Category: Mags & Blogs

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UK Poetry Magazines Submissions Windows – updated

poetry rejections

It’s ‘back to school’, and back to the submissions, folks … I’ve been updating my list and am just awaiting a couple of responses from magazine editors I’ve queried about their submissions windows.

SO, what’s new?

The list now contains detail of over 70 journals, of which:

NEW journals added this month: 6

Those with updated details: 23

Those with windows open now, some closing quite soon:  22

Those currently closed but opening in either October or November:  11

Those which welcome submissions at any time: 24

As ever, I’m grateful to people for telling me about amends, additions and so forth.

I’ll be sending it out tomorrow latest, as a PDF with clickable links to the submissions pages of each magazine’s website.

If you’re not on the emailing list for this and would like to be, either tell me in the comments below or drop me a line – robin at robinhoughtonpoetry dot co dot uk.

Happy submitting!

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Catchup for a rainy day – news, upcoming etc

With a real sense of summer coming to an end, I just wanted to mention a few things before August is up, and that feeling of moving on to the start of a new year. (Still haunted by school terms, decades on…)

Excellent Events

Back in July, I didn’t manage to make it to The Interpreter’s House launch reading in London, although that was fortuitous because it turned out the Southern Rail had a lovely treat planned for that night which left people coming back from London either stranded at Haywards Heath and facing a large taxi bill to get home, or a 3-4 hour journey via who-knows-where. BUT I hear it was a fine and well-attended send-off for outgoing editor Martin Malone. By all accounts it was a tad hot and sweaty in the July heat. But we’re not complaining about the weather, are we? New editor Georgi Gill has already taken charge of the next edition. Which reminds me, it’s just about time for me to update the UK poetry magazines submissions windows list…

Also in early July I had the privilege of being invited to the launch of No Bird on My Bough, an anthology of work by The Writers’ Place Poets in Brighton. This was a group which had been selected by New Writing South for a year of mentoring from Dean Atta, culminating in the anthology and reading. It was a really enjoyable evening of poetry with strong readings. Great to hear Ann Perrin, who’s a stalwart of the Brighton poetry scene, Claire Booker, whose work I’ve spotted in magazines and Sophie Brown, whose ‘The party as a metaphor for death, yeah’ I found very moving. And Judith Shaw, a member of our Hastings Stanza, who’s doing amazing things these days with her poetry which is wonderful to see. She’s also a visual artist; one of her paintings is on the cover of the anthology. Applications are open for the next round of Writers’ Place Poets.

Write Stuff

Since June I’ve been thinking a lot about my first collection. Actually, just saying ‘my first collection’ like that is a step in the right direction. I’ve a lot of related things in the pipeline, including two applications for funding, neither of which I’m particularly optimistic about, but one can but try. I’m writing new material – not a shedload, but some. It’s new and it’s (I think) different. Thanks to a manic sending-out spate last month I have a number of submissions out there looking for homes. Last week I had a very kind  ‘no thank you’ note from Prole – they are so good at turning submissions around promptly. I wonder if the longer one waits the harder the blow is when getting the ‘no’? On the other hand, it was lovely to receive a contributor copy of The North the other week. I’ve yet to sit down to read it properly but already I see many unfamiliar names alongside familiar ones. I’ll Google them as I go along, in the absence of poet biogs – something I value a lot in a poetry magazine. But maybe that’s just me. I do enjoy the articles in The North – a close reading, poets I go back to – and this is one of the things informing my new ‘poetry-related project’ (more to come on this, but still under wraps as I do the planning and risk assessment!)

Currently reading

Summer editions of The Poetry Review, The North, Poetry & Granta…. Selected Stories by Katherine Mansfield, and Feel Free, Essays by Zadie Smith. (Also Guiding Magazine and anything to do with the new programme ahead of Brownies restarting in a couple of weeks.)

