Tag: poetry news

Art/

Subs, pods and mags

and we were shot down with rain

It’s been a busy couple of weeks but I’ve allowed myself time off to decorate the Christmas tree, which is always a joy. Next job: Christmas cards (yes, we still enjoy sending – and receiving – them! One analogue tradition I can’t bring myself to give up…)

I did manage to get a pamphlet submission together in time to send to Broken Sleep. Who knows if it’s going to be up Aaron Kent’s strasse. I enjoyed compiling it though – 20 – 25 poems is a sweet collection length in my mind.  Meanwhile I’ve been geed up by a couple of acceptances this week, one from Mark Antony Owen’s After... due to go live in January, an elphrastic poem I wrote inspired by a painting by David Hockney from his ‘The Arrival of Spring, Normandy 2020’ (see above).  Elsewhere I’ve still got around a dozen poems that have been out for between 3 and 7 months. The Christmas/New Year break is traditionally a time for rejections to come trickling in, as editors attack the slush pile after too many mince pies. So let’s see.

Bill Greenwell’s workshop turned out to be a bit of a ‘curate’s egg’ for me…  it generated half a dozen new poems, at least three of which have legs. Bill’s feedback was very useful indeed; he has such a depth of experience and insight. On the other hand I didn’t actually finish the 9 weeks, sloping off under pressure of work and other distractions after 6. And to be honest I was overwhelmed with all the poems and comments being posted and just couldn’t keep up. I don’t think the online workshop format is for me (yes, I know I’ve said this before –  but do I ever learn?)

So Peter and I managed to get the latest episode of Planet Poetry edited and up last Thursday, featuring Peter’s interview with Sarah Barnsley on her first full collection The Thoughts. It’s an excellent book, in fact it’s one of my recommendations in the forthcoming edition of Poetry News. The poddy is going well. Now all we need are <unsubtle-hint> a few kind donations to help us pay the costs of the recording and hosting platforms! </unsubtle-hint> We were especially chuffed to hear that Kim Moore (who we interviewed in our Season 3 opener recently) won the Forward Prize! We bask in the reflected glory! Our Christmas episode is coming up on December 15th, featuring my interview with Matthew Stewart plus party hats, carols and bloopers. Don’t miss it!!

Meanwhile I’ve just sent out the updated spreadsheet of poetry magazine windows, and although I’ve lost patience with a few of the mags that seem to be permanently closed and/or never updated, there are some interesting additions. Even one journal that’s finally open for poetry after I took it off the list some time ago because it was never open and didn’t respond to queries. Perhaps poetry mags never die, they just pass out for a while (to nick a line from Prole).

So it’s wall-to-wall concerts at the moment. Choirs seem to be tackling an interesting range of material this year, which means I don’t have to sit though any renditions of ‘For unto WUSS a child is born’.  In fact I’m just off to Brighton again to hear one of Nick’s choirs perform. Yes, even a rail replacement bus service doesn’t put me off. It must be love!

Blog/

On redrafting old material, and a welcome acceptance

During my mini-retreat in Cork I dug out a number of old as-yet-unfinished or unpublished poems to see what I could breathe new life into. Re-use & recycle! Nothing’s wasted! Or is it?

Sometimes when I get out an old poem I find I’ve put enough distance between it and me, and now I’m able to see its flaws and work on it anew.

Other times I wonder if the whole poem needs to be killed off, like cutting a plant right down to an inch from the ground, letting in light and air, giving energy and space for new growth. When I re-read a poem I started years ago, if it doesn’t excite me enough to want to work on it further, I ask myself do I still want to say this? If yes, then can I go back to the first impetus – whatever it was that started me on this poem – and start again on an entirely new road?

I’ve come back from Cork with two re-worked poems I’m quite pleased with, two that I started to re-work but not yet feeling the love, and one ‘new start’ poem, still early days. Another poem is completely new, but the idea has been mulling for a while.

Meanwhile I’m very pleased to have had an acceptance from Magma, for their ‘Work’ themed issue coming up in July. I’m always banging on about there not being enough poems written about work, so of course I thought the theme was right up my Strasse – although an older version of the same poem was actually written for the Poetry News theme of ‘Hotel’ (also one of my favourite topics, so I was a bit miffed that the selector didn’t like my poem on that occasion!)

This hotel/work poem is a good example of the ‘re-use/recycle’ thing. Earliest versions from about two years ago bear no resemblance to the one that’s going into Magma. The fifth version was the one that Poetry News rejected. I then workshopped it both at Hastings Stanza and with poet friend Marion Tracy and it became more fractured and a lot darker. The title became weirder. Ian Duhig at the Garsdale Retreat last summer had some positive comments on it. I worked on it a bit more until it felt stronger and stranger, then sent it (by now, version 12) to The Poetry Review, where it was rejected. It was then in the drawer for six months until the Magma theme came up and I gave it one more outing. So persistence paid off, and by heck I was needing a confidence boost.

