Category: Collaborations

A finale, a winning poem and some forthcoming readings

A few hot days of summer are here, yay! We had a dip in the sea this morning at a secret location, keeping well clear of the little seal colony that was basking on the rocks, bellowing to each other now and then, probably annoyed to see humans on their beach!

Then I was just trying to stay cool indoors at my desk, clearing up emails and so on, when I realised I hadn’t blogged here for a while. So what’s been happening? Let me see.

There’s a week or so to go until the DYCP deadline, and Peter and I are going to try for some funding to help us with the Planet Poetry podcast. We’re not hopeful, but I put together an application six months ago only to miss the deadline by a couple of hours. So I’ve nothing to lose in trying now, I suppose (except for a day or two of my life going over it and changing it all of course.) We have a handful of kind supporters who donate, and we’re very grateful to them, but it’s a drop in the ocean. Without funding, I can’t see us being able to produce Planet Poetry indefinitely, alas, but we’re committed to one more series at least and then let’s see. We finished Season Four a couple of weeks ago with an unusual episode in which we interviewed each other for a change, about our own forthcoming publications. It kind of broke our own rule of not talking about our own work. But hey, after four years I think we deserve to be a bit self-indulgent. Here we were when we recorded Episode 13 of Season 4, over by the sunny Seaford beachhuts.

Peter Kenny and Robin Houghton, your Planet Poetry hosts

Although Planet Poetry is now on its holidays, we’ve already got some exciting poets lined up for October onwards when we start Season Five. One interview in the bag and a couple more on the way.

Meanwhile, a wee sonnet of mine which was published in June by Ink Sweat & Tears was voted its ‘poem of the month’ – possibly down to the fact that I petitioned my entire mailing list of poets to place their votes – although I did not ask them to vote for my poem of course! Anyway, if you’d like to read it and hear me reading it, the poem and a recording is here on the I S & T website. I was very touched indeed by the comments the poem received.

Other poetry-related stuff I’ve been up to: writing a review of a collection by Simon Alderwick for the Frogmore Papers, re-reading Ovid’s Heroides for a project I’m working on, and contacting poetry groups and Stanzas to ask if anyone will have me give a reading in early 2025, when I’m hoping my book will be out with Pindrop Press. So far I’m reading at Seaford next month and at the Poets’ Cafe Reading in March, with dates at Chichester and Eastbourne yet to be fixed. Hopefully more to come, if I’m to sell some books!

Now back to some lovely box-filling and wordcount checking. Wish me luck!

PS I took the ‘bench art’ photo in Turin, on the roof of the old Fiat factory that’s now part- shopping mall part-art gallery and part-rooftop garden where the old test track still circles.

 

 

Two new poetry collections I’m enjoying

Look what arrived for me while I was away on a yoga-vegan-retreat in Spain (yup! That’s where I took this photo!) – Snow, the new pamphlet by Peter Kenny (poems) and Palo Almond (art) from Hedgehog Press. It’s a little A6-sized gem, with beautiful endpapers. Just four perfect little tankas accompanying Almond’s dreamy watercolours. Snow is number 6 in Hedgehog’s ‘Little Black Book’ series, and it’s official release date is 22nd May. Peter is of course my Planet Poetry podcast co-host so OK I’m a tad biased but hey, he’s not just a podcaster but a poet, whose work deserves to be more widely known.

Another new release is Rory Waterman’s fourth collection, Come Here to This Gate, published by Carcanet. So far I’ve read the first section, ‘All but forgotten’, a sequence which charts the poet’s relationship with his father in his last year of life. It’s left a big impression on me already, and there’s plenty more in the book to savour. Here’s a video of Rory talking about the collection.

I’ve been neck-deep recently in moving my various websites to a different hosting service, a process that is fraught with potential cock-ups. So if you spot anything weird about this site, or my email, or the sign up for my poetry magazines spreadsheet, please let me know. Speaking of which, I’m currently cooking up some extras to offer on my BuyMeACoffee page. More on that coming soon.

Now, why is so cold? Anyone know?

 

 

 

 

Readings, decisions, fresh starts

I’m feeling very uplifted by real-life in-person poetry events. Last week in Lewes was the launch of three Frogmore Press publications: The Naming by Jeremy Page, Marion Tracy’s Evidence of Love and Neil Gower’s Meet me in Palermo. Strong readings all round and a cautiously-convivial atmosphere.  Fast on this comes tomorrow’s Needlewriters event, our first live readings since January 2020, featuring Jeremy Page and two prose writers Alice Owens and Anna Hayward.

