Category: Writing

A novel rises from the ashes… maybe

Just when I was starting to get back into writing poetry, the world of prose starts up again in my brain. First of all I was asked to review a new anthology of short stories by Sussex-based Chalk Circle Writers. Although my first reaction was ‘I don’t write short stories’, lo and behold, I was so taken with this collection and the idea of the short story form, I wonder if this is something I might enjoy.

Then there was a conversation with friend Steph about how her book (a cosy mystery called ‘Death, Deceit and Cake’) was selling really well. She self-published it after a gruelling experience of dealing with potential agents. And the move has certainly paid off. She now has a growing readership eager for the next book in the series. It got me thinking about my historical novel and whether I ought to have another go with that, possibly going down the self-publishing route. I wasn’t quite ready to re-read it, but I did get out the query package I’d written in 2023 – synopsis, first page of the manuscript, query letter – and decided to run it by Chat GBT.

I got as far as pasting in the synopsis. Within seconds, the AI not only summarised the main themes and narrative arc of the book, but the synopsis rewrite it came up with had me choking on my Diet Coke. Holy *@&(#! Is this my book? It sounded like a bloody good read! My next thought being: why did I spend weeks redrafting this synopsis – and sending it off to agents – when it was so far from perfect? And of course, when you talk to Chat it never stops – Would you like me to create a query letter? Would you like me to customise this for a specific genre, women’s fiction, historical etc? Commercial or literary?

I had to walk away at that point and let it all sink in. Of course, I can’t be submitting anything that’s been written by AI, but I’ve certainly got some excellent pointers/critique to help me rework the synopsis. Actually, I think the ‘written by a human’ tag will only gain in value in the future. I’ve had this printed on stickers and am attaching them to copies of my pamphlet Yo-Yo, and maybe I’ll do the same with The Mayday Diaries. This could become a thing!

So the upshot of all this is that I’m planning to revisit the book, the title and all the query documents, research more agents, and try again. I’ll let you know what happens.

Readings, writing, reviews & general catchup

Finally, here I am putting my head above the parapet. It’s been a lovely full summer. Not so much for the garden, which suffered from a too-early onset of dry weather, then the nail in the coffin of the hosepipe ban. We did get a modest harvest of cucumbers, courgettes and tomatoes, although quite a few plants failed.  But plenty of fun stuff: a big family holiday, long in the planning, an extended visit from stepdaughter over from Australia that really energised me, then most recently a two week holiday a deux in Sicily. I’m a lucky woman in so many ways, I won’t bore you with the detail. Let’s just say I’m back and I have that good feeling that comes with the move into Autumn.

Readings

Eighteen hours after crawling into bed on Tuesday morning, after a day’s driving followed by a flight delay, I was at the Hurstpierpoint Festival taking part in a group poetry reading organised by poet friend Miriam Patrick. Miriam is a very talented poet who gives so much of her time to others. A number of the attendees on Tuesday were members of Miriam’s poetry reading group that she set up in the village. It was a good event – I think the room was full, and we all got a warm reception. Miriam read some engaging poems about work, with themes ranging from artist’s muse Lizzie Siddal to Aquinas’s angels dancing on a pinhead. Wendy Klein was also reading, from her pamphlet ‘Having Her Cake’. The collection tackles the subject of assisted dying, with reference to a close friend who made that choice in California, where the process is not illegal. I found it an intense and moving reading.

Meanwhile, forthcoming readings are just around the corner. Please come along if any of them are near you. (I’m also looking for more reading opps next year, so if there’s a poetry event near you that you think I could ask to read at, please let me know.)

