Category: Submissions

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Readings, decisions, fresh starts

I’m feeling very uplifted by real-life in-person poetry events. Last week in Lewes was the launch of three Frogmore Press publications: The Naming by Jeremy Page, Marion Tracy’s Evidence of Love and Neil Gower’s Meet me in Palermo. Strong readings all round and a cautiously-convivial atmosphere.  Fast on this comes tomorrow’s Needlewriters event, our first live readings since January 2020, featuring Jeremy Page and two prose writers Alice Owens and Anna Hayward.

Peter Kenny’s and my podcast Planet Poetry has restarted, the first episode of Season 2 featuring the wonderful American poet Kim Addonizio. There are several interviews currently in the bag, so it will be great to see how listeners respond. I was a bit sad not to see Planet Poetry in a recent round-up of poetry podcasts in Poetry News, and it was a kick up the bum to finish our new website and make sure it’s Google-friendly. Although having worked in online marketing for decades I find it hard to get enthusiastic about keywords and search terms any more. Anyway, those lovely folks at the Poetry Society offered to give our Season two opener a plug on Twitter, which was nice.

Although I’m on a year’s leave of absence from the University of York, I’m actually still plugged in to Dante and also Chaucer these days, and find myself referring to notes I was making on my core course module last year. I’m loving Mary Jo Bang’s translation of Purgatorio, incorporating characters and language from the present day, although I suspect it might be sniffed at in some scholarly circles!

As regards submissions to magazines, I’ve decided to step away from them for bit. I have half a dozen poems out at the moment, but I’m not sending any more for now. I have a few reasons for this.

Firstly, I don’t need to, in the sense that I have a track record of publication now, and I’ve nothing to prove to myself or anyone else. I think I’ve found my level. It would have been nice to be have published in The Poetry Review or Granta, but it’s OK to accept that it’s not going to happen. I could kill myself trying to write the ‘right’ sort of stuff, or I could write what I want to write, and enjoy honing it as best I can.

Secondly (related to the first point), I have a publisher for my first collection. I don’t have the collection yet, but I have the freedom to complete it, knowing it will have a home. This is a very privileged position to be in and I want to enjoy the moment, not fret about why Publication A, B or C don’t want any of the individual poems. Plenty of high profile poets have told about how the individual poems in their (successful) collections were consistently rejected by magazines. Or even that they never submitted them to magazines.

I can’t swear that I won’t submit the odd poem here and there, but I’ll be very happy not to be constantly putting my work up for possible rejection. I think the course at York has opened my eyes/mind to a lot of things. Perhaps a leave of absence makes the heart grow fonder – I’m starting to look forward to going back, which is quite a turnaround.

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Poetry Magazines submissions windows update

If you’re already on my mailing list for poetry magazines submissions information, you’ll be getting an email in the next day or so with a reminder about opportunities closing at the end of this month. Then the newly updated spreadsheet will be on its way to you midweek. If you’re not on the list, now’s a good time to subscribe.

Thank you for being on my list, for buying my booklet A Guide to Getting Published in UK Poetry Magazines, and for your kind words of support. I’ve kept the spreadsheet going for several years now and try my best to make sure when I update it all the details are correct. I may not lay claim to having 400 mags on the list but it’s growing all the time and in my mind quality beats quantity. Thank you for your recommendations of new mags too. Poetry journals do rather come and go so your support in terms of subscriptions as well as submissions is much appreciated by hardworking editors!

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The updated poetry magazines submissions spreadsheet and my 1,000th subscriber

Stats are funny old things. Stats, data, whatever you want to call it. On their own of course, or deprived of context, they can be pretty meaningless, unless it’s a simple, one-dimensional calculation, like ‘this is my 609th post on this blog’. I just had to look that up – shame I missed the 600th, that might have been reason for a party. Percentages, averages and statements like ‘the number of xyz has doubled in the last two weeks’ are open to (mis)interpretation. After all, double or triple-next-to nothing is still next-to-nothing. But hey. What do I know. Only that I learnt the value of this kind of obfuscation many years ago as a marketer.