Peter Kenny’s and my podcast Planet Poetry has restarted, the first episode of Season 2 featuring the wonderful American poet Kim Addonizio. There are several interviews currently in the bag, so it will be great to see how listeners respond. I was a bit sad not to see Planet Poetry in a recent round-up of poetry podcasts in Poetry News, and it was a kick up the bum to finish our new website and make sure it’s Google-friendly. Although having worked in online marketing for decades I find it hard to get enthusiastic about keywords and search terms any more. Anyway, those lovely folks at the Poetry Society offered to give our Season two opener a plug on Twitter, which was nice.

Although I’m on a year’s leave of absence from the University of York, I’m actually still plugged in to Dante and also Chaucer these days, and find myself referring to notes I was making on my core course module last year. I’m loving Mary Jo Bang’s translation of Purgatorio, incorporating characters and language from the present day, although I suspect it might be sniffed at in some scholarly circles!

As regards submissions to magazines, I’ve decided to step away from them for bit. I have half a dozen poems out at the moment, but I’m not sending any more for now. I have a few reasons for this.

Firstly, I don’t need to, in the sense that I have a track record of publication now, and I’ve nothing to prove to myself or anyone else. I think I’ve found my level. It would have been nice to be have published in The Poetry Review or Granta, but it’s OK to accept that it’s not going to happen. I could kill myself trying to write the ‘right’ sort of stuff, or I could write what I want to write, and enjoy honing it as best I can.

Secondly (related to the first point), I have a publisher for my first collection. I don’t have the collection yet, but I have the freedom to complete it, knowing it will have a home. This is a very privileged position to be in and I want to enjoy the moment, not fret about why Publication A, B or C don’t want any of the individual poems. Plenty of high profile poets have told about how the individual poems in their (successful) collections were consistently rejected by magazines. Or even that they never submitted them to magazines.

I can’t swear that I won’t submit the odd poem here and there, but I’ll be very happy not to be constantly putting my work up for possible rejection. I think the course at York has opened my eyes/mind to a lot of things. Perhaps a leave of absence makes the heart grow fonder – I’m starting to look forward to going back, which is quite a turnaround.

New podcast, plus new updated ‘Guide to getting published in UK poetry mags’

Eeek!

I’m trying to fight a sense of overwhelm at the moment even though it’s all good things that are overwhelming me. Keeping my weekly work commitments going and doing all the reading and cogitating required for my course, which this term is a whistle-stop tour of the English Lit canon (week 3: Virgil & Ovid, Week 4: Chaucer and Dante, etc), plus thinking up a topic for my first essay. Finishing up the updated version of my 2018 ‘Guide’ – see below – I KNOW, why do that now? But there you are, it’s done. And of course the Planet Poetry podcast (see below) about to launch on the apparently auspicious date of October 21. Help!

Recent reading

Although I have the latest issues of Poetry, The Poetry Review and The Frogmore Papers to read, sadly they have been scarcely opened.  At the moment I’m tackling Chaucer’s ‘The House of Fame’ – now that’s a great title! – my first bit of Middle English untangling since school, where I think we spent an entire year reading just the Prologue to the Canterbury Tales. Then there’s Dante’s De Vulgari Eloquentia which I need to be ‘ready to discuss’ on Monday morning. Gawds.

Before the madness really set in I did enjoy Rachel Long‘s My Darling from the Lions (Picador), which is up for the Forward Prize I think. I struggled a bit with Shine, Darling (Oxford Road Books) by Ella Frears, also up for the Forwards and now also on the TS Eliot shortlist, so maybe I should give it another go. Lovely to see Sasha Dugdale on that list too – I haven’t read her latest collection but I really enjoyed Joy (Carcanet 2017).

A Guide to Getting Published in UK Poetry Magazines - 2nd edition

Updated ‘Guide to getting published in UK Poetry Magazines’

It’s been two years since the first edition, which sold out rather quickly, so I felt the time was right for an update. If you didn’t buy it the first time, or missed out, now’s your chance.