Coming up soon

This coming Saturday 1st September I’ll be joining fellow Hastings Stanza poets for a Hastings Literary Festival Fringe Reading at Grand Cafe Rue de Pera at 11am. (Actually I think we ARE the Fringe – he he).

Then on September 22nd it’s Free Verse the Poetry Book Fair, this year at the Senate House in London and bigger than ever I hear.  I plan to be there helping (?) out on the Frogmore Press table, and possibly flogging the odd copy of Telltale Press anthology TRUTHS.

I’m currently gearing up for the Poetry Swindon Festival 4th – 8th October where I’ll be blogger-in-residence – what the heck’s that, I hear you say, and you’ll be he first to know once I’ve got my strategy in order!  But basically I’ll be attending workshops and readings and blogging about them in the only way I know how, on the Festival Chronicle blog (and bits and bobs here too). I see I’m also down to do a reading and then blog about it – should be interesting! More about the Poetry Swindon Festival to come on this blog – stand back – meanwhile bookings are open, and there’s a fab range of events lined up, all for a VERY modest price. Do come.

On Monday 29th October it’s my birthday – and I’ll be one of several poets reading a new poem at The Troubadour that night. More about this nearer the time.

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A few thoughts on ‘truth’

Rattle poetry magazine

One of the things I like very much about the US poetry magazine Rattle is the ‘Conversation’ at the back. It’s basically editor Timothy Green interviewing a poet, presented as a verbatim conversation, and it feels so immediate, like you’re listening in to a phone call or something, or an unedited podcast. The fact that it’s date-stamped, so you know when the chat took place, adds to its appeal. I can read it and think ‘Oh yeah, on February 18th 2018 I was doing XYZ, and these guys were having this conversation…’

I can’t really explain why I like that. It just seems to ground it in the real world. The interviews are never stilted, you can’t ‘hear’ the interviewer shuffling papers or thinking about the next question he’s going to ask. The conversation feels like a free flow. When there’s a lull or a sticky moment you sense that. But it’s never cosy or time-wasting. It’s juicy stuff. And it seems really real. Would it spoil my enjoyment if I found out it was scripted, or edited, or that it’s an amalgam of several conversations, or other interviews? Or if the interview (or even the interviewee) was fictional?

Since working on our Telltale anthology ‘Truths’ I suppose it’s heightened my awareness of what ‘truth’ in poetry means to me personally. And it’s fascinating to eavesdrop on others’ conversations on the topic.  There’s a section in the most recent Rattle Conversation with poet Stephen Dunn, in which the subject of his degenerative illness comes up. Green suggests that Dunn may not be writing about it because it’s perhaps too personal, and because his poems ‘have a genuine, authentic feel, because it’s a fictional you-but-not-you’:

Dunn:  Partly. I don’t think my life is interesting unless I make it interesting. There’s no reason anyone should care about me. the burden is on me entirely to make whatever I’m doing interesting. To me, first of all, and then to others.

Green:  So how much of a poem is you and how much is fiction?

Dunn:  More and more it’s fiction and more and more it’s about me. I think of [Wallace] Stevens again, who rarely used the personal pronoun. […] I’m always known as an honest poet, but being honest is an achievement, a matter of high technique. I let the reader know only the truths that serve the poem.

Green:  Yet there’s this strange thing where readers want to think everything is true …

Dunn:  And I want them to believe everything I write. That’s the art.

I loved this whole exchange. So many things jumped out at me with a big ‘yeeessss!’ – ‘the burden is on me to make [what I’m doing] interesting’, ‘let the reader know only the truths that serve the poem‘.

Personally I like to think the starting point for writing any poem is the thought ‘this is interesting.’ If I find it interesting, there’s a chance others might too – but not necessarily. There are subjects I find fascinating but am not yet convinced I can make interesting enough via a poem. They remain challenges to which I hope one day to rise.