Tuesday 7 October 7.45 – 9.30pm: Ouse Muse, Bedford

Friday 12 December 8pm: Reading Poets Cafe

Writing

I’ve been pondering why I’m so lacking in any impetus to write at the moment. After all, if the sun-drenched historic gorgeousness and energy of Sicily doesn’t inspire me, what the heck will? Actually, those fabulous mosaics at Villa Romana Casale of female bikini-clad athletes are pretty inspirational. But sometimes (usually, for me) it’s a small thing that pops out unexpectedly. Among the pile of publications and catalogues waiting for me to read when I got back was a copy of the new-look Times Literary Supplement, bigger and thicker than before and every two weeks rather than weekly. I had barely got into it when today the latest issue dropped though the letter box. A quick skim for poetry content revealed a poem by Jemma Borg called ‘Before & after the night’. (Apologies if this link takes you to a paywall.) As I read it, I felt little lights going off in my brain accompanied by the kind of ‘wish I’d written that’ feeling that can be inspirational but also saddening. Like Salieri in Amadeus, melting in the face of Mozart’s brilliance and at recognising that he himself will never be more than a reasonably good musician. Thankfully, Jemma’s poem had more of a positive than negative effect on me! So I’ve just ordered a copy of her collection Wilder and a already noodling through a few ideas.

Reviews

I’m not the greatest trumpet-blower as you know, but it would do a disservice to D A Prince and Mat Riches not to link to their wonderful reviews of The Mayday Diaries. Davina’s is on the London Grip website and Mat’s is here on Ink & Sweat & Tears. How lovely to have a book read so closely and with such insight. I’m very thankful for the time and effort both poets made. There’s another fillip for the book coming up later in the year, but more about that, er, later.

Subs windows

One job I have managed to get done this week has been the quarterly spreadsheet update of magazine submissions windows. It seems to be getting more complicated, with more journals stipulating more and more micro-guidelines, the rise of submissions fees (but also, the rise of payment for publication), also more publications making their subs windows even shorter and harder to predict. I’m wondering if the spreadsheet in its current format could be slimmed down and made more relevant. I know, I’ve talked about reviewing it before now. But I think a plan is starting to formulate.

Summer, busy, change, decisions…

Oof! It’s a unusually busy summer this year. Family visits, a big trip away, stuff on my to-do list such as a book review for The Frogmore Papers and a note to self to ‘get some more poems out’. Then there’s admin for forthcoming singing workshops. 2026 readings to set/finalise. I’ve enjoyed the mostly dry, warm weather, but it seems to have hit some plants rather badly, including the majestic Marmande tomatoes (which I was looking forward to) contracting a nasty bottom-rotting disease. Ah well, that’s nature I suppose. At least we had some lovely home-grown salad leaves and peas quite early in the season, and the cucumbers keep coming!

I’m taking a summer break from promoting the book, although it would be silly of me not to mention being featured on The Lake‘s ‘One Poem Review’ section this month, as well as a forthcoming review in Orbis. My next reading isn’t until 16th September when I’ll be joining five other poets for a reading as part of the Hurst Festival.

I’ve been sending out a few pieces of new work, and some old work that I’ve been revising. I’m also putting the (I hope) finishing touches to a new mini pamphlet, in a similar format to Foot Wear (in other words hand-made and self-published).  Working title is Yo-Yo. I plan to sell it at readings from the autumn.

Usually it’s autumn when I get that feeling of needing change, or a re-boot, but it’s upon me already. Maybe because everything in the garden is ahead of itself so I am too. Peter and I have decided to make some changes to Planet Poetry. It’s now our summer break, and we’re still coming back for a sixth season, but the time, energy and costs involved have taken their toll. We both need space to work on our own projects and even spend more time with loved ones. So it will be a slimmed-down podcast that re-emerges in the autumn.

The quarterly spreadsheet is also crying out to be something different. I’m still working out what that is! Answers on a postcard please.

Anyway, I hope you’re having a good summer. I’m sure we’ll all emerge refreshed in September.

Readings, giving myself a talking-to and some early Spring cleaning

Actually January was pretty good overall. Not for the pelargoniums in the garden that have been reduced to a frostbitten mess. But our goldfish Brahms and Liszt have both been spotted alive and well so the cold snaps haven’t done for them yet. Also I’ve been illness-free (write it!) and the collection is coming along.

