in lovely poetry. I’m also swimming in the pool again after the enforced month off and that feels fantastic too.

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PS

A huge thank you to everyone who’s listening to Planet Poetry – Peter and I are enjoying making the podcast episodes and trying to get better at it. We’ve had some lovely guests and more are in the pipeline. Yesterday’s episode featured an interview with the very talented Tess Jolly about her first collection, Breakfast at the Origami Cafe, and editor of Neon magazine Krishan Coupland. You can subscribe to Planet Poetry wherever you get your podcasts.

Tess Jolly & Krishan Coupland
Tess Jolly & Krishan Coupland