Tag: singing

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Currently inspired by…

The Waste Land detail of MS

Writing inspiration comes in all shapes and sizes I suppose. I was recently at a Charleston Festival event (Sheila Hancock in conversation with Joan Bakewell – combined age 182 and a huge inspiration/advertisement for a good old age). But I digress. In the bookshop marquee I was casually browsing and came across a single copy of a book I decided I had to have.

cover of T S Eliot book

Now I’m no huge Eliot fan but I do dip into the Four Quartets every now and then. I’ve never got to grips with The Waste Land, but I’m a sucker for manuscripts that show different versions, crossings out etc. It’s like getting into the poet’s head. And this edition shows every page, with annotations from both Ezra Pound and Valerie Eliot. It’s extraordinary. And I’m now enjoying going back to the poem armed with more insight into its genesis.

Meanwhile our Planet Poetry guests continue to challenge (and delight) me – in the last episode I talked with the effervescent Caleb Parkin and his excellent book This Fruiting Body, and my most recent interview was with Fiona Sampson. I admit I was nervous, interviewing a poet with such a formidable CV (29 books for starters). But Fiona was delightful and fascinating. I’m not sure yet when the interview will ‘air’ but it’ll be worth listening, I guarantee.

A few near-misses lately. I was pleasantly surprised to find I had two poems on the Plough Prize shortlist this year, judged by Roger McGough (one of my early heroes!). Incidentally, the winner was Di Slaney, a former Planet Poetry guest and an editor who deserves to be better known as A POET. Then, the other day I decided to query PN Review again, as it’s been so long since I submitted there, and this time I got a prompt reply that although ‘no’, was very encouraging.

All this is good grist to the mill and keeps me thinking about poetry, even if I’m not yet writing much new, but that will come. In the meantime it’s singing that’s my main concern, having signed up to take Grade 8 at the end of this month – gulp! Now excuse me as I go over the YouTube to watch yet more tutorials about ‘how to get rid of breathy tone’ etc. Nothing like a bit of last minute cramming to turn me from lowly choir member into Dame Felicity Lott, tee hee.

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Readings, launches & other poetry news

Launch of Clare Best's Springlines

There’s been a flurry of poetry events lately and lovely things happening.

Hastings Stanza reading

A couple of weeks back the Hastings Poetry Stanza had its second evening of readings as part of the St Leonards Festival. Somehow we all crammed into the bijou bookshop The Bookkeeper, the proprietors of which are extremely supportive of local poetry and generously laid on drinks and nibbles. The heard a wonderful variety of styles and subject matter, from Gavin Martin’s hilarious riff-rant on Liam Fox to some understated and moving work from Andrea Samuelson.

Huge thanks as ever to Antony Mair for managing everything so calmly and efficiently. A most convivial (& warm in every sense of the word) event – and somehow I managed to spill three glasses of wine before a drop had even passed my lips. Serves me right for wearing white trousers.

Clare Best book launch

Last Thursday I was at the newly-opened Depot in Lewes on what felt like the hottest day of the year for the launch of Springlines, the book of Clare Best’s collaboration with artist Mary Ann Aytoun-Ellis. We heard some short readings, enjoyed a rolling slide show of the photos and artwork from the book, shots of Clare’s notebooks (I enjoyed these particularly!) plus photos of previous events around the project. Two years ago I saw the exhibition at Glyndebourne of some of Mary Ann’s paintings and Clare’s poems and it was magnificent. Some of these, together with new work, is currently on show at Tunbridge Wells Museum. Do go see it if you’re anywhere nearby.

In the capacity of my ‘day job’ I’ve recently finished a revamp of Clare’s website – also worth a visit, especially for the lovely recordings Clare has made of several of her poems.

A bit about singing

By the way I passed my singing exam – despite a pathetic showing in the sight-reading test I managed to ‘perform’ the songs convincingly. Today I’m singing with Eastbourne Choral Society in their summer concert (summer is traditionally ‘easy listening’ – show medleys, a bit of Gilbert & Sullivan, John Rutter’s folk-song medley ‘Sprig of Thyme’ etc). It sometimes seems as if both choral singing and poetry take a hiatus in the summer on the assumption that no-one is around during the school holidays, so there’s inevitably a big spree of launches/readings/concerts/festivals before the end of June & July.

Speaking of which…

Magma launch

Magma 68 is having a launch event at the London Review Bookshop on Friday 28th July. I’m hoping to combine reading a poem there with a visit to the Hokusai exhibition at the British Museum as it’s just around the corner from the bookshop. It’s the first time I’ve had a poem in Magma so I’m excited about this.

A bit about acceptances & rejections

I’ve had a huge amount of luck this year and it’s a strange feeling to have so many poems in the ‘forthcoming’ pile.