This time last week I was in London at the very characterful Club for Acts and Actors for Red Door Poets’ winter party, reading with Simon Madrell, Red Door Poets including Mary Mulholland and a host of excellent open-mic-ers. I was invited by Gillie Robic, and it was a delight to meet up with poet friends I haven’t seen in a while, including Jill Abram, Hilaire, Mary Allen, Chaucer Cameron, Helen Dewbery, Tom Cunliffe, and fellow Live Canon ‘pamphleteer’ Katie Griffiths. It’s really put me in the mood for more readings, which is lucky because I have a few lined up for later in the year when the book is out.

A few weeks ago was the Needlewriters in Lewes and it was so good to hear Clare Best and Jeremy Page read, plus meeting up with my Lewes-area poet mates. These poetry events are very cockle-warming I find, especially at this time of year when I really need to get out and beat the cold weather and dark evenings.

Luckily February always brings lovely things in this household – a birthday, a wedding anniversary and the promise of Spring in the offing. I’ve already been spring-cleaning my poetry folders, and feeling rather humbled as regards my poor submissions habit. I seem to have a reputation as a submissions queen, because of my spreadsheet. But there’s that expression ‘physician heal thyself’ (where the heck does that come from?). A number of people have accosted me recently to ask about magazine submissions, and I’ve had to admit I haven’t submitted anything much for ages. Why? I suppose it’s partly because I feel there are so many up and coming poets whose work is appearing everywhere, I’m feeling my work might be a bit ‘has been’. But I know that’s stupid really, because for all the ‘fast fashion’ that exists in the poetry world, decent writing is still appreciated. Plus, my first collection is about to launch, so this is no time to wallow in self-flagellation. I guess I’m making excuses for being a bit lazy. Having Sharon Black of  Pindrop Press critique my poems for the collection, in great detail, has given me a bit of a kick up the bum I suppose. As a result, I’ve pulled together all the poems I’ve written over the last few years that I’ve abandoned, sometimes after multiple failed submissions, others that I just lost interest in too soon, and have them now all in a  2025 folder ‘to be worked up’. There are over seventy poems or proto-poems in that folder. I picked one out randomly and (without planning to) spent a whole day playing with it. I have plenty of material to revisit!

New Year, new book and other news

Oof! December was a blur of concerts and all that entailed, then family stuff and various resolutions.  Between Christmas and New Year we managed not one but two mini-breaks: the first was a day in London which included an excellent guided walk of Nine Elms & Battersea with Hilaire. The next day we took off to the north Kent coast, staying in Tankerton and doing a whistle-stop tour of Thanet’s seaside towns. I love a bit of dereliction for its photo opportunities, but it is a shame to see how run-down Margate seems to be. Nevertheless it was my favourite of the places we visited, albeit very briefly. There’s a youthful, arty vibe to it.

Back on the computer, by posting a comment on a Substack a while back I seem to have got a bunch of new followers there, even though I’ve never posted an article there as far I know. I can’t spread my online time any thinner. Blog or Substack..?

Then the Blue Sky experiment. I haven’t been posting regularly there, although I still prefer it to Twitter, and have certainly come across many more interesting folks. However I’ve spent a fair bit of time monitoring new followers and blocking those that appear to be either bots or agents. They invariably present as men in their sixties, straight out of a catalogue, smiling, posing with a boat or car or something outdoorsy, usually without a biog or else it’s an AI one-liner such as ‘Enjoying all that life has to offer!’ or ‘Be kind to me I’m new here!’  They are usually following zillions of people and if they’ve posted at all it’s just vapid photos or re-posts that suggest a political agenda. I suppose a lot of people just follow back when someone follows them, which is why these fake accounts exist – to disseminate crap on an industrial scale. It was one of the things that did for Twitter and I’m sorry (but not surprised) to see it happening on Blue Sky. All we need is for all the trolls, eejits and troublemakers to start posting and feeding the bots. So let’s hope they stay away.

