Tag: poetry anthologies

A poetry anthology comes to life via Facebook

Look what arrived today – my copies of the lovely new anthology from Beautiful Dragons (mastermind: Rebecca Bilkau), My Dear Watson. It’s a celebration of the 118 elements on the periodic table. Each poem takes one of it the elements as its inspiration, and 118 poets have contributed. Poets were sourced and Rebecca organised the whole project via Facebook.

Social media platforms elicit strong feelings. Not so long ago it was the internet itself. In 2001 you could say “I hate the internet/I don’t DO the internet” and you’d find plenty of folks agreeing with you. Now it’s kind of unusual since the internet is difficult to avoid. These days it’s social media. “I hate Twitter/I don’t do Facebook.” All fine, and I’m not suggesting in ten years everybody will be ‘doing’ Facebook and/or Twitter. But in 50 years everyone will be using similar (and hopefully much improved) tools because communication methods are constantly changing. Remember: the first people to have telephones in their homes also ran the gauntlet of ‘Are you Mad? What on earth is the POINT of it?’ And that was only 100 years ago.

I personally feel privileged and very lucky to be one of the first generation to experience both the pre-internet and the early internet era. It’s real history and we’re living through it. The tools we currently have are not perfect by any means. Remember: Microsoft, Apple, Google, Facebook, Twitter etc etc all started in some guy’s bedroom. Nobody knows the rules because we’re figuring them out as we go along. But the tools are what we (humans) make them, and when things go wrong, or the tools are abused or used for bad ends, it’s not down to evil computers or that dreadful ‘social media’, it’s down to evil people.

Anyway, what got me going on that strand of thought was actually that I wanted to celebrate, for once, the wonderful things we humans can do with the tools available. The contributors to ‘My Dear Watson’ are a community only in that we all heard about it on Facebook and responded. (OK, some of the poets had already contributed to previous anthologies). Poems were submitted, and virtually all correspondence was carried out on Facebook. Even Rebecca notes that ‘not one of them (the contributors) knows all of the others’. I’m not saying this is a unique achievement  but it’s a fine example of how a crowd-sourced project (the herding of 118 poets is no mean thing) can generate its own community, and it was facilitated via a social platform. Nothing special about Facebook, although as free, web-based platforms go it’s pretty suitable for this kind of collaboration.

So brava, Rebecca, and thank you.

And let’s try not to fall back on easy statements like “I hate ovens!” just because we haven’t yet produced the perfect souffle.

 

Where were the ‘Best of British’ poems first published?

Best of British Poetry 2012

Poet friend of mine and soon-to-be-blogger Jo Grigg mentioned she had been reading The Best British Poetry 2012 so I invited her to write about it here. It is Jo’s first guest blog post on Poetgal.

The second volume of this British version of a longstanding US anthology has now thundered through my letterbox. Hurrah! Its 70 poems are selected from the year’s UK poetry magazines.

As with any anthology, how much you enjoy them depends on how much you have in common with the editor. This year’s is Sasha Dugdale and I’m enjoying many of them so far. Along with the poems come each poet’s remarks given in the second section of the book following a brief biog. Some of these remarks are enlightening about the writing process. Others are odd, which is (oddly) reassuring. In the US version you sometimes read ‘the poem should stand on its own without me having to explain it’.

One of the reasons behind the anthology is to draw attention to poets who are not yet published in pamphlet or collection form, because the big prizes select mostly from published collections. There’s also a good showing of established poets. It demonstrates the variety within the poetry mag business, and draws attention to individual magazines.

I looked at which magazines the poems in Best British are taken from – would this represent a ‘best magazines’ list, and if so, might I investigate and then subscribe to one or two of them? Though does having a poem in here mean they are ‘better’ than the many magazines not represented? It is at least a starting point for those unable to get to the Poetry Library at London’s South Bank to spend time submerged in magazines, pamphlets and collections. Here’s my listing:

Magazine / Number of entries

10th Muse 1

13 Pages 2

Agenda 1

Ambit 2

Blackbox Manifold 1

Brand 1

Brittle Star 1

Cambridge Literary Review 2

Clinic 2

Dark Horse, The 1

Delinquent, The 2

Edinburgh Review 1

Fuselit 1

Halfcircle 1

Horizon Review 1

London Review of Books 2

Magma 4

Modern Poetry in Translation 4

New Linear Perspectives 1

New Welsh Review 2

North, The 2

PN Review 7

Poet’s Calendar, The 1

Poetry and Audience 1

Poetry London 9

Poetry Review 5

Poetry Wales 2

Rialto, The 4

Stand 2

Warwick Review, The 2

White Review, The 1

Wolf, The 1

The Best British Poetry 2012, edited by Sasha Dugdale, series edited by Roddy Lumsden, published by Salt, 2012. Cover price £9.99.