redroaster – Robin Houghton

Angst/ 02/06/2015

An update on submissions, readings etc and a nail-biting aside

My fingernails are looking reasonable at the moment, which is pretty good considering that the house-moving stressometer is probably at its highest right now.

A short aside about nailbiting – a bit off-topic and do not read if you are squeamish

I can usually tell if I’ve got too much on my mind by the state of my fingers. Too much biting is part of a perpetual cycle of worry – unconscious biting (for comfort) – feelings of self-loathing (because it’s so horrible a habit) – self-congratulations (when the fingers grow back) – worrying if there’s something I should be worrying about, etc. Of course, sometimes the different stages last for ages, so I can go for a while without a crisis. It’s a lifetime sentence with which finger/nailbiters will probably identify, but leaves non-biters mystified and often somewhat repulsed. I can trace it back to childhood when it was never (and probably still isn’t) regarded as self-harming. I wonder if that’s because it’s politely called ‘nailbiting’ although for many of us it’s much worse than that. I can safely say I don’t do it for attention. I’ve had hypnotherapy on more than one occasion and that is the only thing that stops it – albeit for a certain period of time. But a single session has lasted me nearly two years in the past. Chronic nail or finger biters – I recommend it HIGHLY.

OK, back to the business of poetry … I seem to be having a good few days as regards writing. The recent results of the Cinnamon pamphlet competition – (reader, I flunked it) – have prompted me to look again at my submission and identify the weak links. And – joyous! – I see several. So. Looking again at some poems unattended for 6 months or more has sent me into a frenzy of revising and re-writing. I have sent out more of the individual poems. I am hoping an experienced poet will help me sharpen up the pamphlet, ready for the next submission. I’m feeling positive that many of the poems therein have merit, and I’m starting to understand what edits are needed. Good times!

Submissions latest – since my last blog post on the subject I’ve heard from one of the long unheard-from mags, to say that my poems had been sent to a mystery file …? But were now winging their way to the selector for some unspecified future sifting of submissions. How magazines work is entirely a mystery to me but soon the boot will be on the Other Foot! My time as a selector for South magazine is nigh. Together with (and guided by the superior experience of) Jeremy Page of The Frogmore Papers, I will soon be reading and selecting submissions. Stay tuned for how this pans out.

Readings – last week I was very pleased to be at Redroaster in Brighton to hear readings from D A Prince, Deborah Tyler-Bennet and Andie Davidson. Andie is a Brighton Poetry Stanza cohort and one of my ‘loose committee’ of organisers, as well as a super poet and excellent in a workshop. Sadly I was soooo tired I was too dead on my feet to really get into the atmosphere or do any chatting, in fact it was lucky I wasn’t driving home as I think I fell asleep before we reached the car.

Forthcoming – on Saturday I’m looking forward to a writing day at Riverhill Himalayan Gardens with poet friend Lucy and numerous others. The day is organised as part of Abegail Morley‘s poetry residency there, and if the sun shines it will be glorious. (Abegail recently posted a Q & A with me on her blog, on the subject of Telltale Press – do have a read if you’re interested.) Then on Monday I’m going to the Troubadour for Smith’s Knoll night and an injection of poetradrenaline (see what I did there?)

A few dates when I’m reading: Lewes and Brighton folks, I’d love to see you at St Anne’s in Lewes on Sunday 14th June 3pm, when I’ll be taking part in a reading on the (loosely interpreted, I hope) subject of ‘Creation’, alongside Ann Segrave, Jeremy Page and Mandy Pannett. Free, with a collection afterwards.

On Thursday 18th June at 7pm I’ll be at the Poetry Cafe in London for the next Telltale Poets & Friends (also FREE), reading with another lovely group of poets, namely Tamar Yoseloff, Sue Rose, Peter Kenny and our newest Telltale poet, Sarah Barnsley. I’m currently working with Sarah on producing her pamphlet and I can tell you it’s going to be big. Stand back for an early autumn launch.

Then on Monday 22nd June at 7.30pm as part of the Camberwell Arts Festival I’m reading at The Crooked Well together with Richard Skinner, Josephine Corcoran and Roy Marshall. Possibly free, or nearly. No wonder poets are all skint!

