foot wear – Robin Houghton

Blog/ 09/11/2024

How the collection is going, and other news

People are asking me about the poetry collection forthcoming from Pindrop Press. Well, it’s a long way off yet. Sharon Black at Pindrop does a marvellous job of publishing and promoting poets, but being an editor as well as a publisher, it’s been a busy time for her. So although The Mayday Diaries is still forthcoming, it won’t be in my hands for a few more months yet. I’ve been fiddling with the manuscript, of course: there are some poems I’d like to drop, others I’d like to insert. Others have changed. I’m playing with different subheadings to the sections. None of this I’ve discussed yet with Sharon, but I’m looking forward to her creative input and editing skills.

Meanwhile, since I sold the last of my limited-edition Foot Wear, I’m now itching to make another mini pamphlet along similar lines, although this time completely handmade. Foot Wear had a printed cover so this time I’ve got something more quirky in mind.

We didn’t get the DYCP grant for Planet Poetry. ‘Other applications preferred.’ Not unexpected, but still a blow. Still, our first two episodes of Season 5 are up – Danez Smith and Isabel Galleymore – both definitely worth a listen if you haven’t already. In the latter, I read a poem by Indy Moon who was one of the Foyle Young Poets winners this year. I went to the awards celebration at the British Library last month and it was a lovely celebratory event. Indy is one of many names to watch out for in the future. (Pictured here is Judith Palmer of the Poetry Society kicking things off.)

Oh, and I’ve got a poem forthcoming in Flights e-journal, which is part of the publishing arm of Flights of the Dragonfly, a spoken word night in Brighton.

Next up, Christmas? Our Lewes Singers concert on December 22nd has already clocked up 22 ticket sales! OK, let’s not start with the carols just yet.

Blog/ 03/10/202402/10/2024

On National Poetry Day: getting autumnal, Medieval women, currently reading

medieval women exhibition at the British LIbrary

An blog update for National Poetry Day! To celebrate, not only have I just recorded an interview with the immensely talented Tishani Doshi for Planet Poetry, but this evening I’ll be at Hastings Stanza for some poem sharing and workshopping. All very fitting.

Everything’s cranking up now it’s the autumn: the publicity machine for various Christmas concerts, book projects, the podcast starting its fifth season, the garden to be tidied up (though the tomatoes keep coming)…

A week or two ago I was in Seaford reading poems mostly from the new collection (still forthcoming!), plus a couple from Foot Wear. I took with me the last five copies of Foot Wear and sold four, which means there’s only one left of the limited edition run. Not sure if it’s a left or a right foot, teehee. Perhaps I should auction it??

Meanwhile I was very excited to see there’s a forthcoming exhibition at the British Library called ‘Medieval Women: In their Own Words’ which has started me submitting my novel to another round of agents. Medieval women is a thing! Just look at Janina Ramirez on TV, and her brilliant book Femina. You may have guessed I’m a bit of a fangirl. Come on, lit agents: there’s a lot of interest in strong 14th century women!

In submissions news, I’ve had a bit of a dry summer as regards writing new poems, but I’m very pleased to have one in the new Frogmore Papers and another forthcoming in Black Nore Review on October 17th.

Currently reading: Ellen Cranitch’s new collection Crystal, and Tony Hoagland’s final collection Turn up the Ocean – the latter I picked up in the Poetry Book Shop in Hay on Wye in the summer. Both books are from Bloodaxe.

Blog/ 15/02/2019

‘Work’ poems, getting readings (or not), Spring is coming HURRAY

Last weekend I was reading at Buzzwords Cheltenham, which happens to take place not five minutes from my brother & sister-in-law’s home, so I stayed with them and they seemed very happy to come to the reading. (My long-suffering family!) What a warm and responsive audience there was, and an impressive open mic.

My goodness, Buzzwords live up to its name – we started with a robust discussion about getting work published in magazines, and it was clear very early on that there were some very accomplished poets in the group, published, self-published and ambitious. I chatted to some very interesting people in the breaks. I find it fascinating how diverse people’s background are – coming to poetry after careers in engineering or law, or (as in the case of one lady I spoke to) running huge organisations such as NHS Trusts. It makes me wonder why there isn’t more poetry written about workplace culture, career-path politics, surviving in competitive organisations or making difficult, heartbreaking or extremely stressful decisions on a daily basis.

I’ll be hoping for some of that in the forthcoming issue of Magma which has ‘Work’ as its theme. (I’ve got a poem ‘long listed’ for it, so who knows, it may make the cut.)

Meanwhile, at readings I continue to plug my little handmade pamphlet Foot Wear. I need to make the last 10 copies, then that will be it. Until the next ‘hand made’ project!

I’ve no more readings planned now, so will have to start begging soon. If you don’t ask, you don’t get is my experience. Unless of course you’ve made it to the A or B list, usually by winning something prominent, having friends in high places, or both! BUT I do have Cork Poetry Festival to look forward to – AND today the weather feels positively Springlike. Bring it on.

