Tag: magazines

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A midsummer stock-take

Bobby in the sun

It’s the longest day of the year here, and the hottest. I love these long days and warm evenings and we’ve been making the most of the garden and living by the sea. Somehow blogging seems less appealing!

However, having just been inspired by Marina Sofia’s Fortnightly Round-up, I thought maybe it was time for another quick stock-take.

Submissions

I’ve a few poems I should send out out – somewhere, right now, considering the longer I leave it the slimmer the chance of getting them placed anywhere before 2018. And one of the poems in question will be in my Cinnamon pamphlet, so if I want to see it in a magazine first I need to get a move on before it’s too late.

Currently there are only 5 individual poems out, three to a magazine and two to a competition, or six including the one I sent to Poetry News, but if they’d wanted it I would have heard by now, so I’ll be sending that one out again.

Quite a few poems are forthcoming – Brittle Star recently took a poem for their next issue which launches next week at the Barbican Library in London, I’ve got one in Magma in July, and in August three in Obsessed with Pipework and one in Prole.

I missed the Bridport deadline, not that I ever seem to do much in that, but you just never know. In the recent Poetry Business Pamphlet Competition it was great to see Katy Evans-Bush’s name among the winners. Katy is of course an established poet, but she’s also well-known as a poetry blogger and I wonder if for some people she’s a blogger first, poet second.  So it’s good to see her poetry taking centre stage. I assumed my own entry for the comp had sunk without trace but then I had an email from Peter Sansom to say my collection had been shortlisted, which I was genuinely pleased about. I know I tend to dismiss the whole shortlist/longlist thing generally, but when it’s a big prize I can now see why people might put it on their biog. Although I’ve no public evidence for said shortlisting as it’s not published on the website. Oh well! It’ll be our secret!

One good thing about not submitting too much is of course you get fewer rejections. Three poems were returned to me recently by Poetry Review, so no luck there yet. In fact anything with ‘Review’ in the title tends to reject my stuff. Oh well, the challenge continues.

Current projects

I have a project bubbling under at the moment and although my first attempts to tackle it are a little rough around the edges, I’m taking my time. By way of research I’ve been reading The Poetry Cure (Bloodaxe, 2005) an anthology of illness edited by Julia Darling and Cynthia Fuller, as recommended by poet friend Sarah, and Of Mutability (Faber, 2010) by Jo Shapcott, as well as Granta issue 138 on ‘Journeys’.

On a different note, (ha!) in two days’ time I’m taking a Grade 6 singing exam, something I decided six months ago it would be fun to do, and it’s turned into a huge test for me – both to overcome my nerves, and my attitude, which is to expect to sound like Cecilia Bartoli on just a few lessons and the odd bit of practice. I am a fool! Or a glutton for knockbacks!

Great article

I was browsing Wayne Burrows’ website recently and came across this excellent interview he gave a couple of years ago – there’s so much in it I’d like to quote, instead I’ll just recommend it as a great read. His answers to questions about his influences, his writing habits, his regrets, and things such as ‘do you find it irritating when someone misinterprets your work?’ and ‘is poetry a dying art?’ are fascinating and entirely free of any self-importance or sense of ‘lecturing’ his reader.

Events coming up

I’ve got a busy poetry week ahead. This weekend I’m going to Anne-Marie Fyfe’s workshop at the South Downs Poetry Festival in Lewes, and I’m also looking forward to seeing Anne-Marie again at the Troubadour on Monday evening, where I’ll be one of the massed ranks of poets reading at the season finale on the theme of planets, stars, constellations etc. Do come if you’re in spitting distance.

On Thursday 29th June I’ll be going to a Cinnamon pamphleteers reading in London featuring Neil Elder, Tamsin Hopkins and Sarah Watkinson.

Next Friday 30th June I’ll be one of the Hastings Stanza Poets reading at The Bookkeeper bookshop on Kings Rd, St Leonards on the opening night of the St Leonards Festival. Free! Come along!

OK that’s it, I’m off for a dip (OK, maybe a paddle) in the sea!

 

 

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Submissions windows open & poetry competition deadlines

view from the ship

Windows

Just checking which magazines have re-opened their windows (must’ve been hot in there) and have found the following:

The Stinging Fly is open until Aug 31st (postal submissions) or Sept 4 (via Submittable).

Agenda appears to have been open since June 1st – the website says it’s still open, so jump in quickly!

Ambit has been open for poetry submissions from August 1st, window closes October 1st.