If you do have the 2018 book and are wondering whether its worth getting the new one, I can tell you that much of the content is the same, BUT

  • I’ve consulted more magazine editors and have included their insights
  • I’ve updated and expanded the magazine profiles (some have gone, others are in) and the resources section
  • The layout and organisation is (I think) improved and clearer

The cover price is £6 including UK postage – see this page for all the info about what’s in it, and to buy. Publication date is November 1st but you can preorder now.

If you’d like it sent to an address outside the UK, or would like to order more than one copy, do drop me a line first and I can confirm what the postage will be. Many thanks.

Planet Poetry the new podcast from Robin Houghton & Peter Kenny

The Podcast!

It’s here… well, the trailer is up, Episode One to follow very soon… Planet Poetry is a wee project from myself and Telltale poet pal Peter Kenny. We’re on a learning curve figuring out stuff like ‘why does Robin sound like she recorded this in the bathroom’ and ‘what the heck is that whining sound and how to we nix it’. But the main thing is, we’ve managed to pin down some fascinating poets for a chat, and that plus Peter’s and my musings on things poetical means we’re hoping each episode is an entertaining 40 mins or so. I hope you are enticed to have the odd listen, or even subscribe!

It’s a bit frightening, putting our voices out there, but we’re having fun doing it (so far!)

 

Getting all Elizabethan, new writing and emerging from the gloom

I’m not sure what it’s taken but I’ve started writing again. Not a great outpouring, but something. Maybe it’s been the eclectic reading I’ve been doing.

As well as Mary Jean Chan’s Flèche (Faber, 2019), I’ve read my way through Jean Sprackland’s Green Noise (Cape, 2018), and am enjoying dipping in and out of Darling (Bloodaxe, 2007), Jackie Kay’s selected. I’ve also been intrigued by Adam Nicolson’s exploration of Wilton and the background to Sir Philip Sidney’s ‘Arcadia’, which then got me onto The Elizabethans by A N Wilson which I’d had on the bookshelf for a while. Much to enjoy here, but the author has some angles (shall we say) and turns of phrase that rankled with me. Although I’m on the last chapter I don’t think I’ll finish it as there are just too many references to how Elizabeth had become ‘old and yellow-toothed’ and so forth. A queen who had achieved so much during her reign, being denigrated for the sin of growing old and thereby losing her looks doesn’t sit well with me. Funny, that!

I’m getting very interested in the ‘Sidney circle’ and the whole pre-Shakespeare Renaissance literary scene. In particular I’m starting to dig out more about Mary Herbert, Countess of Pembroke, by all accounts a fine writer, but who tends to be described in terms of a) her more famous brother and b) her generous literary patronage.

Mary Herbert google search

Last week I ‘attended’ (should this really still be in inverted commas?) a Poetry Society evening of readings on Zoom, celebrating the Peggy Poole Award and National Poetry Competition. There were an impressive 130 or so attendees, many of us on video – for me, this made it more enjoyable than when we’re all hidden. Some great readings from (amongst others) Michael Symons Roberts and Louisa Adjoa Parker, and an atmospheric filmpoem of Mark Pajak’s ‘Dismantling the largest oil tanker in the world’:

Meanwhile the collaborative project is taking shape. It’s a joy to be working with Peter Kenny on this, poetry pal and Telltale co-founder. This time we’re chewing over ideas on WhatsApp rather than in a coffee shop. I think Telltale is about to rise again, but what shape or form will it take? To be revealed soon!!

Sun, secrets and submissions

OK, what I’ve been up to generally

Greetings from the Sunshine Coast. I can’t remember the last time it rained here, but the water authorities are asking us to be frugal with the watering. I’m doing my best but those courgettes are mighty thirsty.

I haven’t been writing these last few weeks, and reading other people’s blogs I feel I ‘m not alone. However, there’s a Hastings Stanza meeting coming up so that’s a good reason for me to have a dig through the WIP for a poem to workshop. Actually, I’m not beating myself up about not writing, because I’m working through a lot of ideas at the moment and this has meant research, reading and mulling, all nice cerebral activities for when I’m not gardening, or directing my long-suffering other half to repaint the hall or reposition a shelf. Oh and of course doing my best to thrash the rellies at the weekly Zoom quiz.