There are poems I’ve written that may start off as ‘the truth’ as in ‘this really happened’. I’m sure that’s a starting point for many people’s poems. And yet what we’re really saying is ‘this is how I remember it happening’ which is often a different thing altogether.  For someone else who experienced the same thing, my memory may be a fiction. Even in the process of writing, I find myself editing the truth for reasons that ‘serve the poem’, and as a consequence I sometimes start believing my fiction to be the truth. More than once I’ve been asked something like ‘did that really happen?’ and I answer ‘yes’ instinctively. If I then think about it, I realise that’s not the truth. But I didn’t feel I was lying when I said ‘yes’. Is this normal? The re-writing of truth into fiction and the fiction becoming, in some way, the truth? In the realms of poetry it’s all pretty inconsequential. But superimposed onto the bigger world it’s a slightly worrying thought.

 

*There’s a Rattle anthology of fourteen selected ‘Conversations’ for sale here, and a sample of a conversation between Alan Fox and Jane Hirschfield from 2006.

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UPDATED – list of UK poetry magazines submissions windows

view from window

I’ve now done the quarterly update of my PDF list of UK poetry magazines submissions windows, with live links to their submissions guidelines pages.

I’ll be emailing the updated list today to everyone who requested previous versions. If you’re not on the mailing list but would like a copy of this one, please drop me an email (robin at robinhoughtonpoetry.co.uk)*.

Eagle-eyed readers will notice one or two international journals have crept in. I’m only planning to include those that appear to be UK-poet-friendly (in terms of how to submit etc) and/or that have been recommended to me and I like to look of.

Thanks as ever to those who have alerted me to amends or additions.

Highlights of this version:

  1. I’ve now added ‘journal type’ – eg print or online
  2. nine journals added
  3. nineteen journals with updated information (highlighted in red)
  4. forty-two journals are OPEN for submissions now (some closing very soon though)
  5. three journals will be opening their windows in the next month or so

Go forth and be published!

*PS: I’m away to Cumbria tomorrow and pretty much off the grid for the week, so if I don’t respond to your comments or email requests right away then that’s why. I’ll reply when I’m back next weekend.

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Poems coming out, new anthology, currently reading etc

Intro/bit of a rant etc (skip this if you’d rather go straight to The Poetry stuff)

Where has the month gone? (Rhetorical question.) Why am I being besieged by companies/organisations telling me I must re-subscribe to their emails? (Non-rhetorical question, although I think I know the answer – *some people* are spreading panic about new legislation and the country is alive with the sound of knees jerking.) A small rant: there used to be an acronym in Ye Olde Internet Dayes: RTFM. I’m too polite to say what that stands for but you can always Google it. My point is, if you read the ICO website and the text of the new GDPR then you will know IF you need to ask for re-confirmation of consent. Or NOT. Meanwhile I’m almost looking forward to not getting all those emails I used to enjoy getting.

In the last few weeks I’ve been suffering with back and arm problems which meant I had to limit my time on the computer. It’s all to do with posture, and related to the RSI I’ve had for nearly two decades. Nothing life-threatening, just annoying, and coinciding with the painstaking job of typesetting and formatting TRUTHS, the new Telltale Press Anthology (see below) not to mention endless need for posters and programmes for various concerts, workshops, recitals and assorted music-related ephemera. And five weeks of having work done on our garden. But HEY I am back on the comp (taking lots of breaks), the garden is finished, we have a new granddaughter (who I think is going to be a fine poetry critic), everyone is well and life is good!

bad poem, good poem

Needlewriters

I had a blast reading at Needlewriters earlier in the month, and we’re currently planning our June 14th event which will be a South Downs Poetry Festival Special. That means that as well as our regular evening of readings, there’ll be an open mic to kick off the evening, and in the afternoon five of us will be offering poetry ‘surgeries’ (not as queasy as it sounds) to which we hope lots of lovely poets and aspiring poets will flock. More on that another time.