But here’s another simple statistic: last week, just as I was about to send out my quarterly update of the poetry magazines submission windows spreadsheet, my subscriber mailing list tipped the 1,000 mark. Woop! I decided it would be fun to ‘reward’ the 1,000th subscriber, but I didn’t promote the fact, because those types of tweets tend to attract compers, freebie-fans and lightning-fast unsubbers. In any case it’s not a huge reward, but it’s something – a free copy of my guide to getting published in UK mags. So, after not publicising the forthcoming prize I quietly checked my Mailchimp and identified the winner to be… drumroll etc etc… Jessica Boatright. I was delighted to discover that not only is Lincolnshire-based Jessica a poet, tutor and mentor – but also her Twitter name is @oh_so_boatie – brilliant!

If you’re not on the list to get the updates, it’s free and you can sign up here.

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On poetry magazines: Butcher’s Dog, Prole, Frogmore Papers

This is the first of a mini-series about print poetry magazines. Although I do my quarterly spreadsheet, there’s no room for any description of the mags, so I thought it would be nice to feature some of my favourites as a reader, where I like to submit myself and what I subscribe to. There are so many poetry magazines, and it’s impossible to subscribe to them all. But I’m a firm believer in reading a magazine before submitting to it, and subscribing is even better, both from the point of view of a magazine’s finances, and also as a reader you get a much better feel for what it’s about. Quite often a subscription for two or three issues doesn’t cost much more than buying a single issue, once you factor in postage.

I subscribe to mags on and off, on roughly a revolving basis (say 2 or 3 a year) which I find affordable. There are some I go back to, some I don’t, and the reasons can vary. I’m interested in poetry and poetry reviews rather than short stories or artwork per se (unless it’s, say, Granta). Sometimes a subscription lapses because the magazine in question hasn’t reminded me to re-subscribe, which is a shame. Sometimes I get reminded too many times to resubscribe, which is off-putting. I know! I’m hard to please.

The other day it was time to subscribe to some new titles, and I decided to give PN Review a proper try. I’ve only ever read the odd single issue, and I found it a bit academic. But now I’m getting into the academic mindset, perhaps it’s a good time to try it again? PN Review hasn’t arrived yet, but I’ve also just subbed to Butcher’s Dog, a small mag, but with a big bite, perhaps. I sat next to editor Jo Clement at a Poetry Book Fair once, and came away with a couple of back issues. Here’s what came in the post yesterday. My favourite poem in it is ‘I crossed the Humber Bridge without paying’ by Rachel Bower…

butchers dog 14 poetry mag

Another magazine I want to give a shout out to is Prole. Edited by Brett Evans and Phil Robertson, Prole has been going for some years now and they have a unique system as regards paying contributors which I admire very much. Basically, instead of offering contributors a free copy of the issue they are in, they give contributors a share in any profit an issue makes. So as a contributor you’re given a PDF of the mag, but if you want a hard copy then you buy it. Your buying it then helps grow the potential pot that ends up being shared amongst contributors. Or you can opt to let Prole keep it for their funds, but that’s entirely up to you. We’re talking a very small amount, but it’s the principle that counts. More power to Prole! I do have a couple of poems in this latest issue, which I’m very pleased about, as they were both a bit ‘out there’, and I had a feeling they might sit well in the magazine. There’s a lot of prose in Prole, if you’re interested in that too.

Prole 31 poetry mag

Another longstanding poetry magazine with great character is The Frogmore Papers. It’s packed full of poetry and is, I think, unique in publishing micro-reviews (which I really appreciate as a reader, but also contribute to occasionally). The magazine features covers by local artists and has a ‘sister’ online publication called Morphrog – can you see what they did there?

More magazines to come …

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So no fireworks this week then? Hmmm

What a week. That election (can’t bring myself to watch). Another lockdown starts. Planet Poetry Episode 2 coming up. And I’ve just turned 60.

