Author: Robin Houghton

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On over-exposure and other poetry ups and downs

It’s been a busy few weeks. To tell the truth, I’m feeling a little over-exposed. You know how annoying it is: Poet X has just launched this, then it’s announced they’re going to be judging some competition or other, then someone has just interviewed them or whatever and you just think I’ve had enough of Poet X and his/her face all over my social media. All I can say is that when you say yes to an interview, or send some poems to a magazine or competition, or write a review, it’s out of your control when these things hit. Sometimes it all happens at once.*

Anyway, at the start of March I had the magazines windows spreadsheet thingy to update (no I still haven’t got a short/neat name for this. Suggestions please) three interviews to edit for Planet Poetry, and the usual shedload of reading. I’d half thought I would enter the Poetry Business pamphlet competition this year, but once I’d got out my sorry pile of poems I realised it was the usual mish-mash of unrelated material with no discernible link between any of them.

Reader, I did not enter the competition. But one very good thing came of the ‘getting out the poems’ exercise, which was the realisation that with a bit of work, I had a dozen or so poems that could be good enough to send out. So I set to on the work, then did some sending out. Let the rejections or acceptances begin. I need to move forward and the only way to get my poetry-writing mojo on is to SEND SEND SEND, thus clearing the way for NEW poems.

My uni course is still online, sadly… it looks like I’m going to do an entire academic year without setting foot in the library. Thank goodness for electronic resources, and World of Books. But the handful of us majoring in poetry & poetics have chummed up on WhatsApp, and we meet for Zoom chats too, which is almost as nice as socialising in the ‘Common Room’, or wherever the socialising takes place in normal 21st century times. I got my first term essay back with a somewhat mediocre mark and dismaying feedback. I’ve certainly had some wobbly moments on this course and that was one of them. But hey ho. I’m a grown up and can take criticism, albeit through gritted teeth. And selectively. I’m doing this for fun, right?

Something that really is fun is the Planet Poetry podcast. We recently put out the 10th episode, an interview with Inua Ellams who really blew us away. A fine poet and a lovely guy. It was so interesting what he had to say – do have a listen if you haven’t already. Co-host Peter Kenny and I have a number of interviews in the pipeline and I like to think we’re getting better at it as we go along – I’ve certainly learnt a lot, and even enjoy the editing, finding music to use in between clips etc.

*OK, since you asked (!) there’s an interview with me on Abegail Morley’s website talking about life in lockdown, recordings of three poems on Mark Antony Owen‘s marvellous Iambapoet website wave 5 (going live on Monday 15th I believe) now live – and I’m currently a ‘featured poet’ on the Chichester Poetry website. Subscribers to South magazine will shortly be receiving the latest issue with featured poet Miriam Patrick, for whom I was delighted to write an introduction. I’m sure you will have seen Miriam’s work in magazines. She’s a poet for whom I genuinely feel a first pamphlet (or collection) is well overdue. Come to think of it, I know of several people in that category… I may make a blog post of it.

And finally, I’d like to mention a couple of poets I’ve discovered via the excellent Live Canon Friday lunchtime readings, whose work I’ve really enjoyed: Laura Theis and NJ Hynes. These readings are every Friday at 1pm and have been excellent – next Friday the line-up is Marcus Smith, Jill Abram, Andrea Holland and Cherie Taylor Battiste. Recommended.

(PS just noticed I’ve used THUS and two instances of WHOM in this blog post. All this academic reading must be rubbing off on me.)

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On poetry magazines: Stand, Agenda, The Dark Horse

This is the second in my mini-series on UK & Irish poetry magazines. The three featured today are all long-standing publications.

Stand magazine

Stand started up in 1954, when, according to the website,  “Jon Silkin used his £5 redundancy money, received after trying to organise some of his fellow manual workers, to found a magazine which would ‘stand’ against injustice and oppression, and ‘stand’ for the role that the arts, poetry and fiction in particular, could and should play in that fight.”