Blog/ 20/02/2018

Busy busy… pamphlet launch, Telltale Anthology latest

It seems to be a busy time of year, both for poetry and for music. I’ve been busy promoting our Lewes Singers concerts this coming weekend in Eastbourne and Ringmer, as well as learning the music of course… it took an hour this morning to sort out the seating plans, making sure tall people weren’t in front of short people and no singer was next to anyone singing the same voice part – ugh!

This afternoon I was happy to spend four hours making up ten more copies of Foot Wear. The first 20 copies are sold so now I have another ten. I’m making no more than 50 in all. Based on today, it takes 24 minutes to make each pamphlet – printing, folding, trimming and binding. (Of course that’s after the actual writing of the poems, finding/choosing the illustrations, doing the layout and typesetting… oh well, it’s a labour of love!) Then I put them under some heavy books overnight to flatten them, before numbering each one ready for selling – in this case at my pamphlet launch on Thursday – oh! Haven’t I mentioned that??

With two days to go I’m a bit nervous, not having decided for certain what to read, or my introductions. When I’ve finished writing this post I’ll be onto it, I promise. And practising tomorrow. Stephen Bone is my lovely co-host and co-launchee. Stephen’s Indigo Dreams pamphlet ‘Plainsong’ is fabulous, and it’s his poem about a Titan Arum that gave the launch flyer its phallic illustration – currently blown up (sorry!) to A3 and proudly sitting in the window of the Eastbourne Tourist Information Centre – I’m expecting letters of disgust next week in the Herald.

Our guest readers are Antony Mair, a fine poet teetering on the edge of some well-deserved recognition, and fellow Telltaler Sarah Barnsley, also frighteningly talented and due some serious poetry success. It’s going to be a fantastic night. I just need to decide what to read and what to wear!

Other things taking me away from blogging lately: a wedding anniversary trip to Stratford to see ‘Twelfth Night’ (in the presence of HRH Prince Charles, although he was accommodated very discreetly – a future king has to go the theatre now and then, y’know) and ‘Imperium’ at the Swan (photo above). Great fun but lessons learned about what seats to book in the future. Anticipation of Spring (please, are we nearly there yet?) and plans for the garden. Other writing and work-related stuff.

Meanwhile Hastings Stanza has been a boon as regards workshopping and poet camaraderie and I’ve got quite a few new poems on the go at the moment. So once this week’s events are over I’ll be back to the editing. Which reminds me, our Telltale Anthology is well under way, I have the first round of amends to do on the proofs, but we’re on track for a late April launch. This is shaping up into an amazing collection with some first class contributions. More about it soon.

Blog/ 15/11/201715/11/2017

Foot Wear – a handmade mini-pamphlet

So there I was with a handful of poems from my ill-fated ‘Business Class’ collection that couldn’t find a home. What to do? I started thinking about the themes: workplace tensions, multicultural office environments, illicit relationships, anomie…and shoes! Why hadn’t I thought of it before? I was working in the sports shoe industry. And I realised shoes have been a theme in my life – from doodling enormous platform boots all over my rough book at school, to my first job in a shoe shop, to persuading my bosses at Nike that netball was a viable sport and players needed netball shoes.

I picked over what I had, chose a few unpublished poems and adapted a couple that had been published, added in a few new shoe-themed poems, and the little collection made a good narrative arc.

Shoes are made by hand, so why not the pamphlet?

I wanted this to be a small collection of poem ‘vignettes’, semi-autobiographical, related to my life in shoes, in limited edition. I wanted each poem to be accompanied by a photo. I also wanted to make the pamphlets by hand, as much as possible – not hand written and not handmade paper (would be nice, but very expensive) – but hand-bound and finished. The point is that the trainers we wear are by and large handmade – from the pattern cutting to the stitching, dyeing, glueing and finishing – by hundreds of assembly-line workers in the far east, and it’s skilled work. The least I could do, to pay homage to that process, was to make the pamphlets myself.

A bit of info for stationery geeks

My plan was to print the inner pages on my office printer. I was excited to find A5 paper for sale online, and I ordered it in 170gsm, a bit heavier than normal printer paper. I thought perhaps there’d be less chance of a printer jam and the heavier weight would look classier. I hadn’t really considered the thickness of the finished article. But with only twenty pages it turned out fine in the end. Similarly, I had the covers printed in 380 mic pulp, which turned out quite thick – but I don’t regret it. I had no trouble folding the pages in the end because I had a lovely bit of kit called a bone folder.

A noob at numbering

The first challenge was to print the pages in the right order, with the correct back-to-back pagination. This proved harder than I thought and I wasted quite a few sheets of paper in my frustration!

Anyway I succeeded in making a mockup, glued together, which became my blueprint. There then followed the sloooow process of printing the pages. Ten at a time invariably meant a misfeed of the paper, which when it was side two being printed meant reprinting all over again both sides. Ugh.

Meanwhile I created a cover design using a photo of the tongue label from my trainers and a background image suggesting a cardboard box. This I had printed at an online printers.