The collection is coming along. First round of edits & comments received from publisher. I’ll be going through them very soon. We’re still hoping to hit a March launch. Let’s see! I’ve got a few readings set up now, but need to arrange some more. First of all I’m reading at Red Door Poets on January 21st in Covent Garden, as the guest of Gillie Robic. I don’t know yet who the other readers are but I’m sure it’ll be a good night, with an open mic too, so please come if you’re in London/willing & able.

One thing I plan to do more of in 2025 is writing poems. Sounds simple, eh? I’ve got an idea for a proto-pamphlet in the pipeline, which I’d like to self-publish in hand-made form and have it to sell alongside the ‘big book’ at readings.

I’m still fully committed to Planet Poetry, despite Peter and I missing out on any ACE funding. On the other hand, we’ve got a small number of people supporting us on buymeacoffee.com for which we are inordinately grateful as it helps to relieve the financial burden. And of course my quarterly poetry submissions spreadsheet, which I wonder how long I can continue with to be honest!

Meanwhile the music continues… two one-day workshops coming up, for which I am the admin. And another unrelated project which starts next month. More on that at a later date.

Happy New Year to you, thanks for reading this blog and I hope your 2025 proves to be a goodie.

How the collection is going, and other news

People are asking me about the poetry collection forthcoming from Pindrop Press. Well, it’s a long way off yet. Sharon Black at Pindrop does a marvellous job of publishing and promoting poets, but being an editor as well as a publisher, it’s been a busy time for her. So although The Mayday Diaries is still forthcoming, it won’t be in my hands for a few more months yet. I’ve been fiddling with the manuscript, of course: there are some poems I’d like to drop, others I’d like to insert. Others have changed. I’m playing with different subheadings to the sections. None of this I’ve discussed yet with Sharon, but I’m looking forward to her creative input and editing skills.

Meanwhile, since I sold the last of my limited-edition Foot Wear, I’m now itching to make another mini pamphlet along similar lines, although this time completely handmade. Foot Wear had a printed cover so this time I’ve got something more quirky in mind.

We didn’t get the DYCP grant for Planet Poetry. ‘Other applications preferred.’ Not unexpected, but still a blow. Still, our first two episodes of Season 5 are up – Danez Smith and Isabel Galleymore – both definitely worth a listen if you haven’t already. In the latter, I read a poem by Indy Moon who was one of the Foyle Young Poets winners this year. I went to the awards celebration at the British Library last month and it was a lovely celebratory event.  Indy is one of many names to watch out for in the future. (Pictured here is Judith Palmer of the Poetry Society kicking things off.)

Oh, and I’ve got a poem forthcoming in Flights e-journal, which is part of the publishing arm of Flights of the Dragonfly, a spoken word night in Brighton.

Next up, Christmas? Our Lewes Singers concert on December 22nd has already clocked up 22 ticket sales! OK, let’s not start with the carols just yet.

Subs, poddie, choirs & a greenhouse

When you login to your blog and see there are 16 updates required it can only mean one thing  – it’s been a bit neglected! So here’s a somewhat belated update…

The podcast is nearing the end of its fourth season! When it comes to the home stretch Peter and I tend to get a bit exhausted, but the last couple of interviews of the season will be goodies and in July we’re going to try for an ACE DYCP grant. The chances of getting one are probably zero, but we have to try. Running the poddie isn’t cheap – we have two very kind regular supporters but would need about a hundred to cover our costs. Anyway, wish us luck.

I’ve also been doing some editing of the new collection, looking at where there might be holes and what I need to write to fill them. Which has led to more writing, and I’ve been submitting again after a hiatus. Despite a few rejections, I’m delighted to say there’s work forthcoming in The Frogmore Papers and Ink, Sweat & Tears, two of the longest-running poetry zines, still going after many years while so many others crash and burn. If running a magazine is anything like running a podcast I can empathise!

On the novel-writing front my medieval mystery hasn’t yet had any interest from agents, but a second book is in the planning stages and it’s quite different, so it will be fun to get stuck into that when the time feels right.