It’s also perfect walking weather – the other day I got a tip-off about a ‘secret’ beach, and the walk there was glorious – a slowly-descending cliff path, lots of steep steps, very few people about but plenty of birds, butterflies and beautiful views. This part of the coast is all pebbles, but in certain places at low tide there’s sand. It was magical.

Boots on the beach

Yes but what about the poetry

A couple of weeks ago I ‘attended’ the launch of Charlotte Gann‘s new collection The Girl Who Cried (HappenStance). It was set up as a ‘webinar’, which meant we could see the readers but not each other, and we had no idea who else was there (it was a secret!) To begin with I was a bit sad about that, and a  couple of other things, but I ended up really enjoying the event. Charlotte read a few poems from the book, in between carrying on a conversation with Nell Nelson the publisher. The poems were displayed on the screen as Charlotte read, which for me was a REAL bonus over just hearing them read aloud.  The result was a lovely insight into the work, and more intimate than a regular reading. And trust me, Charlotte is the real deal; a real poet. I’ve got the book on order, so something else to look forward to.

Meanwhile there is one poetry project that’s currently bubbling under, an exciting collaboration … announcement coming soon!!!!!  Sorry. That’s about as annoying as those tweets that go ‘I’VE HAD SOME AMAZING NEWS AND I’M SICK WITH EXCITEMENT BUT CAN’T TELL YOU ABOUT IT YET’ – huh, whatever. It’s a secret! Like you care!

Submissions news

I’ve had a couple of sad rejections trickle in in the last month, and still have a couple more submissions ‘in progress’, but since I’ve sent nothing out in about three months I predict my name will be absent from the mags this autumn. But at least I have some summer appearances to look forward to in The North, Stand and the Frogmore Papers.

It’s that time again

I’ve been compiling and updating my quarterly ‘UK Poetry Magazines Submissions Criteria and Windows’ document for a number of years now, and tomorrow I’ll be finalising the June update, to send on Monday. If you’re not on the list to receive it, you can sign up here. 

New: how-to guide to submitting to UK poetry magazines, plus new collaborations

New book!

With the UK poetry magazines submissions windows spreadsheet becoming so popular, I’ve decided to take it step further: a how-to booklet – everything you need to know about submitting to UK poetry mags – well, pretty much everything apart from how to write stunning poems – ha ha! I leave that kind of advice well and truly up to others!

There will be honest advice from magazine editors, tips on how to minimise your admin, dealing with rejections, up-to-date magazine profiles, mistakes to avoid… and more. As much as I can squish into a pocket-book, basically. Expect bullets, calls to action, URLs and minimal padding. This will be a lean, mean fact-packed machine. Magazine submissions is a topic that comes up regularly on this blog and always generates questions and discussion, so let’s get stuck in.

More details to follow soon.

Collaboration for Poetry in Aldeburgh

I love autumn and its sense of re-starting, of new opportunities. A couple of weeks ago I was lucky enough to take part in Maria Isakova Bennett‘s Aldeburgh Collaborative, a project involving poets all over the country sharing a moment at the coast on the last day of August. Maria is the artist-in-residence at the Poetry in Aldeburgh festival in November, alongside Michael Brown, and her collaborative piece will be on display there. It’s sure to include hand-stitching and a strong visual element. Here’s a fascinating interview with Maria on Paul Stevenson’s blog where she talks to him about her projects.

Another potential collaboration

I was recently contacted by a visual artist who liked a poem of mine on the Mary Evans Picture Library ‘Poems and Pictures’ website called ‘Ladies’ Hour’. She has in mind a collaborative project which sounds really exciting. We’re both new to collaborations, but we’re both at the same sort of stage in our careers and looking for new challenges. Of course there’s the usual issue of funding to apply for first. I also need to stay focused on my first collection, although this new project would be spread out through the year. I’ll keep you posted as to how it pans out.

Magazine news

The Rialto has just opened its window for poetry submissions. It’s a fantastic magazine to get work into, with a fine reputation. It’s competitive, but Michael Mackmin and his assistant editors are always open to new voices. Good luck.

Not really news, but I’ve just taken out a subscription to Strix, a new-ish magazine produced in Leeds (thank you to Heidi Beck for the recommendation) and am loving first of all the presentation. OK I know looks aren’t everything, but it’s joyful when you have something of beauty in your hands. I’m also already enjoying the poetry inside, work by Julie Mellor and Helen Burke in particular.