Launch of TRUTHS: a Telltale Press Anthology

Yes, it’s finally here – or it will be – (long story) – next Wednesday 25th April, 7.30pm, upstairs at the John Harvey Tavern in Lewes… a dozen or so of the contributors will be reading their poems on the theme of truth/truths, and much over-excitement will be had by all, especially those of us mad enough to have a) suggested it and b) put it together. Once more the excellent Hannah Clare has created a cracking cover. It’s a stonker of a collection, but of course I would say that. You’ll just have to buy a copy to find out! The technicalities of producing TRUTHS has revealed to me another truth: I have so much to learn about print publishing. There were issues. But I am confident it will be good. Come and see! Free entry. Here’s the Facebook event page.

Coupla poems coming out here and there, plus pamphlet reviews

A few months ago I was wondering why I had nothing ‘forthcoming’ until it occurred to me I just wasn’t sending poems out. Duh. For some reason I’ve had a spate of sending to competitions rather than magazines, and being met with the sound of silence. But I’m slowly getting back on track. There’s one poem coming out in the next Interpreter’s House, which will be Martin Malone‘s last as editor, so I’m hoping there’ll be a launch somewhere that I can get to. Rumour has it that Martin is currently residing in a lighthouse on Shetland, clearly on a mission to move as far north as possible. So we’ll see.

Then a welcome surprise yesterday – a letter from Ann Sansom to say they’d like two of the poems I sent them for The North. I’ve only ever had one poem in The North and it’s been years since I’ve sent anything there as I’d convinced myself my stuff wasn’t for them. So I guess it’s always worth trying again.

Meanwhile I’d like to thank both Emma Lee writing on her blog, and Pam Thompson in London Grip for their thoughtful reviews of All the Relevant Gods, and Abegail Morley for this super mention at The Poetry Shed.

Currently / recently reading

A random selection… the March edition of Poetry and the Spring edition of The Poetry Review, in which I particularly enjoyed poems by Hannah Lowe, Ruth McIlroy and Rebecca Goss. Still to read the essays and reviews. Mary Ruefle’s The Most of It, a prose collection, although the stories (stories? somewhere between short stories and flash fiction) feel more like poems. I’m getting a lot of inspiration from this book.  Also the Spring edition of Rattle, in which I thought I’d read two poems by Sharon Olds, which I loved, but they’re not there. So where did I see these two poems? I thought it was in a recently-arrived mag. But can’t track them down. Do you know?

Stephen Bone‘s Plainsong (Indigo Dreams) is still on the ‘current’ pile – meaning I can’t resist dipping back into it (double-dipping?) before putting it on the shelf, and after a mention by Abigail Morley recently of Robin Robertson I’ve also got out my copy of Hill of Doors for a re-read and it’s paying off.

Peter Raynard is currently on tour promoting his collection Precarious, and it’s one of those books I hesitate to use the word ‘enjoyed’ about as I rather felt I’d been pulled along by my hair to arrive slightly scathed at the end. It’s breathless stuff – the language comes at you with force, a fire hydrant of feelings. There’s a great deal of humour, especially in the poems towards the end, but the overall effect on me was unsettling – ‘exposing us all to unending rounds of worry’ (‘They always come out fighting’).

Look what Ann Perrin pressed into my hand the other day – a copy of her lovely illustrated booklet The hole in the wall, produced by none other than the Dry Stone Walling Association, completely charming and one I will look forward to reading to the granddaughters when they’re a little older.

ann perrin - the hole in the wall

I also recently enjoyed Finishing Lines (Rack Press) by Ian Harrow, a very short pamphlet about illness, with a happy ending; ‘Come, Spring, make the difference.’ (‘Entreaty’). Yes indeed. I’m about to step outside and see for myself.

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UPDATED – UK poetry magazines submissions list

window at chichester station

It’s that time again – time to update my PDF list of UK poetry magazines submissions windows, with live links to their submissions guidelines pages.

A couple of publications came off the list – Algebra of Owls has closed, and Tender seems to have been dormant for over nine months, so I took it off.