Planet Poetry

Peter Kenny and I were thrilled and touched by the feedback on our podcast first episode. Episode 2 goes live on Thursday, when I’m interviewing Clare Shaw (yeah, baby!) and Peter meets editor of Channel magazine Elizabeth Murtough.

Meanwhile we’re having an editorial meetup tomorrow in Lewes, the day before what would have been Bonfire Night but is now the day before lockdown. The Bonfire Boys and Girls have been told by their societies not to congregate or let off any ‘rookies’, but I can imagine the pubs will still be a tad busy. What are we thinking of? It should make a colourful recording.

Search for Planet Poetry wherever you subscribe to podcasts, or you can listen to episodes here after they are live.

The York MA

I’ve handed in my first assignment! Not that it carries any marks, it’s just a chance for them to make sure we can put one word in front of another, know how NOT to plagiarise and NOT to being a sentence with ‘and’. And I hope I’ve passed.

Whether I’ll make it to another ‘face to face’ seminar this term is anyone’s guess, but it’s looking unlikely. Ah well. More zooming.

Submissions, writing etc

Bad news! I’ve nothing out to mags at the moment. But I do have a dozen or so poems that have been rejected numerous times this year, so I ought to go back to them really, but I’m enjoying reading and writing about real poets at the moment, too much really, to bear looking at my own attempts, but that’s OK. It’ll happen.

Actually I had a poem in The Frogmore Papers recently, and I’ve two poems forthcoming in Prole next month I think, all of which I’m very grateful for, so I shouldn’t be moaning anyway.

The updated ‘Guide’

It’s out! My updated version of ‘A Guide to Getting Published in UK Poetry Magazines’ is here and I’ve sent out the pre-orders. Can I tempt you to a copy? Or someone you know? What else are we doing to do during lockdown except write and send out our poems? It’s a mere £6 including UK postage (£1 extra to send to the EU and £2 extra to North America).

Comps news

No, I’m not reneging on my vow to NOT enter single-poem comps this year. I did waver a bit when it came to the National Poetry Comp deadline, but as someone said on Twitter, having made the long list last year I rather feel lightning won’t strike twice (unless you’re Ian Duhig of course, who actually WON it twice). But that shouldn’t stop you, of course! I’ve been asked to promote the Cafe Writers Competition which closes 30th November (1st prize £1,000) and there are a plethora of magazines with their windows wide open this month, but more about that in a forthcoming post.

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On the updated spreadsheet of poetry mags submissions windows

I need a short title for this spreadsheet-thingy. Maybe an acronym… then again maybe not. Anyhoo, if you’re on my mailing list then a few days ago you should have received the latest version of the UK & Irish Poetry Magazines Submissions Windows. If you’re not on the list, you can sign up here and you’ll receive the latest version by return.

Going from the large number of new subscribers in the last few days, it seems some lovely people have been circulating news of it to their students, course cohorts and poet friends. Thank you! And thanks also for the messages of support. I’m glad it’s useful. The document started out as something I was doing for myself, then I thought why not share it. Having promised to update it quarterly, I confess it has become quite a job, so it’s gratifying to hear that people appreciate it.

Meanwhile I’m thinking about updating and reprinting ‘A guide to getting published in UK poetry magazines’. It’s been two years since the first edition and it sold out rather quickly. I was planning to do it again, but various other things have been on my mind lately! I still stand by the majority of the content – certainly the insights from the magazine editors are all still good and valid, but some things could do with updating and expanding, such as the section of featured magazines. I may also include some ‘case studies’ from poets who are willing to be featured, talking about their experiences with submissions.

Meanwhile, it’s back to my pre-course reading… going ‘back to school’ is very exciting, if a bit daunting. I have to keep telling myself you can do this…

Last week we were in North Yorkshire, funnily enough, although nothing to do with my forthcoming course at York. It was a cold week (despite the sunshine in some of these photos) but it’s a beautiful part of the country. Here are a few pics.