What a brilliant story. Jon Silkin died in 1997 and the magazine has had a number of editors over the years, and a long association with the University of Leeds that continues to this day. John Whale is the current managing editor, and each edition seems to include a nice mix of both well-established and newer poets. It runs to around 150 pages and the landscape layout, while interesting, offers I suspect some challenges. The name of every contributor since 1999 appears on the website!

Agenda magazine

Another small magazine with a big reputation is Agenda, founded by William Cookson in 1959, with a big input from Ezra Pound, no less. Cookson’s recollection of how the journal came into being appears on the website, and is a fascinating read. I particularly liked the detail that Pound thought the fifth issue was ‘particularly boring’ and he suggested Cookson should stop, “but he soon relented, sending £5 towards the printer’s bill to help me to continue, writing, ’Oke Hay / Fluctuat. But get some GUTS into the next issue, and something that isn’t watered down E.P.'” Priceless.

The current editor Patricia McCarthy does much to promote young poets in the ‘broadsheet’ section, and the magazine (again more of a book really, at 160 pages) is a blend of poetry, reviews and editorial (and GUTS of course). Most issues are themed, and its ‘retrospectives’ are particularly interesting.

The Dark Horse journal

And finally for now, The Dark Horse. This is a journal I’ve been aware of for a while but only recently sent for a copy. Billing itself as ‘Scotland’s Transatlantic Poetry Magazine’, it clearly has gravitas –  there is work in this recent issue by heavyweights including Michael Longley and Dana Gioia.  I also really enjoyed the essays, including a harrowing tale of ‘cancel culture’ by Jenny Lindsay and an extract from Hamish Whyte’s memoir of his thirty-year friendship with Edwin Morgan.

The Dark Horse was founded in 1995 by Gerry Cambridge, who is still its editor, and clearly also the driving force behind its design and impressive production values. Incidentally he wrote this interesting piece entitled Why we do it – on editing a poetry magazine.

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On giving a poetry reading via Zoom

I’m very pleased to be taking part in an online reading this coming Friday 19th February at 1pm. Live Canon, the lovely publisher of my 2019 pamphlet Why? is hosting a series of weekly lunchtime readings, and this week it’s the turn of Adham Smart, Gillie Robic, Laura Theis and myself.

I’ve only done two readings before on Zoom, both very brief, and I find it a bit of an ordeal – BUT I’m learning. Here are a few of the issues I’ve been working through, which I thought I would share. (The issues go from ‘easy’ to harder’ by the way…)

Preparation

Of course the first thing is preparation. Going on past Live Canon lunchtime readings, I’m assuming the slot is about ten minutes. I’ve not had this confirmed but I know it won’t be less, and I also know from experience there’s rarely such a thing a too short reading. I’ll have decided on the poems to read, practised them and timed the whole set, including introductions. This is of course standard prep, so nothing different from an ‘in-person’ reading.

Set-up

I’ve learned this the hard way – get your laptop in place, use an ethernet cable if possible (rather than wi-fi) and check how you will look with the lighting that’s available. All at least 15 mins before it’s due to start. We’ve all done plenty of Zooms by now, and I’m admiring of people who’ve cracked this. I’m still learning, but I think the best bit of advice I’ve had is to light your face from the front. Also, check what’s behind you. A dressing gown hanging up on the door? A weird ‘shape’ that might be a printer or a cat basket or whatever – anything that’s going to distract people and have them thinking ‘what IS that thing?’ instead of meditating on one’s lovely poem – get rid of it, or change position. I open up ‘Photo Booth’ on my Mac and use that to check the view!

What to wear

You have to kind of get into the showtime mood, whatever that means for you, and it’s difficult when you’re all cosy at home! You know all that stuff about not wearing slippers when you’re working from home, standing up when taking a difficult phone call and so on – I think it’s the same if you’re giving a reading. I would say dress up a bit, even though no-one’s going to see what you’re wearing. And I definitely prefer to stand up, but failing that, sit forward rather than back.