I’ll be emailing the updated list to everyone who requested previous versions. If you’re not on the mailing list but would like a copy of this one, please drop me an email (robin at robinhoughtonpoetry.co.uk).

What else is new in this version:

  1. twenty-five journals with updated information (highlighted in red)
  2. thirty-eight journals are OPEN for submissions now (some closing very soon though)
  3. a couple of journals will be opening soon – and some windows only open for as little as a week!

Good luck with those submissions.

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Giveaway winner PLUS 2 tickets for the TS Eliots at bargain price

Coast to Coast to Coast issue 2 number 55

It seems to be the thing at the moment when it comes to ‘picking a name out of the hat’ to make a wee film of it. I can see this is a nice idea (both to allay any suspicions of fixing, and also to present a friendly face), so I did consider it. But in the end I decided it was a bit over the top in the case of my impromptu prize draw, in which there weren’t many names, and also it’s just a little thing between us, isn’t it?

So without further drum-rolling I’ll just come out with it and say the lucky winner is Hilaire – last in the hat, first out, it seems – so Hilaire, DM me your address and I’ll get Coast to Coast to Coast issue 2, number 55 to you in the post. Thank you to everyone who expressed an interest, and for all your comments & banter here on the blog.

Filing, writing, launching

Happy New Year by the way – this January is unusually busy for me, having had a short break last week in Seville (lovely city, and thrilling to experience warmer weather and longer/light evenings, even if only for a few days).

But enough of the ‘poor me’ stuff! I’m currently navigating my way around a new computer which I felt was overdue, the old one being ten years old. A big part of the switchover is re-filing poetry files and folders, amalgamating from both desktop and laptop, which are frankly in disarray. No wonder my sending out is all awry at the moment. I’m also learning how to use the new software I’ve bought to replace the now out-of-my-price-range Adobe Photoshop and Illustrator. Ugh!

Well in the pipeline now is the launch event for my Cinnamon pamphlet All the Relevant Gods on Feb 22nd – very excited about this, so I’ll write a separate post shortly. I’ve started another ‘poem a day’ exercise this month to kick some thought into new writing. And when I’ve got some end-of-year stats about 2017 submissions I’ll give you an update.

Two tickets for the T S Eliot Prize readings for sale

On Sunday is the annual T S Eliot Prize readings jamboree, and I’ll be going with Telltale pal and co-conspirator Peter Kenny. I do have two spare tickets if you’re thinking of coming but don’t have a ticket yet – they’re good seats, and only £13.50 as I got the early bird price. If you’re interested, let me know asap as I’ll be trying to flog them on Twitter very soon.

 

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End of year thoughts, links & thank yous

This is my wrap-up post for 2017 – I’ve enjoyed other people’s posts but have been increasingly wondering whether I’ve anything  else to add or anything different to say. But that of course is one of the downsides of blogging/social media and the like – the angst of wondering if is one actually saying anything of any value to anyone, or just adding to the morass of mediocrity that was once quaintly called the ‘information superhighway’.

So while the marketer in me is demanding a ‘top ten’ this or ‘best of’ that, I’d just like to highlight a few things that have caught my attention lately, plus a bit of news and some general thank yous & thoughts.

Some interesting year-end posts & debates

My favourite ‘New Year Resolutions’ post has been this from Nathaniel Tower – 10 writing resolutions actually worth keeping – I love Nathaniel’s straight talking and he’s right on the money here as ever. His ‘Juggling Writer’ is one of my favourite blogs, and his How to Write a Blog Post that Will Generate Millions of Pageviews and Thousands of Shares gave me the best laugh-out-loud moment of the year.

Allison K Williams comes up with this thoughtful piece on the Brevity blog, urging writers to congratulate themselves on the last year’s achievements, and setting realistic goals for 2018.

It was fascinating to read this recent thread on Twitter, begun by poet Phillip B Williams who asks whether social media encourages too much ‘bigging up’ of our poet friends rather than engaging in meaningful critique of the work, a question which unsurprisingly gets a very lively response.