After that I’ll be taking a summer break from readings and the like. There’s a new home to think about, after all.

Blog/ 02/05/2015

Reading at Pighog Poetry Night in Brighton

Pighog Press has hosted a poetry night at the Redroaster cafe in Brighton for many years. I’ve attended quite a few times and it’s always an eclectic mix of the familiar, the unusual and the colourful (especially in the famous open mic slots).

The events are organised and hosted by Michaela Ridgway, herself a talented poet and the sort of person you want in a poetry workshop – always rigorous but fair in her criticism. Michaela is also an artist as you can see from her Tumblog. Although Pighog was bought out last year by US publisher Red Hen, the poetry nights continue, and I was delighted when Michaela invited me to read there. I shared the bill with Andreea Stan, a Romanian poet & animator who I duly researched online and found some of her performances. Take a look at this one – a poem called ‘Seven Miles’ which Andreea also performed on Thursday.

We had a good audience and I was so pleased to see so many Stanza friends there, and even one of my schoolfriends came to cheer me on. Thanks, Caroline! I have to say that Michaela’s intro was the best I’ve ever received, especially her talking up of both my blog and Telltale Press. Twas wonderful.

I read a pretty similar set to the one I did at Lauderdale House, although I was a bit spooked by the lighting which I wasn’t expecting to be quite so directly in one’s eyes – is that what it’s like for stage actors, I wonder? I like how it looks from the audience’s point of view, but with eye-contact a key part of my delivery I had to adjust! I made a bit of a slip up by forgetting to do my ‘thankyous’ before the final poem, which meant I had to hang about on stage at the end which rather spoilt the dramatic effect! Ah well!

Fellow Telltale Poets Peter Kenny & Sarah Barnsley were there, and Peter took some pics on his iPhone which I think have a certain blanched-out style, I quite like it actually …

Robin Houghton & Andreea Stan at Pighog

It’s funny how you learn something new every time you do one of these readings. It gets more enjoyable with practice, and it’s tempting to go a little further each time. A few nerves are still important I think. As is taking new risks. There’s a fine line between confident and polished, and slightly smug and a bit ‘phoned in’. And I don’t think I would ever be seen as a ‘performance’ poet, even though I know it doesn’t have to be all rapping, rhyming and ranting. Local to me, Susan Evans and Louise Taylor come to mind as performance poets I love to see and hear – larger than life, brilliant characters in themselves, witty observers. But there are blurred lines in the ‘performance vs page’ debate, which is why I can’t bring myself to think of them as different disciplines. I’m a big admirer of the performances of poets such as John Agard, Daljit Nagra and even Roger McGough. But I wouldn’t call them performance poets, but rather ‘accomplished poets who give compelling performances’. I think that’s what I aspire to.

Blog/ 09/03/2015

A clutch of Spring readings

Spring Daffs

After reading Jayne Stanton’s uplifting post about all the things she’s got to look forward to and how glad she is to see the back of February, I couldn’t help but agree – Spring is on its way and several treats are on the horizon.

Things kick off this evening at The Troubadour, where Anne-Marie Fyfe has invited me to join the readers in a yellow-themed extravaganza Big Yellow Taxi. I’m planning to read a short ‘poem starting with a first line by Emily Dickinson’ which features some of my favourite things yellow (eg Doris Day’s hair). I’m looking forward to seeing Stephen Bone there too, and I know he’s famous for taking the colour theme very seriously!

In a couple of week’s time I’m taking myself off to the lovely Arts and Crafts house Standen for a few days where I’m having a self-styled reading & writing retreat. Hurrah! Returning just in time for the launch of the Needlewriters Anthology in Lewes on 26th March and an opportunity to read alongside my fabulous poetic cohorts Clare Best, Janet Sutherland, Charlotte Gann, Jeremy Page, Liz Bahs, Judith Kazantzis & Kay Syrad. I feel like the new girl being invited to the prefects’ table.