Meanwhile I’m just back from a short trip to the Netherlands with the Lewes Singers: great singing, very social and lovely to be in Leiden. But the awfulness of airports and flying is so depressing. Yes, we should have gone by train, but last time we did that the journey was a nightmare. It’s all a matter of luck I suppose.

Now I’ve got to finish my end of month submissions alert email. And next there’s the spreadsheet to update. It’s a good time to sign up if you haven’t already. Plus a programme to create for the East Sussex Community Choir’s Haydn concert on June 29th. Oh, and seedlings to pot on, tomatoes to worry over and courgettes to encourage.  Did I mention that Nick and I recently erected a little greenhouse, on the three hottest days of the year? The garden is calling…

robin builds a greenhouse

 

 

And there goes February flying past… 

This is not my favourite time of year I confess, although I love all the early signs of Spring – the first sunny days, the first buds, daffodils and birdsong. Just look how grand the beach looked the other day! We even had breakfast outside on Friday! But this month in particular I’ve been plagued by asthma. Struggling to swim, or jog, or even walk uphill is a bit depressing. I’m managing to do a little yoga, and I’m still singing, although my chest sometimes hurts afterwards. Roll on warmer and dryer weather.

But what about the writing, you might ask. I’m kind of in a no-man’s land at the moment. I’m not writing poetry with any great intent. But I feel as if I might be moving towards writing something. Hard to describe the feeling really but it’s there.

As regards the prose, I’ve had two rejections so far of my manuscript, with four more probably to come. I will send it out to another six agents, but unless I get a bite I’m not spending any more time on it now. I feel as if that ship has sailed. On a positive note, I’ve already started on the characters and an outline plot for another book. I’ve got a list of the mistakes I think I made in the first one, and the things I could do better this time, starting with characterisation. I’m also setting this one in the present day. I’ll let you know how I get on.

Meanwhile I’ve started putting out feelers for readings early next year when my poetry collection will be coming out with Pindrop Press. So if you have any suggestions of places I might read, please let me know. I will travel (within reason!)

And of course Planet Poetry is my regular connection to the poetry world. I’m continual kept on my toes by our excellent guests, and by my co-host Peter. Interviews I have planned in the next few weeks include Roy McFarlane and Seni Seneviratne, both of whose work I’ve really enjoyed getting up close with.

Coming up: This Friday 23rd I’ll be in Seaford to hear my poetry pal Antony Mair reading his work at the Seahaven Poets Open Mic, then on Sunday 25th at 4pm my group The Lewes Singers are giving a concert at St Saviour’s Church Eastbourne. The church is huge, so I hope we have at least fifty people in the audience or else we shall be rattling around! The interior of St Saviour’s is gorgeous – Victorian ‘arts and crafts’ red brick, beautiful mosaics all around the walls and an amazing painted ceiling.

 

All shall be well

I know, I know – not that Julian of Norwich quote again, I hear you say. But it’s the start of the year, I’m looking out at blue sky, and this is the first day since November 8th that I’ve felt properly well, and that the three colds I’ve had back-to-back since then are finally wearing off. Life is good and all shall be well.

Julian of Norwich was really just a name to me until poet friend Antony lent me his copy of I, Julian by Clare Gilbert, (Hachette) which is a fictionalised autobiography of the medieval anchoress who wrote ‘Revelations of Divine Love’. I was interested in finding out more about Julian’s life, and actually I found it un-put-downable.

At the other end of the spectrum I’ve been converted to the Ruth Galloway novels by Elly Griffiths which I’ve been hoovering up on my kindle. They’re great fun, perfect for long waiting times in airports and hospitals, and a good example of (ahem) how to write not a single novel but a series.

On the poetry front, Janet Sutherland’s The Messenger House (Shearsman) has risen to the top of the TBR pile and I’ve made tentative progress through it. The book is a hybrid of prose, poetry, memoir, travelogue. So far I’ve found it intriguing and exciting. Janet likes to push the boundaries and her work is never predictable.