Adventures in book binding

I was looking forward to binding the pamphlets. I bought a ‘bookbinding starter pack’ from a wonderful shop based in the Orkneys called the Vintage Paper Company, and followed their instructions for how to make the simplest of bindings.

That was it! Or so I thought… I realised then that the pages protruded outside the cover. They would need trimming. After trying unsuccessfully to trim a thickness of 5 sheets using a blade, I realised I’d have to do it singly.

In the end I got quite good at it, although there were a few rough edges I thought that was fine – all part of the quirkiness/individuality of each pamphlet.

Ta da!

The final product is lovely, if I say so myself! I’ve only made ten so far, and there’s going to be a limit of fifty. My plan is to sell them at readings.

In fact I made my first sales on Monday evening in Winchester – more about that in the next post!

Blog/ 11/11/201719/11/2017

Readings, diagram poems and towards a new handmade pamphlet…

Oh dear, looks like it’s been a while since my last post – there’s been a lot going on, including a birthday (and all the stock-taking and reassessing that brings),a reading at the swish new Poetry Cafe in London, and the making of a new pamphlet. Plus the clocks have gone back, we’ve put the garden to bed and I’ve even bought my tickets for the T S Eliot prize readings in January. The year must be nearly over!

With Telltale at the new-look Poetry Cafe

The Telltale Press & Friends night at the Poetry Cafe was a real highlight of the last few weeks. I travelled up with Catherine Smith, who has been such a fantastic support both to Telltale and to me personally in my writing. Hearing her read is always a pleasure, and alongside Peter Kenny too – Peter is a creative powerhouse, and I couldn’t have done the whole Telltale thing without him. (He recently won the HappenStance Dream Poem competition – and just look at the marvellous feedback here from judge J O Morgan.) Compering the night with great élan was Sarah Barnsley, another inspirational Telltaler, and our special guest was Abigail Parry – a hugely talented poet whose first collection is coming out with Bloodaxe in the New Year – and long-awaited I think – Abby has won some very impressive prizes. She’s also one of the most modest and humble poets I’ve ever met. All this, plus a full & appreciative audience (the Poetry Cafe always seems to deliver!) made for a fantastic night.

Peter Kenny at Telltale Poets and Friends, the Poetry Cafe — Peter Kenny

Readings coming up

I’ve got some lovely poetry readings to look forward to now – this Monday I’m at Winchester Loose Muse reading alongside the mighty Sasha Dugdale. I’m grateful to organiser Sue Wrinch for inviting me – and in such great company. I’ll be practising my set this weekend!

Then next month a trip to the Open Eye Gallery in Liverpool for the Coast to Coast to Coast vol 2 magazine launch, at the invitation of editor Maria Isakova Bennett. I’m not sure who else is reading at the launch but the list of contributors is a pretty exciting. And a night away in Liverpool at Christmas is going to be great fun!

Illustrators making poetry pamphlets

Coast to Coast to Coast is a hand-stitched thing of beauty. I’ve always loved handmade journals. They feel so personal, as if there’s a tactile connection with the person who made it, and I love the thought of having number 14 (or whatever) of only 50 produced.

I was at the Towner Gallery recently for the Ink, Paper & Print Fair, and came away totally enthused. I picked up two limited edition pamphlets which caught my eye – Bangheads by illustrator Ceri Amphlett and To Eden, Diagram Poems by Matthew Kay. The concept of diagram poems was new to me, and I love it – where each single word really does come loaded, the collages of old-school diagrams with unexpected labels that you feel compelled to examine. The idea of diagrams – traditionally used to express complexities in ways that are supposed to enlighten, to reveal the wisdom behind the facts – as poems, makes sense, and appropriating the diagrams as a means of exploring a relationship feels both humorous and deadly serious.

Ceri’s pamphlet is, she admitted, illustration-driven, and she doesn’t claim to be a poet, nevertheless I liked the accompanying short poems a lot.

All this got me thinking again about hand-making a pamphlet, just in limited numbers, using some of the poems I’ve had no luck in getting published, or versions of them. I love the design aspect of pamphlets and being involved in every aspect of the visual presentation.

The themed sequence I’ve had knocking around for a few years now is the ‘Business Class’ series of poems based on the years I spent in the sport shoe industry. I always bring a couple of them out at readings, and they’re often the ones people comment on, or seem to remember. Most of the poems have been published individually in various journals, but I’ve given up on finding a publisher for them as a pamphlet. The idea once felt original and unusual but maybe no longer – I recently heard of another poet bringing out a pamphlet based on his workplace experiences called – you guessed it – ‘Business Class’.

But I still think the sequence has legs, so I changed the emphasis slightly and decided to focus on the shoe theme. I then realised I’ve actually had a bit of a life in shoes! In this way a short collection started to take shape. I’ve combined the poems together with some relevant grainy photos, and produced a semi-autobiographical sequence called Foot Wear.

This post is already quite long so I’ll talk more about Foot Wear, and my adventures in book-binding, in another post…

Tag: foot wear