I hope you have similar stories to tell. Here’s to successful recycling, upcycling or whatever cycling floats your boat, so to speak.

Blog/

Small milestones

'The Other Foot' by Robin Houghton, from 'Foot Wear' (2017)At the end of October it was my birthday, and over a boozy supper my dear husband suggested we do a ‘dry November’. I couldn’t think of a reason why not – no social events planned, Christmas to look forward to, and I certainly couldn’t face giving up alcohol for January, the most depressing month of the year. So November seemed like a good time to try the Ultimate Detox. I wasn’t fantastically optimistic we’d manage it to be honest. But here we are, 16 days in and holding strong. Fingers crossed!

It may seem like a minor thing, and perhaps a bit sad, but if my willpower keeps going to the end of the month it will feel like a mighty achievement. Other things I’m celebrating other than half a month without a drink: two and a half years so far free of cancer (without having taken the drugs), and my ‘how to get published in UK poetry magazines’ booklet selling out in ten days. This was amazing to me – and I wish I’d had more copies printed in the first place because it would have been so much more cost-effective than having to do a second print run. On the plus side, I’ve tested the market and (so far) have had some wonderful feedback. If you’ve bought it, and if you’re one of the lovely people who’s shared it and endorsed it on social media, thank you so much!

Having had my head down working on ‘the book’ my poetry writing has been a bit inconsistent lately. I received a rejection from Rattle – not entirely unexpected as it would be amazing to have a poem accepted there. Poems I sent to a couple of comps crashed and burned. Meanwhile the Poetry News theme of ‘the abstract space’ had left all of us in the Hastings Stanza a bit bemused. Having said that I did send a couple of poems in the end. I was quite pleased with one of them, so even if doesn’t work for P News I have hopes for it. I also sent three poems to Magma on the theme of ‘work’ – would be ridiculous if I did not, having banged on about my work-themed poems for so many years. An interesting thing: as I bundled these three together I realised there was another unifying theme, and something I’ve spotted elsewhere in my own poems. It’s starting to look hopeful for the much-talked-about first collection. Now that WOULD be a milestone. I almost daren’t say it!

Angst/

The rejections behind poem acceptances

Drafts of Plath poems

Apparently I’m well known for broadcasting my rejections, but that’s no reason not to tell of the acceptances. Just when I was thinking I’d lost my way (the second half of 2015 was particularly bleak in terms of one rejection after another) some poems have come good. Specifically: a poem forthcoming in Poetry News, another in The Interpreter’s House and three in Bare Fiction, in which I’ve never made an appearance so I’m particularly encouraged by that. Two of the five were ‘problem children’,  as you can see from the stats below.

I have a relatively new-found interest – looking at the drafts/rejection history of a poem once it’s accepted to see it I can learn anything from it. I love being able to write poetry on the computer. I save all drafts, or rather I save a draft the last time I work on it during a day. So generally I save one draft per day max. Otherwise ‘version control’ would be pretty much out of control. But I find I do go sometimes back to old drafts, and it can be a great help in moving the poem forwards years later. Looking at historic drafts, scrawled across with the workings-out of poets before the word processor, I wonder how they managed to see clearly where the poem was going – all those pen and ink changes, then typing (or writing) it out again, only to find the line breaks or form just looks wrong.

Details, details

Here are the timelines for each of the forthcoming poems – (they’re not in the same order as above):

Poem A – written April 2015, 4 drafts, 1 previous rejection
Poem B – written June – October 2015, 2 drafts, 2 previous rejections
Poem C – written  Jan 2013 – Jan 2016, 19 drafts, 5 title changes, at least 6 previous rejections (I am so pleased to see the back of this this one find a home!)
Poem D – written Jan 2014 – March 2016, 8 drafts, 2 previous rejections
Poem E – written November 2015 – March 2016, 5 versions, 1 previous rejection

Interesting that there’s really no pattern to all this, but I think it does show that the ‘bottom drawer’ thing is useful – at least a couple of these poems had been put away for some months before I got them out and worked on them again. Of course, there are plenty of others in the bottom drawer and who knows if any of them will come to anything. But the process is fun, isn’t it? Just as long as SOME of them find homes eventually.

One thing I’ve noticed is that (if one can believe the hype!) submissions to magazines seem to be ever increasing, and magazine editors are under more pressure than ever. In this climate, congratulations are due to those editors who manage expectations and communicate well about where they are in the process. I hope, for their sake, that giving Facebook or website updates reduces the number of email enquiries from individuals. I certainly feel that the submissions turnaround times are at least as good as they always were, despite the rising tide of submissions.

Rejections  (actually I prefer ‘Failed Submissions’)

On the thanks but no thanks front, in the last couple of months I’ve seen 5 poems sink without trace in competitions and 9 poems rejected by magazines.  Ah well.