Twitter thread started by poet Phillip B Williams

I do like the way that people are using Twitter more often for these kinds of extended debates – proof that plenty of us are actually still willing to engage rather than throw flames.

On a thoroughly positive note, writer Annette Gendler each year creates an ‘Artists’ and Writers’ Notebook’ (let’s not get started on where I’ve placed the apostrophes here!) I’ve already printed off a copy and will be using some quiet moments over the weekend to fill it in. I like the way it focuses your thinking by asking you to list your various projects, wishes, how you’re going to prioritise and tackle them, that sort of thing – but in ways that encourage specific, rather than general answers. If like me you feel you always have things on the go but can’t follow through on everything, it’s helpful for understanding what you can do, what needs more research … and that it’s OK to shelve things and come back to them. You can download the 15-page workbook for free if you sign up Annette’s monthly newsletter.

Some thank yous

I was very touched to have been listed once more in Matthew Stewart’s end of year poetry blog round-upon Rogue Strands, together with a good range of blogs both familiar to me and not so much. I commend the list to you. I do think ‘poetry blogging’ now covers a wide spectrum, from the academic  and review-led to the practice/writing technique-focused and then the more diaristic or personal like mine. I always find it fascinating how different poets approach blogging.

A recent heart-stopping moment for me was to read Rishi Dastidar’s review of a poem of mine published in The Rialto in the autumn. I’ve never had anyone publicly critique a poem in such detail, and for it to be on the Rialto blog and see it promoted across Twitter was very exciting for someone like me on the lower echelons of the poet-o-sphere. Whenever I find myself envious of ‘big name’ poets I should remember this feeling. Because as long as one is flying well below the radar of the ‘serious’ poetry world, one can bask in friendly reviews (cf Phillip Williams’s point earlier). If you hit the big time the knives are well and truly out – and the reviews get tougher to handle, not to mention the general sense of ‘you can say what you like now she’s public property’. Look at how they went for Sarah Howe when she won the T S Eliot Prize. Being down here amongst the unknowns is definitely a safe place to be!

I was going to start listing all the people who’ve helped and supported me and my writing this year, but it’s a killer of a task because there are so many I want to name and I’d be terrified of missing anyone off the list. I love you all and just hope you know who you are. I’m also as grateful as always to you (yes YOU) for reading, commenting and sharing my blog posts. Happy New Year – here’s to us all, and to a fulfilling, creative and happy 2018.

*I’m away next week, but I’ll be giving away that copy of ‘Coast to Coast to Coast’ the week after…

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Launch of ‘Coast to Coast to Coast’ issue 2

Liverpool Albert Dock

I’m back from an (almost) flying trip to Liverpool, a city about 300 miles north of where I live, for a five minute poetry reading – crazy or what? Except I wasn’t the only ‘poetry tourist’ there, and no wonder, as we were there for the launch of no ordinary magazine.

coast to coast to coast issue 2, number 16

Edited by Maria Isakova Bennett and Michael Brown, ‘Coast to Coast to Coast’ is a handmade journal and every one is unique. I’ve opened it up in the above photo so you can see the cover – Maria designs and creates the covers from tissue, tiny pieces of card, silk and tulle-type fabric and ribbon – each is hand-stitched and assembled. The cover theme for this issue is wintery and cool – the inner pages are printed on complementary paper (white with the whiter covers, cream for the creamer colour schemes). The whole look is so delicate and ethereal you almost don’t want to handle it!  Having made my little ‘Foot Wear’ pamphlet (a lot fewer pages and with a printed cover) and knowing the time it took, I can only boggle at the labour that’s gone into the making of these journals (150 copies!)

A bit of Liverpool love

I want to digress here for a moment – first of all to say how much fun the journey was. Travelling by Virgin Pendolino train was What Train Travel Should Be Like. Down here on the South coast we endure Southern Rail: constant cancellations, delays, replacement buses every weekend, slow, uncomfortable journeys in ancient and filthy carriages, expensive and utterly unreliable. So getting on a train that leaves and arrives ON TIME, is quiet, clean and FAST… and, thanks to Advance ticket fares, cheap… I’d simply forgotten any of this was possible!