Energy

Standing up isn’t just a psychological thing, it helps you breathe better, and you can allow the energy to flow through your body, which I think is the number one way you connect with an audience. Energy doesn’t mean bouncing about. It’s just means you’re alert and reaching out, you’re more likely to give an enjoyable reading. I have to warm-up beforehand: I do things like make stupid faces in the mirror, do a few jaw exercises, take some deep yoga breaths. It may sound over the top but I think it really helps the reading. (Yes I know, I’m setting myself up a bit here – I hope the actual reading lives up to my own advice!)

Engaging the audience

This must be the hardest thing on Zoom. I don’t have the definitive answer. One of the things I enjoy most about readings is the live audience – you can see how they’re reacting, you can address people through eye contact. And on Zoom? You’re lucky if you’ve spotted your friends, who could be on page 2 of the mosaic, you could be faced with a patchwork of faces and blank screens with names, some of which are something like ‘K’s laptop’. Everyone’s muted. Ugh!

The last reading I did, I had the poems on my computer screen so I could read off them and not keep looking down. When it’s just your head and shoulders visible, if people are looking at me (and hopefully they’re not all the time!) I want to seem as if I’m addressing them. I know I like this when I’m watching a poet read, and a number of people have told me they like it too. The downside to this strategy is, if you’re on a laptop, you might find your Word document (with the poems on) obscures the Zoom window, and with no ‘feedback loop’ you just have to carry on and trust people are there and haven’t all gone home, or that your connection has died and you haven’t realised, so you’ve been talking to yourself for ten minutes. Another way might be to pin your poems on the wall above your screen, which come to think of it might work better as you’ll be looking at a point just above the camera. OK now I’m overthinking things, and making myself more anxious…

You might find points these useful, or you may disagree – if you have any tips to add, please feel free to share.  If you can do so before Friday lunchtime, even better!

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On poetry magazines: Butcher’s Dog, Prole, Frogmore Papers

This is the first of a mini-series about print poetry magazines. Although I do my quarterly spreadsheet, there’s no room for any description of the mags, so I thought it would be nice to feature some of my favourites as a reader, where I like to submit myself and what I subscribe to. There are so many poetry magazines, and it’s impossible to subscribe to them all. But I’m a firm believer in reading a magazine before submitting to it, and subscribing is even better, both from the point of view of a magazine’s finances, and also as a reader you get a much better feel for what it’s about. Quite often a subscription for two or three issues doesn’t cost much more than buying a single issue, once you factor in postage.

I subscribe to mags on and off, on roughly a revolving basis (say 2 or 3 a year) which I find affordable. There are some I go back to, some I don’t, and the reasons can vary. I’m interested in poetry and poetry reviews rather than short stories or artwork per se (unless it’s, say, Granta). Sometimes a subscription lapses because the magazine in question hasn’t reminded me to re-subscribe, which is a shame. Sometimes I get reminded too many times to resubscribe, which is off-putting. I know! I’m hard to please.

The other day it was time to subscribe to some new titles, and I decided to give PN Review a proper try. I’ve only ever read the odd single issue, and I found it a bit academic. But now I’m getting into the academic mindset, perhaps it’s a good time to try it again? PN Review hasn’t arrived yet, but I’ve also just subbed to Butcher’s Dog, a small mag, but with a big bite, perhaps. I sat next to editor Jo Clement at a Poetry Book Fair once, and came away with a couple of back issues. Here’s what came in the post yesterday. My favourite poem in it is ‘I crossed the Humber Bridge without paying’ by Rachel Bower…

butchers dog 14 poetry mag

Another magazine I want to give a shout out to is Prole. Edited by Brett Evans and Phil Robertson, Prole has been going for some years now and they have a unique system as regards paying contributors which I admire very much. Basically, instead of offering contributors a free copy of the issue they are in, they give contributors a share in any profit an issue makes. So as a contributor you’re given a PDF of the mag, but if you want a hard copy then you buy it. Your buying it then helps grow the potential pot that ends up being shared amongst contributors. Or you can opt to let Prole keep it for their funds, but that’s entirely up to you. We’re talking a very small amount, but it’s the principle that counts. More power to Prole! I do have a couple of poems in this latest issue, which I’m very pleased about, as they were both a bit ‘out there’, and I had a feeling they might sit well in the magazine. There’s a lot of prose in Prole, if you’re interested in that too.

