Tag: emma lee

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Poems coming out, new anthology, currently reading etc

Intro/bit of a rant etc (skip this if you’d rather go straight to The Poetry stuff)

Where has the month gone? (Rhetorical question.) Why am I being besieged by companies/organisations telling me I must re-subscribe to their emails? (Non-rhetorical question, although I think I know the answer – *some people* are spreading panic about new legislation and the country is alive with the sound of knees jerking.) A small rant: there used to be an acronym in Ye Olde Internet Dayes: RTFM. I’m too polite to say what that stands for but you can always Google it. My point is, if you read the ICO website and the text of the new GDPR then you will know IF you need to ask for re-confirmation of consent. Or NOT. Meanwhile I’m almost looking forward to not getting all those emails I used to enjoy getting.

In the last few weeks I’ve been suffering with back and arm problems which meant I had to limit my time on the computer. It’s all to do with posture, and related to the RSI I’ve had for nearly two decades. Nothing life-threatening, just annoying, and coinciding with the painstaking job of typesetting and formatting TRUTHS, the new Telltale Press Anthology (see below) not to mention endless need for posters and programmes for various concerts, workshops, recitals and assorted music-related ephemera. And five weeks of having work done on our garden. But HEY I am back on the comp (taking lots of breaks), the garden is finished, we have a new granddaughter (who I think is going to be a fine poetry critic), everyone is well and life is good!

bad poem, good poem

Needlewriters

I had a blast reading at Needlewriters earlier in the month, and we’re currently planning our June 14th event which will be a South Downs Poetry Festival Special. That means that as well as our regular evening of readings, there’ll be an open mic to kick off the evening, and in the afternoon five of us will be offering poetry ‘surgeries’ (not as queasy as it sounds) to which we hope lots of lovely poets and aspiring poets will flock. More on that another time.

Launch of TRUTHS: a Telltale Press Anthology

Yes, it’s finally here – or it will be – (long story) – next Wednesday 25th April, 7.30pm, upstairs at the John Harvey Tavern in Lewes… a dozen or so of the contributors will be reading their poems on the theme of truth/truths, and much over-excitement will be had by all, especially those of us mad enough to have a) suggested it and b) put it together. Once more the excellent Hannah Clare has created a cracking cover. It’s a stonker of a collection, but of course I would say that. You’ll just have to buy a copy to find out! The technicalities of producing TRUTHS has revealed to me another truth: I have so much to learn about print publishing. There were issues. But I am confident it will be good. Come and see! Free entry. Here’s the Facebook event page.

Coupla poems coming out here and there, plus pamphlet reviews

A few months ago I was wondering why I had nothing ‘forthcoming’ until it occurred to me I just wasn’t sending poems out. Duh. For some reason I’ve had a spate of sending to competitions rather than magazines, and being met with the sound of silence. But I’m slowly getting back on track. There’s one poem coming out in the next Interpreter’s House, which will be Martin Malone‘s last as editor, so I’m hoping there’ll be a launch somewhere that I can get to. Rumour has it that Martin is currently residing in a lighthouse on Shetland, clearly on a mission to move as far north as possible. So we’ll see.

Then a welcome surprise yesterday – a letter from Ann Sansom to say they’d like two of the poems I sent them for The North. I’ve only ever had one poem in The North and it’s been years since I’ve sent anything there as I’d convinced myself my stuff wasn’t for them. So I guess it’s always worth trying again.

Meanwhile I’d like to thank both Emma Lee writing on her blog, and Pam Thompson in London Grip for their thoughtful reviews of All the Relevant Gods, and Abegail Morley for this super mention at The Poetry Shed.

Currently / recently reading

A random selection… the March edition of Poetry and the Spring edition of The Poetry Review, in which I particularly enjoyed poems by Hannah Lowe, Ruth McIlroy and Rebecca Goss. Still to read the essays and reviews. Mary Ruefle’s The Most of It, a prose collection, although the stories (stories? somewhere between short stories and flash fiction) feel more like poems. I’m getting a lot of inspiration from this book.  Also the Spring edition of Rattle, in which I thought I’d read two poems by Sharon Olds, which I loved, but they’re not there. So where did I see these two poems? I thought it was in a recently-arrived mag. But can’t track them down. Do you know?