The next Needlewriters quarterly event is on April 9th, closely followed the next week by Telltale Poets & Friends at the Lewes Arms on Wednesday 15th April. I’m very excited about that as our headline reader will be Martin Malone, a fine poet as well as editor of The Interpreter’s House. We’ll also be showcasing two up and coming poets, Ryan Whatley and Helen Fletcher. Helen’s coming all the way from Carlisle so I hope we can get good audience and show her what a poetry-loving lot we are in Lewes.

In the back end of the month I’ll be reading at Poetry in the House, Shanta Acharya’s regular event at Lauderdale House in Highgate, on Wednesday 22nd April alongside some super poets including Mona Arshi and Richard Skinner.

And big thanks to Michaela Ridgway for inviting me to read at the long-running Pighog Poetry night in Brighton on Thursday 30th April. Pighog Press have been taken over by US publisher Red Hen, but the Brighton poetry nights continue. The Redroaster Cafe is a super venue and the nights are well attended, so it should be great fun.

If you’re able to get to any of the above, please come and say hello!

Readings/ 30/11/2012

The last Pighog night for 2012

Had a lovely evening last night at the Redroaster in Brighton, at Pighog’s last event of the season. As well as the winners of the Moss Rich competition, we had sets from Brendan Cleary and Robert Hamberger both of which I really enjoyed, and an eventful open mic, more about which later. Brendan (who I’d not seen perform before) lived up to the image of the ‘Irish poet’, reading poems mostly about booze, pubs and women… very funny and great delivery. Having said that, also included a number of very moving unpublished poems about his late brother.

I had a slight moment of panic when Robert Hamberger turned to me in the queue for the drinks. “Hello! I’ve seen your blog!” he said and I suddenly recalled the video blog I did a few weeks back, when I read a poem of his. “Oh… you … saw me reading your poem…” Thankfully, he didn’t seem to mind, and said he enjoyed hearing someone else read it. Actually I can’t remember if he said it was interesting or whether he liked it .. he might just have been being polite!

On my table I got talking to a lovely couple from Burwash one of whom turned out to be Richard Ormrod, the second prize winner in the Moss Rich competition. I told them about our forthcoming Brighton Stanza event at the Redroaster (ooh, I must blog officially about that soon) and they in turn told me about open mic events at the Troubadour in London. I do get all the emails about the Troubadour, but I’ve never summoned up the courage to go and read there. Maybe that’s one of my goals for 2013.

The evening drew to a close with drama at the open mic – I’m always moaning about open mics being too hurried, but in fact this was one where I wish the readers had been limited to one poem. A couple of people rather took the (open) micky a bit by going on at length. Plus, the last reader only managed about 3 lines of his poem due to the fact that he’d ‘been to the pub’ and couldn’t read what he’d written. Several LONG minutes later and after he’d called upon a member of the audience to ‘help’ him, a few more aborted goes at reading the sodding thing, some grappling and grabbing of the mic, a bit of F-ing and blinding, he left the stage peacefully and we all breathed freely again. That’s poets for you!

Readings/ 28/09/2012

Pighog night in aid of breast cancer charity

A very good evening yesterday at the Redroaster in Brighton: always lovely to hear Charlotte Gann reading, including some of the goodies familiar to me from her pamphlet ‘The Long Woman’ and some new poems I’d had the privilege of seeing ‘in development’. And she looks so striking under the lights! The photo is taken rather at a distance, sorry about that – but I opted for comfort over the benefits of being close to the action – the leather sofa at the back was just too tempting to ignore.

Clare Best explained her connection with the cause and read from her collection ‘Excisions’ – and just as at the launch of it at the Needlewriters there was such a charged silence while she read. Very moving. Plus Clare has such a calm, expressive voice – actually I could imagine her taking over from Harriet Cass at Radio 4. Must suggest it!

During the second half Kim Lasky spoke about her work with women undergoing treatment for breast cancer, and we heard poetry written by three of them, one of whom read her own material and told us she’d never written anything before this – testimony to the power of creative writing therapy I guess.

During the interval I had an interesting conversation with John Davies from Pighog Press, who said he’d heard my name mentioned in various places – ooh, I thought, that sounds promising – “what, you mean to do with poetry..?” “Um, no….” Oh well! At least I’m on the radar, sort of!