Prole 31 poetry mag

Another longstanding poetry magazine with great character is The Frogmore Papers. It’s packed full of poetry and is, I think, unique in publishing micro-reviews (which I really appreciate as a reader, but also contribute to occasionally). The magazine features covers by local artists and has a ‘sister’ online publication called Morphrog – can you see what they did there?

More magazines to come …

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Purgatory and the wonders (and pains) of technology

After the excitement of having my site invaded last week, and the subsequent tsunami of ‘new posts’ about ‘how to make a salad’ or ‘best value beanies’ etc (could have been a lot worse I suppose), I thought I ought to write a genuine post if nothing else to check whether I still have any readers. (If you’re reading this then I guess you’re still with me – thank you for you good humour and understanding.)

On Sunday I had hoped to watch the T S Eliot prize readings ‘live’ but was thwarted by some ill-configured viewing platform that had hundreds of us locked out for the first half hour. After several attempts, and having to watch a 90 second ad for the Southbank Centre four times, I gave up and decided to rescue what was left of the evening. I haven’t yet read the prize winning collection by Bhanu Kapil but I look forward to so doing.

A bit of a shame about the livestream fiasco, as I was in the mood for the TS Eliots – I’m currently reading Selling and Self-Regulation of Contemporary Poetry by JT Welsch which has some fascinating insights regarding ‘prize culture’ and ‘debut fever’. The book itself is a tad expensive to buy (I only have access to a PDF) but Billy Mills has written an excellent review here, if you’re interested.

More excitement : last week I interviewed Mary Jean Chan for Planet Poetry and it should be going live next Thursday for Episode 8 – I can warmly recommend Mary Jean’s collection Flèche (Faber, 2019), and she was lovely to interview.  There are yet more excellent poets coming up on the podcast, so do subscribe wherever you get your podcasts.

Last Monday Nick and I attended Live Canon’s Burns Night event – it was great fun seeing people having their Burns Supper on Zoom, hearing Burns poetry read by Live Canon’s brilliant ensemble, and trying to follow the official proceedings of toasts and incantations… hilarious, innovative and oddly quite moving too.

I’m currently enjoying my second journey into Purgatorio, this time with the help and enlightenment provided by the University of York. A whole term of Dante is pure luxury, and a real solace in these grim days. Purgatory is actually a much nicer place than many people imagine, and there are some lovely images to be found, which help a reader orient themselves… like this one! I’ve no idea where to give credit for this, as it seems to be all over the web…

Diagram of Purgatory

As you can see, it’s quite a climb. I’m currently on the 2nd terrace, among the Invidiosi (the envious) – feeling quite at home, actually!

Meanwhile, it’s coming up to the end of January (O GIVE THANKS), so in the next day or so I’ll be shooting off an email to remind people about poetry magazines with submissions windows about to close or open. If you’re not on the list, you know what to do! 

Take care, and hold on, we’ll get there soon. XX

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Apologies

I do apologise for the spammy ‘post notifications’ that just went out. It seems my blog was targeted by something nasty. I hope that won’t make you want to unsubscribe. I think the issue is over now. Ugh!

best wishes

Robin

 

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On Literary Envy – revisiting an old blog post

I was reminded recently why I left Facebook some years ago. Things were getting too toxic for my liking, and I was a bit fed up with endless promotions and self-bigging-up. So I revisited a post I wrote for Anthony Wilson’s blog back in 2015, and as I still stand by it, I thought I’d re-post the link to it here.