Under the Radar will be re-opening Sept 14th and closing October 30th. (This is a change to what I reported previously).

For a list of some UK magazines which are open to submissions all year, see my April post.

Competition deadlines coming up

Attention all compers: there are some opportunities to look at here – click on the relevant link to go to the page with more info. All details are provided in good faith, but I can’t guarantee I’ve got them all correct – please go to the competition page to check and to read the rules, cut off dates etc.

Cornwall Contemporary Poetry Festival  (a new one on me) – judge Alison Brackenbury, first prize is £600. Entry fee £5 for the first poem, £3 thereafter. Deadline 3rd September.

Primers Vol 2 – publication & mentoring is the prize on offer to 3 poets. Final long and shortlists are decided by Jane Commane & Jacob Sam La Rose after initial sifting. £15 entry for 6 poems. I was ‘long listed’ for this last year, so may have another stab at it. Deadline 4th September.

The Poetry Society’s Stanza Competition – open to Poetry Society members who are also members of a PS Stanza. Judged by Ros Barber, the theme is ‘Silence’. There’s no dough on offer here but plenty of kudos. I was thrilled to bag it in 2014. Yes, comps CAN be won! Deadline 12th September.

Live Canon Poetry Competition – judge Lorraine Mariner, first prize £1,000. Entry fee £6 for a single poem, £15 for three. Deadline 12th September.

The Manchester Poetry Prize – judges Sarah Howe, Helen Mort & Adam O’Riordan. £10,000 prize for the best portfolio of three to five poems (maximum combined length: 120 lines) Entry fee £17.50. This is one of the big prizes and (dare I say it) a tad prestigious. Go for it. Deadline 23rd September.

If you enter any of these comps and win – remember we all want to know about it here! 

Mags & Blogs/

Would you pay to submit your poetry to a magazine? (Poll)

Here’s a thing. Poetry presses and magazines exist on a shoestring. Sometimes half a shoestring. I’m sure we’d all love to support them by subscribing to them all, but it does get a tad expensive. So what’s the answer?

Charging for submissions seems relatively unusual in this country but it’s not in the US. The New England Review, for example, is very upfront about making a charge for submissions, but they made it sound very reasonable:

“We charge a small fee for online submissions ($3 prose, $2 poetry, $2 NER Digital). This fee, which is waived for current subscribers, helps to support New England Review in its mission to encourage literary innovation and exploration by publishing writers at all stages of their careers. It’s also not much more (and sometimes less) than what you’d pay for postage, paper, and printing. We also think you’ll appreciate the convenience of being able to upload your submission from your own computer.”

So what do you think? Should magazines move to this model, and ditch the vagaries of Royal Mail altogether? Would you agree to paying a pound, say, to submit a handful of poems to a magazine? Is it better to give your money to the poetry magazines rather than the Royal Mail?

If you’re reading this and you run a small press, what are the disadvantages of this system – your having to print out poems? Possible loss of formatting? Too much trouble to set the system up? Would a fee deter people from submitting – and possibly the ones you actually don’t want to deter?

Take the quick poll and please comment – I’m interested to know what you think.

Mags & Blogs/

Hurrah! The Rialto takes another

Rialto

So excited to have had a poem accepted for The Rialto.

The first poem I had published was in this magazine (Rialto 70, Autumn 2010) and to say that I was ‘gobsmacked’ would be an understatement… only I’m not allowed to use that word in my husband’s presence as he believes it is an affront the English language.

The only trouble is … I wasn’t as proud of that particular poem as some of the stuff I’ve written more recently, plus since then I’ve had this nagging feeling it was a fluke, and I needed dear Michael Mackmin to say ‘YAY’ to another in order to revive that ever-ready to deflate tent that is my confidence.

So – phew! Very happy.

Also forthcoming are 3 poems in Iota, although I’m not sure when it’s coming out. Back in March I got a rejection from Iota, for the same three poems that had previously been accepted by the same. Very strange – eventually I realised it was because I had submitted twice – the first time I included my contact details on the poems and then realised that Iota operates an anonymous selection process. I was advised to re-submit, and it was the second submission that was rejected. 

It’s a good example of how the same poems can be wrong for a publication one week, and right for it the next – presumably down to things like what other poems are in the mix already, where the editor has a gap, etc. Maybe also what they read that morning or had for lunch. Who knows – but it was a good illustration of how you should not give up too easily on a poem just because it gets rejected a few times.