Ripon canal basin
Ripon canal basin

 

The river at Richmond
The river at Richmond

 

Fountains Abbey
Fountains Abbey

 

Ripon canal
Ripon canal

 

York Minster from the city walls
York Minster from the city walls
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On a literary education (or lack of), dealing with the social media hate-storms, etc

Is it the end of June already? I wonder how you’re getting on. Well, I hope. If you need a shot of positivity, I find Wee Granny still helps…

Reading matter

Recently arrived in the post: two anthologies and issue #3 of Finished Creatures magazine. Finished Creatures was having not one but two online launches, so I thought it would be good to have a read of it beforehand and was looking forward to hearing some of the poems in particular … but did I make a note of the launch times?? I had it firmly in my mind that they were in July, but I’ve just checked the invitation email only to find they were last Thursday and Sunday, so I missed them. DUH! How %@**&! annoying. All I can blame it on is Lockdown Head – that thing whereby you only have two things to do all week and you still forget. Or is that just me??

The anthologies were Poetry & All That Jazz which Barry Smith publishes each year – its contributors are generally poets who have a connection to the Chichester poetry events that Barry organises, although anyone is welcome to submit something. There are many familiar names here, some of whom also feature in Frogmore Press Poetry South East 2020 anthology, a collection selected by the press’s editor Jeremy Page. It’s ten years since the last Poetry South East, which happened just before I started writing seriously and submitting poems to magazines. So it’s a great privilege to make this one. According to the cover blurb the Poetry South East anthologies represent ‘a comprehensive survey of poetic activity in the region in the first decades of the 21st century’. I certainly discovered some favourites old and new, including Janet Sutherland’s ‘Hangman’s Acre’, Robert Hamberger’s ‘Sleeping with uncertainty’, Stephen Bone’s ‘Inventory’ and John O’Donoghue’s ‘His Plane’.

I know it sounds unlikely, but actually I’m motoring through Introduction to Literature, Criticism and Theory (Bennett & Royle, Pearson 2005), as part of my self-education (see below). It’s a lot more interesting than it sounds!

Submissions latest

Another rejection from Ambit, on what I think may have been my fifth attempt over eight years, so I think I can safely say my work ain’t a good fit there – oh well, onwards! Then two poems accepted by Prole, which is always good news. So that’s cleared the decks, which means I need to get some more poems out this week.

Thoughts about what next

I’ve been thinking off and on for a few years about what’s going to push my writing on. I’ve thought about finding a mentor, but I’m not sure that’s it. Something that’s been nagging away at me, even though I try not to let it, is that a respected editor who I paid to critique a manuscript, when I’d asked if he would mentor me further, replied that it would be a steep upward curve for me as I have ‘no literary education’. It’s true I have a haphazard approach to reading. If I’m asked to write a review, or judge a poetry competition, I do feel a bit of a fraud (and no it’s not just ‘imposter syndrome’). As writing buddies, I have the Hastings Stanza, a supportive and talented group. I’ve always longed for something else as well, but not been able to define it.

Part of me doesn’t want to go down the Creative Writing MA route, having spoken to people who have. It’s also a huge luxury and not one (especially given the current financial climate) I’m sure I can afford to take. But the prospect of being given directed reading and focus, together with sustained critiquing that develops my writing and helps me situate it in relation to the ‘canon’, is tempting. Interestingly I nearly enrolled for a Creative Writing MA twenty years ago, when I came back from the US and wanted a fresh start. But my head ruled my heart and I took a Digital Media MA instead, which I don’t regret as it set me up for a new career. But it makes me a bit rueful all the same.  So, all of this is a longwinded way of saying I’ve decided after all to apply for that CW MA, and see what happens. I’ll let you know how it turns out!

On trying to stay informed without going down the social media hate-drain

There’s so much bitterness expressed via social media these days, which is unsurprising I suppose, given what the world is going through, and social media is basically seen by many people as their only opportunity to make their opinions heard. Trouble is, we don’t all need or want to be hearing them, especially as the repetition encouraged by ‘sharing’ quickly turns into an endless storm of hate.

