Tag: The Frogmore Papers

Current reading and other news

Current reading … and a parrot

Camilla’s Bookshop is open again in Eastbourne after an arson attack, and I can report that the parrot is still alive and greeting you as you enter, and the stacks of books are as tightly packed as ever – in fact even more so! Here’s how the poetry section looked before (multiply this ten or even twenty times over and you get a good picture of the shop as a whole!

Camilla's Bookshop

Now, the stacks on the floor are about 4 foot tall and it’s impossible to bend down and get one’s head into a position to see what’s actually in the stack…however I managed to find two books of interest on the upper shelves. One is John Donne, The Complete English Poems (Penguin Classics) and the other is  The Eavan Boland Sourcebook (Carcanet) which I’ve started and already it’s fascinating. Eavan Boland is a poet I’d only heard of but not read, but when she died earlier this year there was such an outpouring of grief from the poetry community that I decided I needed to seek her out.

In addition to this I’m near the end of a lovely book by Jean Sprackland, a memoir in which she retraces her steps through the graveyards and cemeteries she’s known over the years.

current reading 27-7-20

Other recent reading:

current reading-27-7-20

Vicki Feaver‘s I want I want (Cape) is one of the Forward Prize shortlisted books that I ordered, and Sestet is an anthology that I’ll be reviewing for The Frogmore Papers. I must say I’m looking forward to reading Rachel Long‘s My Darling from the Lions, which is up for Best First Collection in the Forwards. I really liked her recent work in The Poetry Review.

Also waiting in the wings to be read is Little Kings by Peter Kahn (Nine Arches), kindly given to me by Peter Raynard. Peter Kahn is a new poet to me, and the book jacket blurbs make it sound very promising.

My contributor copy of Stand arrived recently. I’m delighted to have a poem in Stand; I’ve subscribed this last year and have enjoyed much of its content. Particularly interesting are the editorials. I think it’s a shame that not all mags have them.

I’ve resubscribed to Poetry just at a turbulent time it seems. A poem in the July/August issue by Michael Dickman has caused a massive furore, and editor Don Share resigned. Here’s his extraordinary final editorial. 

Feature on the Frogmore blog

And speaking of The Frogmore Papers, here’s a lovely post on their blog about the sad demise of listings mag Viva Lewes. The April issue was due to feature four of the members of the Needlewriters Collective (Jeremy Page, Charlotte Gann, Janet Sutherland and myself) but it never went to print. But the feature is reproduced here, like a sort of echo of what almost happened.

‘Ellipsis’ on Radio Reverb

Another lovely thing: fine poet and Brighton Reverb Radio presenter Jackie Wills featured one of my poems on the Reverb Literature Hour the other week. It was such a treat to hear her read the poem; I don’t think I’ve heard anyone read a poem of mine before. And her analysis of it was wonderful. I was very touched. With Jackie’s permission I’m posting it here:

Ah! The business of poetry blogging

Oh no!

It’s been a few weeks since my last post, and yet Matthew Stewart has still generously kept me on his list of ‘Best UK Poetry Blogs of 2019’. Matthew observes that 2019 was ‘far from being a vintage year’ for blogging, and his suggestions of why this might be are interesting: keeping a blog going can be a chore at times, once you stop it’s hard to get going again, sometimes you can’t help wondering if you’re writing into a vacuum.

I’d rather be bog-snorkelling  bragging  blogging

In some ways, writing this blog is no more of a chore than writing actual poems, in that I prefer not to force either of them, but to let them happen when the inclination hits me. Having said that, I know it’s not good to leave a blog hanging for too long. I do from time to time give myself a goal, such as ‘write a blog post a week’ or ‘start a poem a day for a month’. I haven’t done either of those for a while, but I’ve been gee’d on by others lately. Heather Walker has been blogging every day recently and it’s been fascinating to read. Josephine Corcoran shared recently that she’d written twenty new poems. Lordy! That’s probably my annual output. And Mat Riches has been blogging every week for some time, AND he sent out 161 poems this year – BLIMEY.

Coming soon – the stats of shame

Actually Mat’s post reminded me that my annual roundup of subs/rejections/acceptances is due. I doubt I’ll be offering any natty graphs. Somewhat a visual feels like it might be a detail too far. But hey! Let’s see…

I do know that even if I’m not blogging, I’m reading other people’s blogs. They come at my inbox every Monday morning and I never cease to be amazed at how much thought, energy, creativity and generosity goes into blogs. And with the boot on the other foot, I’m eternally grateful to my readers, aka YOU, for taking the time to read this.

Current reading list

My poetry books-to-read pile currently includes the Winter issues of Rattle and The Moth, Clarissa Aykroyd’s Island of Towers (Broken Sleep Books), Hubert Moore’s The Feeding Station (Shoestring) which I’m reviewing for The Frogmore Papers, Katie Griffiths’ My Shrink Is Pregnant (one of my fellow Live Canon Pamphleteers) and Robert Hamberger’s Blue Wallpaper (Waterloo). Recently I received a copy of Sarah Windebank’s super first collection, Memories of a Swedish Grandmother (Myriad Editions). I was lucky enough to get a review copy, and wrote a short testimonial for the book.

And so this is Christmas…

I only got 6 out of 18 in the Guardian’s Christmas Number Ones quiz – although I think it was a swizz as there were only one or two questions about the seventies! Come on, Christmas was invented in the 70s! Can you do better??