Last week we had a few days away in Barcelona: art, architecture, tapas, wine. We also managed a boat trip, trips on two funny trains and a cable car. We like to go on a boat wherever we go on holiday, and a funny train is a bonus! The image that accompanies this post is a detail of one of the huge doors to Gaudi’s Sagrada Familia. Cast in bronze, the doors are on the Nativity front and depict nature in all its detail. Really lovely work by Japanese sculptor and follower of Gaudi, Etsuro Sotoo.

And now I must decide what I’m reading at Needlewriters on Thursday. Already a few non-poet friends have told me they’re coming (gulp). There’ll also be poet friends there who’ve heard me read before. I want to read some new stuff, but maybe I should include material that isn’t new but that has gone down well in readings before. Also, nothing too grim or opaque. Help! It’s a been a while since I’ve done a 15 minute set, so I need to get practising.

But hey – at least I’m not reading at the T S Eliots on Sunday. Then I might be a tad nervous. Katy Evans-Bush is running two online sessions (Saturday and Sunday) discussing the ten shortlisted collections – more info here. I’ve been to Katy’s sessions when they were in-person at the old Poetry School premises in Lambeth and they were both enjoyable and very helpful. Katy really knows her stuff and does her research, but these workshops are very much collaborative discussions, not lectures. But they are online. I think sadly since the Poetry School moved north of the river, renting a space there for such a workshop is now prohibitive. A great shame.

 

 

On spirituality, a submission and the wonder of lists

Wow, I felt a lot of love for RS Thomas after my last blog post.

I wonder if we need more spirituality today, generally I mean. I speak as a moderate atheist. I think I used to call myself an ‘agnostic’ – wanting to leave the door open I suppose – but we all grow older, and so our thoughts and beliefs mature one way or another. I now love a lot of things about the church of my upbringing (although I hated it as a child!), but it stops well short of faith. The only church service I enjoy is Evensong, but I love the architecture of churches and can’t resist going inside any I come across. I’ve often sung the services in cathedrals with my choir the Lewes Singers: I will sing anything, but I never say the creed. It’s always a moving experience, but perhaps that’s the feeling of being in the presence of faith: people who truly believe. I don’t just mean those participating in the service, but also the thousands of souls who have worshipped there for centuries, right back to the stonemasons and labourers who built the massive edifices. I respect all that, and feel privileged to be a part of it.

But spirituality feels much wider, more inclusive than religion as such. My impression is that RS continually questioned his faith. Isn’t that what many of us do, even the atheists? What do we believe in? Surely it can’t just be Gaia, politics, football or reality TV?

On the writing front

Poetry latest: I’ve sent the full collection to a publisher for consideration. They’ve already seen about a third of the poems and asked for more. Yes, I had an offer of publication a couple of years ago from another publisher but for various reasons that never happened. So here’s hoping.

This has freed me up to finish the rewrites on my novel. Having had an excellent critique by Beth Miller of my query letter, synopsis and first page of manuscript, I knew I had to make some fairly significant changes. I started on it, but then got sidetracked by a holiday, putting together and submitting a poetry collection, plus a number of other time-critical projects. BUT I am back on it!

In parallel to the rewrites, I’m gearing up for submission by reviewing my list of literary agents. I started with a list based on the Writers’ and Artists’ Yearbook, but as it always is with print publications not all the entries were up to date. So I augmented it by searching, visiting websites, identifying potential individual agents who seem interested in my genre, noting their requirements, Twitter names, email etc. Yes! A spreadsheet!

I’ve also created a Twitter List of Literary Agents. I love Lists on Twitter, and I think it has always been a much-unused facility. Once you have a list, you can browse tweets just from that list. Which means (in my case) you find out very quickly when an agent puts out a call for submissions, or who they have signed, or what they’re looking for, or when they’re closed and for how long, and so forth. Lists, people! They are useful!