This week I heard that The Rialto are taking two poems for their August issue. This kind of news is always reassuring. Believe me, I get as many rejections as the next poet – I make a point of mentioning all of them here in order to show the real situation, not a sugar-coated one. But I also mention the acceptances, to show that persistence can sometimes pay off. The two poems that The Rialto liked have both been rejected elsewhere, one in particular has been floating around for three years, been rejected by six magazines and got nowhere in two competitions. I have certainly tweaked it from time to time, in between sending out. But not substantially.

I currently have five poems in the ‘recently rejected/review and re-send’ file – three came back from The Poetry Review (I can only try!), one from The Rialto and one from Poetry News. It’s now a question of do I have anything newer that’s ready to go, or do I ‘review and re-send’? Historically I tend not to send something out right away but let it sit and stew for at least a few months. So maybe I’ve answered my own question there.

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A midsummer stock-take

Bobby in the sun

It’s the longest day of the year here, and the hottest. I love these long days and warm evenings and we’ve been making the most of the garden and living by the sea. Somehow blogging seems less appealing!

However, having just been inspired by Marina Sofia’s Fortnightly Round-up, I thought maybe it was time for another quick stock-take.

Submissions

I’ve a few poems I should send out out – somewhere, right now, considering the longer I leave it the slimmer the chance of getting them placed anywhere before 2018. And one of the poems in question will be in my Cinnamon pamphlet, so if I want to see it in a magazine first I need to get a move on before it’s too late.

Currently there are only 5 individual poems out, three to a magazine and two to a competition, or six including the one I sent to Poetry News, but if they’d wanted it I would have heard by now, so I’ll be sending that one out again.

Quite a few poems are forthcoming – Brittle Star recently took a poem for their next issue which launches next week at the Barbican Library in London, I’ve got one in Magma in July, and in August three in Obsessed with Pipework and one in Prole.

I missed the Bridport deadline, not that I ever seem to do much in that, but you just never know. In the recent Poetry Business Pamphlet Competition it was great to see Katy Evans-Bush’s name among the winners. Katy is of course an established poet, but she’s also well-known as a poetry blogger and I wonder if for some people she’s a blogger first, poet second.  So it’s good to see her poetry taking centre stage. I assumed my own entry for the comp had sunk without trace but then I had an email from Peter Sansom to say my collection had been shortlisted, which I was genuinely pleased about. I know I tend to dismiss the whole shortlist/longlist thing generally, but when it’s a big prize I can now see why people might put it on their biog. Although I’ve no public evidence for said shortlisting as it’s not published on the website. Oh well! It’ll be our secret!

One good thing about not submitting too much is of course you get fewer rejections. Three poems were returned to me recently by Poetry Review, so no luck there yet. In fact anything with ‘Review’ in the title tends to reject my stuff. Oh well, the challenge continues.

Current projects

I have a project bubbling under at the moment and although my first attempts to tackle it are a little rough around the edges, I’m taking my time. By way of research I’ve been reading The Poetry Cure (Bloodaxe, 2005) an anthology of illness edited by Julia Darling and Cynthia Fuller, as recommended by poet friend Sarah, and Of Mutability (Faber, 2010) by Jo Shapcott, as well as Granta issue 138 on ‘Journeys’.

On a different note, (ha!) in two days’ time I’m taking a Grade 6 singing exam, something I decided six months ago it would be fun to do, and it’s turned into a huge test for me – both to overcome my nerves, and my attitude, which is to expect to sound like Cecilia Bartoli on just a few lessons and the odd bit of practice. I am a fool! Or a glutton for knockbacks!

Great article

I was browsing Wayne Burrows’ website recently and came across this excellent interview he gave a couple of years ago – there’s so much in it I’d like to quote, instead I’ll just recommend it as a great read. His answers to questions about his influences, his writing habits, his regrets, and things such as ‘do you find it irritating when someone misinterprets your work?’ and ‘is poetry a dying art?’ are fascinating and entirely free of any self-importance or sense of ‘lecturing’ his reader.

Events coming up

I’ve got a busy poetry week ahead. This weekend I’m going to Anne-Marie Fyfe’s workshop at the South Downs Poetry Festival in Lewes, and I’m also looking forward to seeing Anne-Marie again at the Troubadour on Monday evening, where I’ll be one of the massed ranks of poets reading at the season finale on the theme of planets, stars, constellations etc. Do come if you’re in spitting distance.

On Thursday 29th June I’ll be going to a Cinnamon pamphleteers reading in London featuring Neil Elder, Tamsin Hopkins and Sarah Watkinson.

Next Friday 30th June I’ll be one of the Hastings Stanza Poets reading at The Bookkeeper bookshop on Kings Rd, St Leonards on the opening night of the St Leonards Festival. Free! Come along!

OK that’s it, I’m off for a dip (OK, maybe a paddle) in the sea!