It’s basically for anyone who’s ever felt envious of another poet…. enjoy!

On literary envy, by Robin Houghton on Anthony Wilson’s blog

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Readings this coming week, Planet Poetry & Uni stuff

Today feels like a desk-work day even though the sun is shining outside – we did go for a long walk on the Downs yesterday and I always need a day to recover after sustained exercise, although of course I have to keep up my Yoga with Adriene sessions! It was cold and frosty up on the hills yesterday, but beautiful:

On the South Downs winter walk

Poetry & Poetics course update

The good news is I wrote my essay and submitted it a week ago – woop! I could have delayed and kept fiddling with it, but I didn’t really see the point. So now I’m free to devote my reading time to Dante. It looks like the entire Spring term will be taught online, which is a shame, but I’m clinging onto the idea that as I’m doing this over two years, next year I might be able to go up to York more regularly. My small coterie of fellow students is lovely and we’ve enjoyed some sociable Zoom chats. All this is much harder for them than for cosy old me of course.

A couple of readings coming up

Nothing at all since last March and now I have two readings in a week – hmmm. Actually both are team readings, the first is on Monday 11th at 6pm (GMT), an event organised by the Mary Evans Picture Library and Arts Destination South Molton, in which 15 of us will each read a poem from the Poets and Pictures blog, accompanied by the photo or image that inspired it. We had a run through the other evening and there are some intriguing poem/picture combinations. It makes good use of Zoom to have the pictures up while we read. Lots of fine poets taking part, including Janet Sutherland, Jane Clarke, Rosie Jackson and Martyn Crucefix. Its free and open to all, but if you’re interested in attending do drop an email to Alison Verney at admin@artsdestination.co.uk who will send you a link.

Meanwhile on Thursday 14th, again at 6pm, there’s a Needlewriters/Frogmore Press Zoom event in which eight of us will read something from the Poetry South East 2020 Anthology. Drop a line to Jeremy at frogmorepress@gmail.com if you’d like a link to attend. It would be lovely to see you at either or both readings!

Planet Poetry

The podcast is back for 2021! In yesterday’s episode Peter interviewed Mario Petrucci, and then we had a bit of banter about prose poems, New Year’s resolutions and whatnot. We have some very interesting interviews coming up over the next few weeks, including Mary Jean Chan, Inua Ellams, and a number of other lovely poets and pundits to be confirmed ….why not have a listen and sign up?

Planet Poetry 7/1/21: Mario Petrucci

Spring

More good news – the days are getting longer! Daffodils are pushing up already! last week I did a big clean up in the ‘potting shed’ and that felt good. The seed catalogues are here and I’m thinking about what to plant. Bring it on!

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What I’ve been doing (and While you were Sleeping)

It’s three and a half weeks until my first term essay is due, and I’m starting to relax into it. Which may sound strange, as I know the usual narrative around deadlines is that the tension rises and the panic grows the closer they get. But instead I did all the panicking early on, when I couldn’t decide what to write about and the vastness of possibilities rose in front of me like Mount Everest. Now I have a loose topic, not exactly a plan yet, but I’m getting there. Today, a flurry of post-its. Soon: an essay plan.

post its

One of the texts I’m focusing on is a book suggested by Peter Kenny who promptly sent me his copy, which is generous of him as it appears to be out of print: Dictee by Theresa Hak Kyung Cha, a poet who died too young, which may be why she’s not more well-known, certainly it seems in the UK. It’s completely gripped me and I’m going to be scrutinising it alongside Anne Carson’s brilliant Nox, another book that I’ve only recently discovered even though it’s a few years old now. Woop!

Last week was Episode 5 of Planet Poetry, in which I interviewed Jack Underwood and Peter and I talked about some of the poetry collections we’ve enjoyed this year. We’re having a few weeks off now so the next episode will be on January 7th. It’s been hard work getting ‘the Planet’ off the ground, but so stimulating and great fun to work with Peter on it.