And Liverpool? There’s such an energy to the place. Its history is on show everywhere.

Cunard building

From inside the Liver Building in Liverpool
Looking out at the Ice Fair from inside the Liver Building

We stayed in the Ropewalks part of town which is basically warehouses mostly converted to flats, hotels, clubs, bars and yet more bars.

liverpool-ropewalks
Um, not actually where we stayed…

xmas liverpool

Liverpudlians take their entertainment (and shopping) seriously I think. Then there’s the Albert Dock, transformed beyond recognition since the 1980s and now home to the Tate Liverpool, the Maritime Museum and the striking Museum of Liverpool, which reminded me of the Zaha Hadid’s MAXXI Centre for Contemporary Arts in Rome – separated at birth?

Museum of Liverpool and Maxxi Rome
Museum of Liverpool and (bottom right) MAXXI Rome – some similarity, surely?

Albert Dock, Liverpool

Albert Dock, Liverpool

padlocks by the side of the Mersey in Liverpool
‘Love locks’ on the chain fence by the side of the Mersey

Back to the launch …

Within the same complex as the Museum of Liverpool is the Open Eye Gallery, a gallery of contemporary photography where the launch for ‘Coast to Coast to Coast’ took place on Tuesday evening. Writer-in-residence Pauline Rowe, who also has a poem in the magazine, co-hosted the event and introduced the current exhibition which we were invited to browse.

It was wonderful to hear readings from poets I knew of but had never met, and some I didn’t know of. I had a great chat with Charles Lauder Jr, and finally got to meet the great Fogginzo himself, John Foggin – naturally I was quick to remind him how he pipped me out of five hundred quid in the Plough competition a couple of years ago, but hey!

robin houghton & johnfoggin
Robin meets the great Fogginzo

I was sorry not to talk with Michael Brown, Maria’s co-editor, who I’ve since discovered with a little research is a fine poet (Roy Marshall has a good interview with him here on his blog) but perhaps our paths will cross again.

With so much good stuff in the magazine it’s hard to pick out the highlights. I loved David Coldwell’s ‘Winter’s Indifference’ and Martin Bewick’s ‘Ways’.  In the magazine I enjoyed moving contributions from Suzannah V. Evans and Pippa Little, as well as a funny prose poem from Paul Stephenson. Maria and Michael were thrilled to have had a submission from John Glenday, testament to how well the first edition of the magazine had been received, no doubt. His poem opens the magazine and Maria read it on the night.

Giveaway

So that was my great pre-Christmas adventure. My copy of the magazine is number 15, but I also bought number 55 which is equally beautiful, and I’d like to give it to one of my blog readers. If you’d like to have it, let me know in the comments and I’ll put all names into a hat and draw a winner. The only criterion I ask for is that you’ve posted a comment here over the last year, or that you’ve let me know in some other way that you read the blog. You know who you are! I’ll be doing the draw in a week or so.

Coast to Coast to Coast issue 2
This beautiful magazine (on the right) could be yours!

 

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Updated – UK poetry mags submissions info

view from window

Things move quickly in the magazine world so I thought I would update my spreadsheet quarterly.

This is the list of UK poetry magazines with live links to the submissions pages, details of submissions windows and general guidelines as published on their websites. As ever, I can’t claim it’s fully comprehensive, so feel free to let me know in the comments about any omissions or errors.

I’ll be emailing the updated list to everyone who requested the first version (August). If you didn’t see that, but would like a copy of this one, please drop me an email (robin at robinhoughtonpoetry.co.uk).

What’s new in this updated version:

  1. eight ten more journals added
  2. twenty-three journals with updated information
  3. eight nine journals with windows open NOW but closing soon

Time to get some poems out?? I know I need to!