Very nice also to catch up with Julia ahead of our both reading at the Needlewriters next week – we swapped tactics although didn’t get as far as discussing outfits. He he!

Books/ 02/09/2012

Smith, McCullough, Curtis, Lasky at the Red Roaster

Lovely evening last week at the Red Roaster in Brighton, for the launch of Abi Curtis’s new collection The Glass Delusion. Not too crowded, some familiar faces and a really nice selection of work being read.

I’ve a soft spot for Abi ever since she and I were involved with the University of Sussex ‘Poetry Soc’ back in her undergrad days, when I was doing my digital media masters and half-wondering whether I should have been on a Creative Writing MA (which was the loser in my ‘either-or’ decision about what to study as a precursor to my new post-marketing post-corporate life.) Thanks to Abi I took part in my first poetry reading in the (now defunct?) Crypt student bar on campus. Very exciting for me to find out years later that she’d gone on to a career as a poet and academic. I loved her first collection Unexpected Weather and her reading/speaking style is gentle, measured and appealing (“It’s only a little poem, and it’s just called ‘Rabbit’…”) So far I’m enjoying ‘The Glass Delusion’ a lot. More about this in a future post.

Strangely enough, I think this was only the second time I’ve heard Catherine Smith reading her poetry – the last time she was at the Needlewriters in Lewes we heard one of her short stories. I have to say I really enjoyed hearing her, and the selection she chose included a very powerful one which she said some have called ‘an anti-marriage poem, but it’s not, it’s an anti-shopping poem’ which kind of made my ears prick up right away. I think it was probably from her collection ‘Lip’ which I need to seek out. Catherine also read from her forthcoming book, and one poem I recognised about her ‘imagined’ daughters, maybe I’d read it in a magazine?

I’ve really enjoyed John McCullough’s The Frost Fairs and John is an engaging reader. It was great to hear again ‘Reading Frank O’Hara on the Brighton Express’ and ‘Sneakers’ – the latter about a shipload of trainers that floated around the world, which I was a bit annoyed about because I’ve always wanted to write a poem about the ‘Friendly Floatees’ – but now it might seem derivative! Would like to have heard him read one of my favourites from the collection, ‘Sleeping Hermaphrodite’ – maybe next time 🙂

Mags & Blogs/ 02/07/2012

Bumper latest news

Lots been happening lately.

Firstly, my good friend and very talented poet Charlotte Gann was shortlisted for the Michael Marks pamphlet award. Although she was pipped at the post it was a wonderful to see her pamphlet The Long Woman make the shortlist for a big prize.

Then, I had the chance to take part in a workshop here in Lewes with Mimi Khalvati. I’ve been on the ‘reserve’ list for a while and there’s now a strong possibility I may make the cut for the autumn dates.

It’s difficult to step into an established workshopping group where everyone else knows each other, and I had decided not to attend as a ‘fill in’ any more, but if I can become a regular member I think that will be much more helpful, for me and I’m sure for everyone else, as It’s not always useful to have a stranger turn up and launch into a critique of your work.

Also in June I finished a short course at the Poetry School with Jack Underwood, all about putting together a pamphlet. It was useful and fun, although I’m not sure I’d do a regular class in Lambeth again as travel to and from isn’t easy – the class over-ran every time and because I had to run for a train it meant I missed quite a lot. More about the pamphlet in another post. Met some interesting poets on the course, including Harry Man, Madeleine Wurzburger, Steve Boorman and Olly Todd.

Although I missed the Brighton Stanza meetup last month and will miss the next (am giving a talk to the London Writers’ Cafe group about blogging) I did make it to the Pighog poetry night at the RedRoaster Cafe in Brighton last week. It was a great evening, with John Davies, John McCullough and Rosy Carrick reading – I really enjoyed Rosy’s performance and was great to finally meet the lovely John McC who I feel I already know a little via Twitter and Facebook – I’m now enjoying reading his book The Frost Fairs. I did read at the open mic (just – they called it a day and then said ‘OK, we’ll take one more reader’) and got a ‘well done’ from John Davies afterwards, which was kind of him.

PS the photo was taken in Dieppe at the weekend, where it appears to be summer.

Tag: redroaster