I’ve not submitted a great many poems this year, in fact nothing in the last six months. Alongside the usual rejections it’s been super to have work published in Stand, The Frogmore Papers, The North, and I do have two poems forthcoming in Prole. But then… nothing. I hope I can get something out soon, or in 2021 I might vanish.

On a more positive note, I’m going to be taking part in an online reading for the Mary Evans Picture Library in January, and Chichester poetry are going to have me as their ‘featured poet’ in February/March. Come on Robin, write some bloody new poems why don’t you.

Meanwhile my wee group the Lewes Singers have had a quiet year, but a few of us got together for a very small, socially-distanced concert last weekend. It was so wonderful to sing with others again, if a bit tricky having to stand so far apart. And emotional. I felt myself welling up during a couple of the carols. I know there’s a lot of discussion about how to take care of our mental health at the moment, but the subtext I always hear is ‘yes but of course physical health is much more important.’ I do wonder if it shouldn’t be a more equal balance.

Yesterday I had what turns out was my last gym workout for while, so jogs on the windy seafront beckon.  And good news today: the arrival of half a dozen favourite feelgood films on second hand DVD from World of Books which Nick and I plan to hunker down with over the coming weeks. (Overboard, It’s a Wonderful Life, While you were Sleeping, Green card etc) I know what you’re thinking: only six? What about the rest of January? But some of those are going to get watched several times, I’m sure. Plus there’s always Netflix.

Thanks so much for reading/commenting on this blog. Wishing you a peaceful Christmas, and (as someone said on a card) a Happier New Year.

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Swimming again… in poetry

Not my own, no, but now that term has ended I’ve got a fair few books to catch up with.

Poetry books to read December 2020

What I’m Looking For (Penguin, 2019) is a ‘selected’ by US poet Maureen McLane gathered from five collections 2005 – 2017. I first came across her work in a York Uni seminar, and enjoyed the sample poems enough to buy the book. Actually just a poem entitled ‘OK Fern’ is enough to make we want to buy the book. The power of titles!

Jackie Wills is a Brighton-based poet I’ve known for some time, and I’ve been to her creative writing workshops. I loved her collection Woman’s Head as Jug and her newest book is A Friable Earth (Arc, 2019) – by the way, Arc have a sale on at the moment so now’s a good time to browse their excellent list.

For some reason recently I picked up the Complete Poems of R F Langley (Carcanet, 2015) (which had been on my bookshelf for a while, but I’d not dipped into it) and found a trove of poetry I really connected with. I think I may have thought he was going to be hard work of the J H Prynne variety but that’s not the case at all.

My Telltale pal and co-host of Planet Poetry Peter Kenny recommended I read Poor (Penguin, 2020) by Caleb Femi, which arrived on my mat yesterday, and I couldn’t resist a little flick through (there are photos!) The blurbs are mighty impressive, the book is hot off the press (published last month) and I can’t wait to read it.

And in case that’s not enough, I also couldn’t resist Inua Ellams The Actual (Penned in the Margins, 2020) I heard Inua read at The Troubadour in London a couple of years ago I think, and I’ve also enjoyed reading some of the poems from The Actual in The Poetry Review and elsewhere this year.  It’s got a brilliantly witty cover with spot gold foil detail. And you can always judge a book by its cover as we know 🙂

So, swimming in lovely poetry. I’m also swimming in the pool again after the enforced month off and that feels fantastic too.

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PS

A huge thank you to everyone who’s listening to Planet Poetry – Peter and I are enjoying making the podcast episodes and trying to get better at it. We’ve had some lovely guests and more are in the pipeline. Yesterday’s episode featured an interview with the very talented Tess Jolly about her first collection, Breakfast at the Origami Cafe, and editor of Neon magazine Krishan Coupland. You can subscribe to Planet Poetry wherever you get your podcasts.

Tess Jolly & Krishan Coupland
Tess Jolly & Krishan Coupland