I now have nothing outstanding – eek! Must get something out!

Books/

Pre half-term round-up: submissions, events, other writing

October is my favourite month, partly because it’s the start of the run-up to Christmas with all sorts of musical things to come, before then of course Bonfire Night in Lewes – always an annual high point. Plus I have a birthday, and it’s generally a time for a stock-take and a bit of ‘where am I in my life?’ internal Q & A. I’ll spare you the full depths of the navel-gazing, but here are some of the projects occupying me at the moment:

Writing/submissions etc – not much to report, I haven’t given much time to writing in recent weeks, sadly, but I’m not stressing about it. In anticipation of one or two rejections which I believe are due in the next month, I sent out a few poems last week – I’m trying Ambit again, although I swore not to – can’t get out of my head the idea that I have stuff that belongs there. As regards lost submissions (one of the issues that plagues me) – for those publications that still require postal submissions I’ve taken to enclosing a stamped addressed postcard which just says ‘poems safely received at XYZ magazine’ for the mag to post back to me – which seemed like a trouble-free way of acknowledging receipt. More publications are now using Submittable, which I really like, and I also don’t mind paying £1 to submit (eg to Iota). I’ve blogged before about this and the subsequent poll was split.

Last year I missed the deadline for the National Poetry Comp, so this year I’m determined to enter something at least. I’ve never done well in the big comps, but hey, who knows. As for the pamphlet competitions, I’m tempted to try Iota Shots again (deadline Nov 10th), as  I’ve tightened up my short themed pamphlet and think it might now stand a chance. But I don’t think I’ll be trying the Poetry Business comp, because I’m not sure I’ve got 20 good-enough poems, and that’s not a competition I want to enter half-cocked. Maybe next year.

Other writing – yesterday I got my hands on a preview copy of ‘Blogging for Writers’ which was very exciting. It’s going to be available in shops in a few weeks’ time, and I’m planning a blog tour – yee haa! More about this on the website in due course. Then ‘The Golden Rules of Blogging (and How to Break Them)’ is due out in March 2015, and there’s already been interest from some prominent bookshops in staging readings / Q & A sessions. Double yee-haa!

Also, I have an article on blogging to write for Poetry News – if you’re reading this and thinking “Hmm… I remember Robin asking me some questions for this many months ago..” then you’re not wrong – it’s that very same piece, but there was no room for it in the last edition, so it’s going to be either in the Winter or the Spring issue. I have to write this TODAY.

Telltale Press –  Peter and I have been given some hot tips for potential Telltale poets and we’re in the process of feeling our way in that direction. Slow steps but it’s happening – both Peter and I have a lot of stuff on at the moment but we’re determined not to lose the momentum of the launch events, which were such a lift.

Readings etc – this evening is the quarterly Needlewriters event here in Lewes, with readings from Sian Thomas and Liz Bahs (poetry) and Colin Bell (prose). I’ll be doing the introductions which will be fun, particularly as I know all three readers. Always a lovely local vibe, in a cafe just yards from my house – would be perfect if I could have a glass of wine but today being a Thursday it’s no alcohol. Boo!

Next month I’ll be reading at the Poetry Society AGM at the wonderful Keats House – which feels like a big deal!  Rumour has it I’ll be one of the support acts to Daljit Nagra … I’m now over the initial excitement and into the slightly nervous period. But I won’t be stressing about WHAT to read until nearer the time (I hope).

Meanwhile I’ve already booked tickets for the T S Eliot prize readings in January – 10% off if you book before November 1st! I’ve really enjoyed it the last couple of years, big thanks to poet friends Charlotte and Julia for introducing me to this event.

A few plans for this blog – I’ve got two wonderful poets lined up to feature in the next couple of weeks, plus plans for a regular ‘regional focus’ – I’m going to be poking my nose into what’s happening down your way, and reporting back. Poets, there’s nowhere to hide!

Angst/

Good news, and a few doubts

What a great week. An excellent Bonfire Night, President Obama re-elected, and then I get an email with the subject line ‘Congratulations from Poetry News‘ and find my ‘absent’ themed poem will be in the December edition. Ah, where would we be without small victories?  Because I admit I am STUPIDLY excited.

It’s my first proper effort at using spaces in a poem (instead of commas and my beloved dashes, which are a bit of a habit), something I have Catherine Smith to thank for as it was one of the things she got us doing on a Poetry School course I was on earlier this year.

So here’s to experimentation. But … I’m looking forward to ‘one day’ developing some sort of consistent style. Or is that like wanting to grow up too soon? Is it good to keep trying different things and going off on tangents? Poets I meet when workshopping are often working on bigger, over-arching projects or themes, and I sometimes wonder if I’ll never get to the stage of a publishable pamphlet unless I settle into writing a coherent body of poems, rather than blurting out isolated pieces that have nothing in common. What do you think?