I’ve noticed a few people recently announcing their withdrawal from social channels. I took myself off Facebook some years ago and don’t regret it for a moment. I’m not planning to come off Twitter as I still find it entertaining and useful, plus it’s my only regular social media presence these days. I’m proud to be one of its very early adopters and feel a responsibility to keep on using it as it was intended. But oh my, it can be depressing on Twitter these days. I manage my presence there by muting certain people, unfollowing others, encouraging and supporting good (ie social!) behaviour, continuing to share or create what I feel to be informative and/or entertaining things where possible, staying curious and feeling delight when I come across someone new and interesting to follow. Meanwhile I get the news from The Guardian and The Times online, and never, never, never watch any TV news.

Other stuff I’ve been up to

I’m still practising my handmade notelets/notebooks. Here are a couple. The cover of the dotty one is made from a Sainsbury’s bottle gift bag!

hand made notebooks

The garden continues to provide work and endless fascination. I love the strange and curious shapes the courgettes are putting out…

crazy shaped courgettes

And the small white turnips which are new this year, plus strawberries (when we can get them before the snails etc):

garden produce

 

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Poetry Magazines Submissions Windows list updated

It’s out – the latest list of UK & Irish poetry magazines with their URLs, submission windows info and other stuff.

There are now over 120 magazines/journals on the list, and quite a few are open now, so get sending!

If you’re on my email list to receive these quarterly updates, you should have heard from me yesterday.

If you’re not, but would like to be, please sign up here (a new landing page – woohoo!)

PS

Many editors are under pressure right now – homeschooling kids, self-isolating, caring for others and so forth. If you’re able to, please consider subscribing to some of these journals. That gets expensive of course, but you could always subscribe to (say) two journals this year, and then two different ones the next year, etc, in a rotation (which is what I do). Or even ordering a single issue helps both the magazine’s finances and your chances of sending them something they’ll want to publish. Thanks a million.

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Sun, secrets and submissions

OK, what I’ve been up to generally

Greetings from the Sunshine Coast. I can’t remember the last time it rained here, but the water authorities are asking us to be frugal with the watering. I’m doing my best but those courgettes are mighty thirsty.

I haven’t been writing these last few weeks, and reading other people’s blogs I feel I ‘m not alone. However, there’s a Hastings Stanza meeting coming up so that’s a good reason for me to have a dig through the WIP for a poem to workshop. Actually, I’m not beating myself up about not writing, because I’m working through a lot of ideas at the moment and this has meant research, reading and mulling, all nice cerebral activities for when I’m not gardening, or directing my long-suffering other half to repaint the hall or reposition a shelf. Oh and of course doing my best to thrash the rellies at the weekly Zoom quiz.

It’s also perfect walking weather – the other day I got a tip-off about a ‘secret’ beach, and the walk there was glorious – a slowly-descending cliff path, lots of steep steps, very few people about but plenty of birds, butterflies and beautiful views. This part of the coast is all pebbles, but in certain places at low tide there’s sand. It was magical.

Boots on the beach

Yes but what about the poetry

A couple of weeks ago I ‘attended’ the launch of Charlotte Gann‘s new collection The Girl Who Cried (HappenStance). It was set up as a ‘webinar’, which meant we could see the readers but not each other, and we had no idea who else was there (it was a secret!) To begin with I was a bit sad about that, and a  couple of other things, but I ended up really enjoying the event. Charlotte read a few poems from the book, in between carrying on a conversation with Nell Nelson the publisher. The poems were displayed on the screen as Charlotte read, which for me was a REAL bonus over just hearing them read aloud.  The result was a lovely insight into the work, and more intimate than a regular reading. And trust me, Charlotte is the real deal; a real poet. I’ve got the book on order, so something else to look forward to.

Meanwhile there is one poetry project that’s currently bubbling under, an exciting collaboration … announcement coming soon!!!!!  Sorry. That’s about as annoying as those tweets that go ‘I’VE HAD SOME AMAZING NEWS AND I’M SICK WITH EXCITEMENT BUT CAN’T TELL YOU ABOUT IT YET’ – huh, whatever. It’s a secret! Like you care!

