Tag: hasting stanza

On performing ekphrastic poems, Poetry Book Fair etc

I’m not sure I’ve ever really celebrated World Poetry Day, which was apparently adopted by UNESCO in 1999 with the aim of “supporting linguistic diversity through poetic expression and increasing the opportunity for endangered languages to be heard.” It’s held on March 21st each year, and this year in Eastbourne the indefatigable ‘Mister John’ who hosts a monthly poetry open mic is staging a special event on the theme of ekphrasis. The Hastings Stanza will well represented, and I’m taking along poems inspired by contemporary artworks by Anish Kapoor and Jann Haworth.

On ‘Performing’ ekphrastic poems

Reading poems based on artworks is tricky. If they’re famous paintings then at least some of the audience might be familiar with them. If not, do you spend five minutes explaining what it’s a picture of before reading the poem? What if the artwork is a piece of performance art? I’ve written something inspired by The House with the Ocean View by Marina Abramovic, but decided against reading it this week because explaining the artwork is too time consuming. Even with static art, ideally we would have a projector and be able to show it while reading the poem. But what if that’s not possible? I’ve opted for putting a copy of the art next to the poem, printing it out and taking a few ‘pass around’ copies with me. We’ll see how it goes.

The return of the Poetry Book Fair

Although it bears no resemblance to the London Book Fair, London’s Poetry Book Fair (also known as Free Verse) used to be a very jolly and uplifting event, independently organised, until the pandemic years. The great news is that it’s back, to be held on Saturday 20th April. The bad news for me is that I can’t make it. Organised now by The Poetry Society, the fair consists of around 80 small-to-micro poetry publishers crammed into a hall displaying their wares. A great opportunity for editors to meet their readers and potential readers, for poets to meet editors (or check then out incognito!) and sample their books, for tiny indies to rub along with the Fabers of the poetry world. It’s also a good old-fashioned networking event, even if poets don’t tend to use that phrase. Meet poets you’ve always admired and hear them read! Quiz editors about what they’re looking for and make sure they remember your name! Or just run into poet mates you haven’t seen in ages.

I’ve been to three of the Fairs in the past and helped out on a publisher table for a couple of them, and it’s always a fine occasion. This year I happen to be coming back from Spain that very day. I could probably trail my luggage with me straight up to London from Gatwick but it’s unlikely I’ll be there before 4pm, when traditionally things are winding down. Oh well, next year I hope. Do visit this year if you can.

All kinds of poetry news and shenanigans

I like the word shenanigans, don’t you? Although as I just check its meaning I see it can mean underhand goings-on. I don’t have anything underhand to report, but a few things happening now that Autumn is kicking in (just). And my birthday is approaching – always a time of fluidity and change.

Poem submissions

The blockage has finally cleared! Poems that had been gathering dust in numerous in-trays have finally come back to me, all with a polite ‘no thanks’ attached. Oh well. Although having said that, I’ve two poems forthcoming in South magazine and another two in the Hastings Stanza Anthology ‘Bird in a Wilderness’ which we’re launching on Friday October 20 at The White Rock Hotel, Hastings at 7 pm – if you’re anywhere near, do come! The book is partly in aid of The Refugee Buddy Project that does wonderful work in welcoming refugees in the Hastings area.

Readings/launches

Clare Best is launching her new book Beyond the Gate from Worple Press this evening in London, compered by none other than my old poddy mate Peter Kenny, so I am braving the train journey north and dodging the replacement buses to be there.

On Thursday I’m looking forward to Needlewriters in Lewes, which I haven’t managed to get to for a while, and it’s always a lovely social Lewes event.  Reading from their new collections will be Janet Sutherland and Richard Skinner. 

Also on Thursday is the ‘season opener’ of Planet Poetry Season Four – yup! We’re still going strong…and as befits the first episode we have a special guest… poetry royalty, you could say…

Novel stuff

My ‘hot new bestseller’ is at a crucial stage – basically I’m re-writing the ending. It will be much better for it, and transition coolly into Book Two. I’m a month behind schedule but will definitely be submitting to agents before the end of October.

Music stuff

My choir the Lewes Singers has its concert this coming Saturday which I know will be lovely, but that doesn’t stop me checking bookings every day and hoping we will cover our costs with ticket sales! Next month I’ll be taking part in a big Verdi Requiem in Brighton with two big choirs which will be fun. Plus, on my birthday can you believe, I’ve been press-ganged by a friend to take part in one of her musical soirees in which friends and neighbours agree to listen to various musical turns by amateurs. So I’ll be donning some dreadful costume and hamming it up on something called ‘The Stepsisters’ Lament’. Gawds, I can’t believe I’m admitting to it.

Round up: poems, podcast, garden, new photos…

News round-up time… written in haste, before the Wimbledon Men’s final…

The Pod

Peter Kenny and I have just wrapped up the last episode of Season 3 of Planet Poetry. Our guest was Richard Skinner, a fitting ‘finale’ as he led us through a fascinating poetry landscape in which OuLiPo, curtal sonnets, Caedmon and cutups all made an appearance. Then Peter and I had a chat and a beer in the potting shed. It’s been an exciting but exhausting season and we can hardly believe the poddy is still going strong!

You couldn’t make it up

Well, I did actually, but will anyone buy it? My novel submission materials are undergoing a beady-eyed review by author and book coach Beth Miller, whose expert opinion I need and value, prior to leaping into the lion’s cage of literary agents. Gulp!