Stephen Bone‘s Plainsong (Indigo Dreams) is still on the ‘current’ pile – meaning I can’t resist dipping back into it (double-dipping?) before putting it on the shelf, and after a mention by Abigail Morley recently of Robin Robertson I’ve also got out my copy of Hill of Doors for a re-read and it’s paying off.

Peter Raynard is currently on tour promoting his collection Precarious, and it’s one of those books I hesitate to use the word ‘enjoyed’ about as I rather felt I’d been pulled along by my hair to arrive slightly scathed at the end. It’s breathless stuff – the language comes at you with force, a fire hydrant of feelings. There’s a great deal of humour, especially in the poems towards the end, but the overall effect on me was unsettling – ‘exposing us all to unending rounds of worry’ (‘They always come out fighting’).

Look what Ann Perrin pressed into my hand the other day – a copy of her lovely illustrated booklet The hole in the wall, produced by none other than the Dry Stone Walling Association, completely charming and one I will look forward to reading to the granddaughters when they’re a little older.

ann perrin - the hole in the wall

I also recently enjoyed Finishing Lines (Rack Press) by Ian Harrow, a very short pamphlet about illness, with a happy ending; ‘Come, Spring, make the difference.’ (‘Entreaty’). Yes indeed. I’m about to step outside and see for myself.

Angst/

The poetry competition game

Compers NewsPerhaps that could be a poem title? Should I send it to the Poetry London comp, or is more of a Poetry on the Lake  sort of title? Could I get some kind of double meaning out of ‘game’ in order to make it a nature poem and would it appeal to Simon Armitage when judging the Rialto comp?

‘Games’ were fun things we did as kids, weren’t they? if you discount ‘games’ – that Wednesday afternoon ritual at secondary school that usually involved mud, cold and not being picked for the team. But now we have gaming. Gamesmanship. Game over. Not fun any more. Or is it?

If we decide to enter poetry competitions we could approach it as a game (ie a bit of fun). We give a go, and if we win it’s great – sometimes a cash prize, sometimes a prize giving event or publication. Or in the case of a big competition, career-enhancing. We don’t mind paying to enter because it’s a lot of work for judges and organisers. And besides, the entry fees are a way of giving something back to poetry – the promoters of competitions are usually publishers after all, or champions of poetry in some way.

Is there an alternative? In the wider world of ‘comping’, there are people who make a good living from competitions and win more iPads, Audis and holidays than they can cope with. Apparently the secret is to approach it systematically. Less beach cricket, more The Hunger Games. A serious comper will tell you it’s a waste of time NOT to approach it this way.

So is that also true of poetry competitions? I’ve read various posts about this – what makes for a competition-winning poem, what ‘due diligence’ should be done before entering a competition, whether you’ve got more chance in a smaller competition than a big one (not as obvious as it sounds!) Judges are often happy to give their side of it, either being helpful before the fact (Emma Lee has written a good article outlining exactly what she looks for when judging a competition) or in judge’s reports (which often tell is like it is – essential reading!) Personally, I find the shortlists and longlists (for those competitions that make them public) tell you a lot. I’m often amazed at some ‘big name’ poets entering competitions. And the sheer number of entries from some poets – either money’s no object or their strategy is spend big to win big…

I also read recently (can’t remember on whose blog – help me out, someone) that competition-winning poems don’t necessarily have a place in a pamphlet (and vice versa). I quite enjoy sometimes writing to a theme, but is writing ‘competition poems’ anathema to a poet working on a pamphlet or a collection? And yet that’s a bit of a broad judgement too –  look at Ian Duhig’s marvellous The Lammas Hireling, winning the National and then the title poem of a fine collection.

I came across this interesting piece by Jendi Reiter which, although it’s primarily to do with submitting to US journals and competitions, I still found useful. I rather like her reminder that if you enter competitions, “you’re going to get a lot more rejection than validation, and internalizing others’ opinions of your worth will lead to writers’ block or fearful, unoriginal writing.” I think this is one reason I’m so ambivalent about it. I’m not sure I can keep up a healthy attitude to writing poetry at the same time as entering comps. And yet part of me enjoys the game, and every now and then I can’t resist it.