Submissions news

I’ve had a couple of sad rejections trickle in in the last month, and still have a couple more submissions ‘in progress’, but since I’ve sent nothing out in about three months I predict my name will be absent from the mags this autumn. But at least I have some summer appearances to look forward to in The North, Stand and the Frogmore Papers.

It’s that time again

I’ve been compiling and updating my quarterly ‘UK Poetry Magazines Submissions Criteria and Windows’ document for a number of years now, and tomorrow I’ll be finalising the June update, to send on Monday. If you’re not on the list to receive it, you can sign up here. 

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Musings on Mantel, comps deadlines and a lovely Rock Rose

And so it goes on

Life has settled into a gentle daily routine, namely breakfast (in the garden most days until this cold snap), desk work, chores or gardening usually in the morning, salad and cheese/crackers or mackerel pate for lunch, then reading, more gardening, a walk or a run, a bit of yoga, a game of Scrabble at 6-ish, an episode of Spooks,Van Der Valk or whatever in the evening. Having regular punctuation points (and giving thanks daily to all the relevant gods for our fortunate situation) seems to help keep frustration at bay. And if all else fails, cups of tea. It reminds me of the various office jobs I’ve had in the past – it didn’t matter how frequently it happened, every time someone said ‘cup of tea anyone?’ the answer was always ‘LOVE ONE’.

The garden is starting to bloom. This is a marvellous thing.

Cistus in flower

I finished Hilary Mantel’s The Mirror and the Light. I’m still thinking about it. Did I enjoy it more than the first two books? No, but then how reasonable is it to say that Wolf Hall was the best? It was the first, so it had the most impact. When it comes to Mirror, we know it’s the third part of the story of Thomas Cromwell, and it’s hardly a spoiler to say it ends with his death.  But how on earth do you write about real people like this, real people, not fictional characters, many of whose lives have been recorded and dissected over the centuries, and weave them into a story that’s original, alive, relevant, thrilling even. As a reader, you know what’s coming but still can’t wait to turn the page. It’s extraordinary.

I’m not a great reader of fiction. Mantel’s trilogy has made me curious about some of the other people who appear as characters her the books and what became of them, such as Rafe Sadler, who went on to serve four monarchs, and William Herbert who has a bit-part in Mirror: he rose to become the first Earl of Pembroke and was given huge swathes of Wiltshire to build a house and start a dynasty. His daughter-in-law Mary was apparently a brilliant woman and her brother was Philip Sidney – a poet whose name I knew but am now getting to know his work…

Philip Sidney The Major Works

Poetry reading, poet readings

Poet friend Judith very kindly sent me a copy of Mary Jean Chan’s Flèche (Faber)which I’m looking forward to reading, and I also have a copy of Jackie Kay’s Darling (New & Selected)(Bloodaxe), a collection I’ve been itching to read for some time. And I’m hoping to get hold of Charlotte Gann’s new collection, The Girl Who Cried (Happenstance), for which there’s going to be an online launch on May 21st.

Fleche by Mary Jean Chan

Couple of comps to mention

Yes I know, I’ve sworn off entering single-poem comps for this year, but perhaps I can do my bit for mags and organisers by promoting them.

The Frogmore Poetry Competition, judged by Maria Jastrzębska is closing soon, on 31st May – enter here.

The Bridport Prize closes 31st May – poetry judge is Mimi Khalvati.

Live Canon Collection Competition, deadline May 25th – lots of winning chances here, do take a look.

Not poetry, but…writer friend Danielle Sensier has asked me to mention the Chalk Circle Short Story Competition which is now open until 31st August, judged by Vanessa Gebbie…

Magazines update

If you’re on my mailing list you should have received an email last week about magazines whose windows are closing soon.

If you didn’t get this and/or would like to be on the list, please join via the webform on my ‘about’ page:

NB I’d be grateful if you would join via the form, as if you ask me to add you I may not see your request or be able to act on it right away – thanks!

I’ll be compiling the next update to my Poetry Magazines Submissions Windows spreadsheet at the end of this month.

That’s it for now – take care.