Other things that have been keeping me busy

The Hastings Stanza Anthology coming along and the nit-picking finally done I think, writing reviews for the Frogmore Papers (delectably short!), cranking up plans for the Lewes Singers next season, producing a 4-page advertorial for the East Sussex Community Choir and DementiaUK, trying to get a front door replaced on my late sister’s flat in Guildford… and so forth.

Poetry forthcoming

I’ve two poems appearing in Ben Banyard’s excellent Black Nore Review tomorrow (17th July). Ben is a rare editor – one who promises (and delivers, certainly in my case) to respond to submissions within two weeks – !

Murder in the Garden

No, not the next novel, just an admission that I managed to kill one of only two courgette plants that made it to maturity, by mistaking the main stem for a dead leaf, and cut it… after months of nurturing (when it was small I even sheltered it from the hot sun with an umbrella tethered to the ground), I was truly upset. And now its remaining mate is struggling to produce any courgettes, so I can only assume it’s in mourning too. Bad Robin!

Ready for your headshot

Yep, last week I got some new photos done (in readiness for all that Booker Prize publicity – tee hee!) Nothing makes you feel more confident (in my humble opinion) than a professional photoshoot. I’ve rubbed along with selfies and ancient headshots for a number of years, but as Nick needed photos too we asked photographer Sarah Weal for help. I can only describe her as an absolute magician, making us look like we mean business, but still very much us. I couldn’t help myself but use one of the shots she took as a featured image to this post. Forgive me! Anyway, even if the book deals never happen, I will love looking at these photos in ten or twenty years’ time (fingers crossed) and say  “look how amazing and young we were!”

Slam Dunk at the Printworks in Hastings

Last night I took the train (yes! there and back! and only slight delays!) to Hastings to Slam Dunk, a regular poetry night at the Printworks, where Hastings Stanza rep Antony Mair was doing a set.

Although it’s not far away, Hastings is still a bit of an unknown quantity for me, but it has an unmistakeably youthful and creative vibe that’s irresistible. There’s an edge to it too – and my first challenge was to find the way in, which turned out to be down a dark alley and without any external signs…a cross between a speakeasy and some sort of squatters’ den – ha! (The experience reminded me of a ‘foreigners only’ bar in Rome about 30 years ago where you had to know the correct (unmarked) door to knock on, and someone slid open the hatch to check you were a) not Italian and b) not male. Men were allowed but only in the company of a woman, and in the proportion one-man-one-woman. I don’t think Rome was ready for any other relationship possibilities in those days. It sounds bizarre but for me as an eighteen-year-old alone in a foreign country it was a ‘safe place’ away from the pests that followed a girl everywhere.)

Anyway, I was rescued by Judith who appeared at what I took for the emergency exit. The room turned out to be one of those cavernous industrial spaces taken over by artists and the hipster crowd – girders/concrete/crittal windows/bar made of chipboard/Edison lightbulbs etc – and buzzing with energy. The Hastings Stanza poets were there in force to support Antony – a few of us for the first time – and in fact the intrepid Roz Balp took part in the open mic with a high degree of panache (that’s her in the featured pic -trust me!)

The format was that open-mic-ers each read one poem, and there was a time limit (two or three minutes – I missed the introduction so not sure) – and after each reader the audience got to give them marks out of ten, with deductions if they went over time. Somebody then did a quick calculation and came up with a number – I couldn’t work out the formula, but there was much cheering as ’24!’ or ’26!’ were announced. Another knockout round followed, with an eventual winner, then a generous break, then the first headliner poet (the previous month’s slam winner – in this case, Antony), then ANOTHER headliner…. and all over by 10pm.

I’m not a huge fan of open mics, but I thought the format worked well, discouraging the bores who only want to go on and on, and keeping the audience engaged with a bit of friendly competition and banter. People paid attention but there wasn’t the reverential hush of your typical poetry reading – the bar was busy and we were kept entertained with blasts from the Dyson hand dryer in the loos behind our table.

Spam poetry at the Printworks, Hastings

The audience was mostly young, creative types, but all ages seemed to be represented – quite a few people even older than me! Several of the readers were young men with beards, fabulously long hair, or both, most of them reminding Steph of her first husband. We had plenty of anti-Trump rhetoric, relationship angst and a surreal poem from Brian Docherty which appeared to be about aliens taking hostage a bloke who tells them Winston Churchill is dead, all taking place on the set of The Only Way is Essex. I may have got that completely wrong, but entertaining as always is Brian. The average age of the poets was significantly lowered by the presence of 15-year-old Ruby, who made it to the read-off with her excellently angry and witty poems. Such confidence! She would have known how to handle those groping Italians back in the 80s.

Antony presented another fine set, although at one point he had to call for the ‘live open fire’ projection to be turned off, in case he had an epileptic fit. It was a teensy bit of a shame though, as the room seemed decidedly chilly once we were no longer looking at the flickering flames.

Antony Mair at the Printworks Hastings poetry slam

Final poet of the night was headliner Sally Jenkinson, who was a new name to me – as she said herself it’s great to visit a part of the country you don’t know and to come across new people. In Sally’s case she’s from Doncaster, but has been living in Brighton a couple of years. She gave a strong reading and I liked her style. It’s not easy to go last and she kept us listening to the end.

Then I only had to wait ten minutes for The Train, which actually took me home, and my dear husband surprised me by meeting me at the station. Top night out!