Both sides now

A smooth drive to London yesterday for Anne-Marie Fyfe’s newest workshop, on the theme of clouds.  As in ‘I wandered lonely as…’, or ‘from both sides now..’ And yes, Joni Mitchell did make an appearance, as did Debussy, Django Reinhardt, Billy Collins, Emily Dickinson, John Lennon, The Wizard of Oz and a range of SurrealistRead more ⟶

Notes from a workshop with Andrew McMillan

As promised in my last post, here are my notes from the workshop I did on Saturday at the South Downs Poetry Festival, with Andrew McMillan. I’m including links at the end to other workshop notes, in case you find these posts useful. I was really impressed with Andrew’s workshop. It’s tricky to teach a one-off sessionRead more ⟶

Bring up the poems (are they dead or sleeping?)

As part of my autumn poetry reactivation plan (sounds good, eh?) I’ve signed up for an online course from the Poetry’s School with Karen McCarthy Woolf. It’s a feedback course for the ‘general improvement of left-for-dead poems in need of resuscitation’. This premise really appealed to me – having quite a few poems languishing atRead more ⟶

More words of advice from Mimi Khalvati

Having recently been to the last of Mimi Khalvati’s Lewes for workshops for a while, I realised I hadn’t been blogging about them as I used to. It was also time to clean out my ‘workshop notes’ folder, so here are a few more things I’ve jotted down from time to time – I hopeRead more ⟶

On Heavenly Bodies and feeling empowered

A few interesting things on the go at the moment. ‘Heavenly Bodies’ which I wrote about last week is gathering momentum, and there’s talk on Facebook of having a launch in Preston, or somewhere points North, which will mean I’ll have to miss it, alas. Anyway, at least I’ve written my ‘constellation’ poem, although IRead more ⟶

Mimi Khalvati on editing and what to bin

On Saturday I dropped back in on one of the regular workshops with Mimi Khalvati run by the excellent Lewes Live Lit here in my home town. I was lucky enough to be rewarded with a place in one of these highly popular groups about 18 months ago, and although I’ve been on a breakRead more ⟶

From first draft to publication

Something of an experiment today. I love seeing those handwritten drafts of famous poems, with the crossings out and alterations, such as this version of Wilfred Owen’s ‘Dulce et Decorum est’ at the British Library. I think it’s fascinating to see how people work on poems, and in workshops I often wonder how a particularRead more ⟶

Notes from Mimi Khalvati workshop

Yesterday was the first of our monthly workshops with Mimi Khaltvati this year, and as usual I came away with plenty of new insights and reminders. Here are some of the things Mimi said which I jotted down, as usual I’ve tried to stick to ‘universal’ comments rather than those to do with specific poems.Read more ⟶

How to tackle the “What does it mean?” question

“Poems need room for the imagination to engage” says Roselle Angwin in a interesting blog post on creating ambiguity in a poem, not telling the whole story. So here’s a problem I have, and I can’t be the only one! When I take a poem to a workshopping group I really don’t like explaining. Anything.Read more ⟶

Brendan Cleary workshop – drafting poems

Yesterday I was in Brighton at the Pub with No Name (which is incidentally in an area with a pub on each street corner as well as halfway down each street, so not having a name is pretty cocky) for an all-day workshop with legendary Irish poet Brendan Cleary. (Brendan is editor of the recently relaunchedRead more ⟶